科学家、摇滚明星、漫画英雄、地球最后的希望Buckaroo Banzai和他的香港骑士们阻止邪恶的Lord John Whorfin为首的外星人回到PLANET 10，拯救地球的大冒险。

剧情讲述由张智霖饰演的富家子，在一次偶然的机会下，被刘心悠饰演的俏护士一见钟情，继而令她大展“爱情狂”本色。她用各种方式对他穷追不舍，过程中自然出现许多让人忍俊不禁的桥段，最终这位“爱情狂”能否赢得情郎归，亦由此成为全片的最大悬念

富家子张泰林（张智霖 饰）在偶然之下结识了俏护士邝美宝（刘心悠 饰），两人堕入爱河，但其后泰林却逐渐发现美宝的另一面：多疑、善妒、控制欲强兼有轻微的暴力倾向。泰林难以忍受提出分手，但依然受到美宝的跟踪。美宝在医院偶遇泰林前女友慧欣（苟芸慧 饰），得知泰林不为人知的秘密，而此时泰林与母亲介绍相亲的女孩晴晴（叶熙祺 饰）的关系越加亲密。一次巧遇，美宝与泰林公开对质他的秘密，原来这场疯狂爱情才刚刚开始……

精神科医生杰克（马龙·白兰度 Marlon Brando 饰）的家庭平静但缺少激情，随着年岁的增长，他感到曾经的梦想离自己越来越远。就在离退休还有10天时，他接手了一个有妄想症，企图自杀的青年。青年自称唐璜（约翰尼·德普 Johnny Depp 饰），带着面具，穿着不符合时代的长靴和披风，佩带长剑，他因被最爱的女人抛弃，而萌生了自杀的念头。唐璜虽然行为举止十分怪异，但却有着无法抵挡的个人魅力，他向杰克倾诉自己的过往，他的传奇经历深深吸引了杰克，同时也引发了他对自己婚姻生活的深刻的思考。就在杰克被唐璜吸引之时，唐璜的祖母和母亲相继出现，两人所言却大相径庭。 　　他到底是谁？只是一个疯疯癫癫的浪荡子，还是真的是一个背负着沉重过去的大情圣？10天很快就要过去了，面对同事和法官，他又会做出怎样的选择呢？

精神科医生杰克（马龙·白兰度 Marlon Brando 饰）的家庭平静但缺少激情，随着年岁的增长，他感到曾经的梦想离自己越来越远。就在离退休还有10天时，他接手了一个有妄想症，企图自杀的青年。青年自称唐璜（约翰尼·德普 Johnny Depp 饰），带着面具，穿着不符合时代的长靴和披风，佩带长剑，他因被最爱的女人抛弃，而萌生了自杀的念头。唐璜虽然行为举止十分怪异，但却有着无法抵挡的个人魅力，他向杰克倾诉自己的过往，他的传奇经历深深吸引了杰克，同时也引发了他对自己婚姻生活的深刻的思考。就在杰克被唐璜吸引之时，唐璜的祖母和母亲相继出现，两人所言却大相径庭。 　　他到底是谁？只是一个疯疯癫癫的浪荡子，还是真的是一个背负着沉重过去的大情圣？10天很快就要过去了，面对同事和法官，他又会做出怎样的选择呢？

顾幽月与林万载分居二十年，女儿林语辞订婚时，顾幽月因装扮遭准女婿苏子建及闺蜜江欣燕羞辱。二人勾结势力谋夺林语辞公司，还掳走她。顾幽月中毒遇险，林万载携势力空降救援。夫妻联手击溃反派，揭露苏家忘恩真相。最终，二人复婚，林语辞获封，反派受惩，一家人迎来圆满。

Nadine is a factory worker. When she begins to perceive her colleague Paul in various guises, she discovers her great love for him. But years later, her love for him dissolves and she starts to question her own gaze. Mannequins (WT), set against the industrial backdrop of Europe's largest brown coal mining area, is a romantic social drama about the initial magic of falling in love and the painful process of falling out of love. 　　目前片名为暂定名。

Extremely autobiographical piece made during an intensely depressive period for the filmmaker after his divorce from Jane, his first wife, and separation from his five children. Brakhage calls it "a true, narrative, dramatic psychodrama". The film's background music is a piece which is a collage of brief phrases from various Stephen Foster songs whose common theme is loss. Brakhage scratches individual words from these songs on the film at intervals, and the shaky letters dance uncertainly across the frame. The primary visual theme is of the 55-year-old filmmaker himself brooding in a lonely apartment, sitting on the floor leaning against a wall, repeatedly rising naked from his bed and falling back. This is intercut with footage made years earlier, in the 70s, when his children were much smaller, as they played happily in the home they once shared. Even at his very lowest point, Brakhage continued to turn his life into art.