台北优秀年轻警员（黎明饰）在巡逻的时候，驱散一群喝酒喧哗的年轻男女并注意到其中一个女孩（房思瑜饰）。这个女孩高中毕业就被迫独自来到台北赚钱，多次因为和一群吸毒的朋友在夜店狂欢而被带到警局，一次录完口供后，警员为饥饿的女孩买来一个便当，身在异乡的女孩感受到了莫大的温暖，从此女孩默默关注着警员的一举一动，并下定决心过新的生活……

台北优秀年轻警员（黎明饰）在巡逻的时候，驱散一群喝酒喧哗的年轻男女并注意到其中一个女孩（房思瑜饰）。这个女孩高中毕业就被迫独自来到台北赚钱，多次因为和一群吸毒的朋友在夜店狂欢而被带到警局，一次录完口供后，警员为饥饿的女孩买来一个便当，身在异乡的女孩感受到了莫大的温暖，从此女孩默默关注着警员的一举一动，并下定决心过新的生活……

港漂女生（朱芷莹）秘密租借子宫给富太做代母，代价是暂时过着近乎被禁锢的生活。富太忽然改变主意，要女生堕胎，女生却想生下孩子。一直蒙在鼓里的富丈夫（张学友），追查到自己的精子花落谁家，加上女生的男朋友、在事件中运筹帷幄的律师（车沅沅），使女子的命运愈加复杂难料。

港漂女生（朱芷莹）秘密租借子宫给富太做代母，代价是暂时过着近乎被禁锢的生活。富太忽然改变主意，要女生堕胎，女生却想生下孩子。一直蒙在鼓里的富丈夫（张学友），追查到自己的精子花落谁家，加上女生的男朋友、在事件中运筹帷幄的律师（车沅沅），使女子的命运愈加复杂难料。

当被污染的能量饮料变成非法的狂欢变成了一场噩梦，一个germaphobic新闻记者要克服自己内心深处的恐惧让她的朋友活着出去。

明治末年，大正初期，十市是一名将家安在河边的船夫，他每天的工作是划船接送形形色色的人过河。为了方便村民的出行，一座横跨河两岸的桥即将落成。村民兴高采烈地讨论着桥落成后的便利，只有十市对此有着复杂的感觉。某日，他从河里救了一名受伤的神秘年轻女子。无处可去的她最终只能返回十市家中，这次邂逅开始改变了十市的生活。小田切让首次执导长片，入选威尼斯电影节威尼斯日单元，浅野忠信、苍井优、永濑正敏亦有参与演出。

明治末年，大正初期，十市是一名将家安在河边的船夫，他每天的工作是划船接送形形色色的人过河。为了方便村民的出行，一座横跨河两岸的桥即将落成。村民兴高采烈地讨论着桥落成后的便利，只有十市对此有着复杂的感觉。某日，他从河里救了一名受伤的神秘年轻女子。无处可去的她最终只能返回十市家中，这次邂逅开始改变了十市的生活。小田切让首次执导长片，入选威尼斯电影节威尼斯日单元，浅野忠信、苍井优、永濑正敏亦有参与演出。

This simple story of a mother and daughter finds them struggling to find work and food in Paris. Micheline Bezancon is the expressionless young mother who alone worries about the future of her and her daughter. Filmed in black and white, the directorial approach is as simple as the title. She engages in a poignant narrative about her daily life. Half of the time the screen is black, evoking a feeling of despair that permeates the feature. 　　Shot in 16 mm in Paris & its suburbs and co-produced by French television on a very low budget. This was inspired by an item on the back page of a newspaper. The essence of the film is captured by its first person voice-over commentary, and was considered "one of the few genuine masterpieces in the entire history of cinema" by film theorist Noel Burch. The film is not available in English translation, either dubbed or subtitled. But it works very well in simultaneous translation, if prepared in advance.

This simple story of a mother and daughter finds them struggling to find work and food in Paris. Micheline Bezancon is the expressionless young mother who alone worries about the future of her and her daughter. Filmed in black and white, the directorial approach is as simple as the title. She engages in a poignant narrative about her daily life. Half of the time the screen is black, evoking a feeling of despair that permeates the feature. 　　Shot in 16 mm in Paris & its suburbs and co-produced by French television on a very low budget. This was inspired by an item on the back page of a newspaper. The essence of the film is captured by its first person voice-over commentary, and was considered "one of the few genuine masterpieces in the entire history of cinema" by film theorist Noel Burch. The film is not available in English translation, either dubbed or subtitled. But it works very well in simultaneous translation, if prepared in advance.

1940年代末黎巴嫩即将陷入战争时，一对兄妹埃米莉和埃米尔逃往巴西。他们在亚马逊的马瑙斯市开始新生活。埃米莉爱上了商人奥马尔，而埃米尔因嫉妒而挑起事端。在一次争吵中，埃米尔受伤，被奥马尔带往亚马逊丛林寻找巫医救治。埃米尔康复后，埃米莉与奥马尔成婚。而此时，一场悲剧也同时发生。这部电影不仅是对移民过程的描绘，更是对记忆、激情和偏见的深刻探讨。