アイドル歌手として人気を博した真弓倫子が、妖艶で危険な魅力をたたえた毒婦にふんするエロティック・サスペンス。血にまみれた殺人現場の映像を、パソコン通信の裏ネットワークで密かに楽しむ愛好家（マニア）達。異常と正常が背中合わせの現代。美人写真家・弥勒由宇華の真実の姿は、男を誘惑しては惨殺する殺欲を持つ女だった。彼女のプライベートを覗き見していた倫文（リンブン）は、尾行中に犯行現場を目撃してしまう。悦楽の表情で男の頸元にナイフを突き立て、死体を撮影する由宇華と、その妖しい美しさに欲情するリンブン。そこへ、SMマニアの曽我部が由宇華の危険な香りを嗅ぎつけ近付く。曽我部のSEXペットとして地下室に幽閉される由宇華は・・・。

アイドル歌手として人気を博した真弓倫子が、妖艶で危険な魅力をたたえた毒婦にふんするエロティック・サスペンス。血にまみれた殺人現場の映像を、パソコン通信の裏ネットワークで密かに楽しむ愛好家（マニア）達。異常と正常が背中合わせの現代。美人写真家・弥勒由宇華の真実の姿は、男を誘惑しては惨殺する殺欲を持つ女だった。彼女のプライベートを覗き見していた倫文（リンブン）は、尾行中に犯行現場を目撃してしまう。悦楽の表情で男の頸元にナイフを突き立て、死体を撮影する由宇華と、その妖しい美しさに欲情するリンブン。そこへ、SMマニアの曽我部が由宇華の危険な香りを嗅ぎつけ近付く。曽我部のSEXペットとして地下室に幽閉される由宇華は・・・。

一个穷途末路的老太太走上了贩毒道路，穿梭于一群年轻男人之间，斗智斗勇、轻松诙谐地化解了重重险境。这部另类犯罪片从头至尾充满了令人捧腹的法式幽默。女主角伯纳蒂特·拉方特自1950年代出道，是特吕弗和夏布罗尔两大法国电影新浪潮干将的处女作女主角，从影五十五年来已参演180多部影视剧，曾两度荣获法国电影凯撒奖，与之配戏的是西班牙国宝级女演员、阿莫多瓦御用明星卡门·毛拉，两位女星擦出笑果无数。

一个穷途末路的老太太走上了贩毒道路，穿梭于一群年轻男人之间，斗智斗勇、轻松诙谐地化解了重重险境。这部另类犯罪片从头至尾充满了令人捧腹的法式幽默。女主角伯纳蒂特·拉方特自1950年代出道，是特吕弗和夏布罗尔两大法国电影新浪潮干将的处女作女主角，从影五十五年来已参演180多部影视剧，曾两度荣获法国电影凯撒奖，与之配戏的是西班牙国宝级女演员、阿莫多瓦御用明星卡门·毛拉，两位女星擦出笑果无数。

Mystery writer Janet Frobisher lives alone in a dark English country house, when she's not philandering with her secretary's fiancée. At an extremely awkward moment, she has an unwelcome visitor: George Bates, who claims to be the partner in crime of Janet's estranged husband. George insinuates himself into Janet's home and life despite her efforts to get rid of him; the tangled relationships develop into a macabre, murderous cat-and-mouse game.

Mystery writer Janet Frobisher lives alone in a dark English country house, when she's not philandering with her secretary's fiancée. At an extremely awkward moment, she has an unwelcome visitor: George Bates, who claims to be the partner in crime of Janet's estranged husband. George insinuates himself into Janet's home and life despite her efforts to get rid of him; the tangled relationships develop into a macabre, murderous cat-and-mouse game.

Rosa Moline is the neglected wife of a small-town Wisconsin doctor. She grows bored and becomes infatuated with a visiting Chicago businessman. She extorts money from her husband's patients and uses the cash to flee to Chicago, but the businessman does not welcome her. She returns home and becomes pregnant by her husband. The businessman has a change of heart and follows her to Wisconsin. He wants her back, but not her baby, so she attempts to abort by throwing herself down a hill and gets peritonitis, dying in what Bette Davis called "the longest death scene ever seen on the screen."

Rosa Moline is the neglected wife of a small-town Wisconsin doctor. She grows bored and becomes infatuated with a visiting Chicago businessman. She extorts money from her husband's patients and uses the cash to flee to Chicago, but the businessman does not welcome her. She returns home and becomes pregnant by her husband. The businessman has a change of heart and follows her to Wisconsin. He wants her back, but not her baby, so she attempts to abort by throwing herself down a hill and gets peritonitis, dying in what Bette Davis called "the longest death scene ever seen on the screen."