谢芷筠（夏茜 饰）重生，凭借前世记忆，谢芷筠成功证明了自己的清白，并逼迫楚青苍公开其与另一位谢家女子——谢星祺的私情。在计划对谢芷筠下毒的策略反转下，楚青苍的母亲宸妃落入自己布下的局中，导致想要堕害谢芷筠的诡计落空，而宸妃自己也因其它阴谋而失势。在楚青苍得知真正的力量掌控者——鱼鳞令已落入四皇子楚青策（侯明炫 饰）手中后，他的一系列计划全都归于失败。

谢芷筠（夏茜 饰）重生，凭借前世记忆，谢芷筠成功证明了自己的清白，并逼迫楚青苍公开其与另一位谢家女子——谢星祺的私情。在计划对谢芷筠下毒的策略反转下，楚青苍的母亲宸妃落入自己布下的局中，导致想要堕害谢芷筠的诡计落空，而宸妃自己也因其它阴谋而失势。在楚青苍得知真正的力量掌控者——鱼鳞令已落入四皇子楚青策（侯明炫 饰）手中后，他的一系列计划全都归于失败。

本片改编自罗尔德·达尔著名的短篇故事，讲述一名男子发现他的床上有一条毒蛇。

本片改编自罗尔德·达尔著名的短篇故事，讲述一名男子发现他的床上有一条毒蛇。

THE VIEWING BOOTH explores a space ostensibly off-limits to cinema — the internal experience of the viewer. In a lab-like space, Maia Levy, a young American woman, watches videos portraying life in the West Bank city of Hebron, while verbalizing her thoughts and feelings in real time. An enthusiastic supporter of Israel, the images in the videos, disseminated for the most part by the Human Rights organization B’Tselem, contradict some of Maia’s deep-seated beliefs. Empathy; anger; embarrassment; innate biases and healthy curiosity — all play out before our eyes as we watch her watch the images created by the Occupation. As Maia navigates and negotiates the images, which threaten her worldview, she also reflects on the way she sees them. Her candid and immediate reactions form a one-of-a-kind cinematic testimony to the psychology of the viewer in the digital era.

The warning labels found on some new microwave ovens may have comedic value (where but in America would users be warned not to put their pet in the device?) but we rarely notice the disclaimers preceding films. In fact, they are even more absurd: one very common one is “This is a work of fiction.” But producers, distributors and cinema owners protect themselves from accusations of offense caused by all sorts of other potential issues, like people of the same sex kissing, special effects, drug use, violence, unsafe behavior, and even cinematic experimentation. 　　The fear of having to pay the price for being misunderstood can be traced back to the very beginnings of film—as proven by these disclaimers from the 1874–2022 period. While the tone of this litany of warnings may be deeply ironic, the feeling gradually creeps up on you that this legal straitjacket could fatally constrict the unique ability of film to imagine the unknown, and to suspend disbelief. 　　源自：https://festival.idfa.nl/en/film/2da17be7-7721-4e2c-bbef-41db06887d96/the-film-you-are-about-to-see/

中国传媒大学2021届（2017级）动画联合创作

THE VIEWING BOOTH explores a space ostensibly off-limits to cinema — the internal experience of the viewer. In a lab-like space, Maia Levy, a young American woman, watches videos portraying life in the West Bank city of Hebron, while verbalizing her thoughts and feelings in real time. An enthusiastic supporter of Israel, the images in the videos, disseminated for the most part by the Human Rights organization B’Tselem, contradict some of Maia’s deep-seated beliefs. Empathy; anger; embarrassment; innate biases and healthy curiosity — all play out before our eyes as we watch her watch the images created by the Occupation. As Maia navigates and negotiates the images, which threaten her worldview, she also reflects on the way she sees them. Her candid and immediate reactions form a one-of-a-kind cinematic testimony to the psychology of the viewer in the digital era.

中国传媒大学2021届（2017级）动画联合创作

《战毒》讲述了一对年轻的中国情侣陈峰和梁小艺在东南亚阿尼国旅行过程中，意外卷入了一个贩毒案，二人被当地警方列为贩毒嫌疑犯，陈峰和梁小艺遭到当地…