又一部来自罗马尼亚的魔幻强片...罗马尼亚电影并没有死去... 　　surreal, dreamlike, unorthodox...see it. 　　This film was shown as "Every Day God Kisses Us On The Mouth" at the Philadelphia Film Festival this year to a surprisingly large crowd; it was met with more than its share of confused silence. I think the audience expected something different then what was on screen...Personally I went in expecting a film about a serial killer and his pet goose, something akin to a Romanian twist on Gaspar Noe's utterly brilliant "Seul Contre Tous". Sure, that's perhaps a fraction of it, but as the film moves forth, it reveals itself to be a highly surreal, unorthodox, and sad film. 　　I find the plot very hard to summarize because there is so much of it, for better or worse depending upon who views the film. The first hour or so follows a fairly steady course. Dimitru has just been released from jail, and upon returning home finds his wife pregnant with his brother's child. The plot also involves murder, arson, pet geese, and some truly incredible, dreamlike imagery very much befitting a film so bizarre. In a way the film becomes a series of very interesting, very lovely, but very frustrating paintings. I can't recommend this film to everyone or pretend to have made sense of the whole affair, but to those willing to experience a film very unique, beautiful, and haunting, you will find your efforts to find this film richly rewarded.

又一部来自罗马尼亚的魔幻强片...罗马尼亚电影并没有死去... 　　surreal, dreamlike, unorthodox...see it. 　　This film was shown as "Every Day God Kisses Us On The Mouth" at the Philadelphia Film Festival this year to a surprisingly large crowd; it was met with more than its share of confused silence. I think the audience expected something different then what was on screen...Personally I went in expecting a film about a serial killer and his pet goose, something akin to a Romanian twist on Gaspar Noe's utterly brilliant "Seul Contre Tous". Sure, that's perhaps a fraction of it, but as the film moves forth, it reveals itself to be a highly surreal, unorthodox, and sad film. 　　I find the plot very hard to summarize because there is so much of it, for better or worse depending upon who views the film. The first hour or so follows a fairly steady course. Dimitru has just been released from jail, and upon returning home finds his wife pregnant with his brother's child. The plot also involves murder, arson, pet geese, and some truly incredible, dreamlike imagery very much befitting a film so bizarre. In a way the film becomes a series of very interesting, very lovely, but very frustrating paintings. I can't recommend this film to everyone or pretend to have made sense of the whole affair, but to those willing to experience a film very unique, beautiful, and haunting, you will find your efforts to find this film richly rewarded.

编导专业的亚男在毕业设计一筹莫展之际，选择回到自家在县电子厂和中学附近经营的冰粉店，拍摄一部展现当代底层年轻人生活的纪录片，殊不知随着拍摄的展开，他渐渐发现自家女店员身上似乎正在发生着不同寻常的状况，而亚男深藏在内心的隐秘欲望也随之蠢蠢欲动起来……

编导专业的亚男在毕业设计一筹莫展之际，选择回到自家在县电子厂和中学附近经营的冰粉店，拍摄一部展现当代底层年轻人生活的纪录片，殊不知随着拍摄的展开，他渐渐发现自家女店员身上似乎正在发生着不同寻常的状况，而亚男深藏在内心的隐秘欲望也随之蠢蠢欲动起来……

少男少女的爱情故事

少男少女的爱情故事

In God We Trust, also known as Human Instrumentality Project, is a 2012 competitive trailer written and directed by Alex Gingell and Philip Koch alongside Dan Haigh and Alex Westaway. All four also star in the video.The trailer is heavily influenced by Neon Genesis Evangelion, taking contemporary adaptations of some of its core religious [email protected]

In God We Trust, also known as Human Instrumentality Project, is a 2012 competitive trailer written and directed by Alex Gingell and Philip Koch alongside Dan Haigh and Alex Westaway. All four also star in the video.The trailer is heavily influenced by Neon Genesis Evangelion, taking contemporary adaptations of some of its core religious [email protected]

One of the best films made between the two world wars was In God We Trust (Sa verom u boga), 1932, which was directed by Mihajlo Al. Popovic, the owner of MAP Film and a well-known cameraman. Many companies closed down after 1933, while the remaining ones stagnated, making documentaries and films on order from time to time. (《HISTORY OF SERBIAN CINEMATOGRAPHY》)