Björk的MV集。Features 14 stunning videos of Björk. The videos for Human Behaviour (from her first solo album Debut), Isobel (from her second album, Post) and Bachelorette (from her 3rd studio album, Homogenic) form a trilogy - all directed by Michel Gondry.

Sent to music school at the age of 5, and at the age of 11 released her first album. But, she felt funny about it, 'cause it wasn't her work. Then she got involved in punk. Shows GREAT video of Einar Orn in Purrkur Pillnikk and Bjork in Tappi Tikkarass, and shows her book Um Urnat! And clips from the Kukl video "Anna"! Then the Sugarcubes, one of the first people they talk to is Beck, who discusses hearing Birthday for the first time.. the video for "Birthday" is shown. 　　Then Bjork moves on to her solo career, looking for new challenges. She collaborates with Graham Massey, on songs she had written since childhood. It shows an adorable clip of her singing "The Anchor Song" accompanying herself on an old pedal organ, in a little church. With gorgeous sights of Iceland. 　　She explains the mood of each album: Debut is like a polite new-comer, and Post is like a wide eyed girl consumed by the city and the city is consuming her. She talks about the story of Isobel, called Isobel, because of the ISO-lation. Elton John says: "A lot of people who aren't that musical, say "oh it's a lot of rubbish, it's noise", but it's not, it's extremely clever. And it's far more sophisticated then most things that are out there, by a hundred thousand times." (Agreed!) 　　According to Bjork, Homogenic is about a person put in an impossible situation, with a lot of pressure. She'd work 16 hours a day, rarely with a day off. Homogenic is like a warrior, not one with weapons, but one with love. Homogenic was like a "blue period" for her. She discusses Joga, like a national anthem with patriotic strings. She collected actual volcanic beats, for the song. 　　RZA dicusses Norse mythology with surprising insight. About how Iceland is filled with such fascinating mythology, about the different deities. And how Bjork is kind of a "warrior princess" :-) 　　Bjork discusses that she thought she was at first an atheist, but then she matured and realized she did have a religion, nature. She discusses her love hate relationship with classical music. 　　Then onto Dancer in The Dark. Just seeing and hearing the clips made me choke up. That movie is so sad. She's not a trained actor, she worked by instinct. And Sean Penn point's out "If someones preserves their instinct from a young age, training becomes an inhibitor" 　　And of course, it discusses the swan dress, and Elton John expresses his wrath about the critisism it got, AGREED! 　　Bjork: "The girl in Dancer in the Dark, was very introverted and kind of heard of all these noises in her head, like a locked universe". And Vespertine is about an internal world, what happens under her skin. Shows the videos for Pagan Poetry Cocoon..and Bjork discusses Icelandic passion. 　　Then the film tells about how she has now left Europe and settled in New York, and shows her working on a computer with her microbeats. And she discusses Matmos. And Matmos talk about their interesting collaboration with her, and shows them on the Vespertine tour. Lastly shows her singing Generous Palmstroke.

Award-winning musician Björk and legendary broadcaster and naturalist Sir David Attenborough have admired each other's work for years but this is the first time they have discussed their mutual love of music and the natural world on screen. In this remarkable documentary, Björk explores our unique relationship with music and discovers how technology might transform the way we engage with it in the future. At the heart of the film is Biophilia, Björk's cutting-edge music project that explores where nature, music and technology meet. David Attenborough explains how music exists in the natural world and speaks about his own passion for music. Author and professor of neurology and psychiatry Oliver Sacks explains the extraordinary and beneficial effects music has on our brains and explains why performing and engaging with music is something all of us should take more seriously.

1 Frosti 1:23 　　2 Overture 3:35 　　3 All Is Full Of Love 4:03 　　4 Aurora 3:52 　　5 Undo 5:54 　　6 Generous Palmstroke 4:21 　　7 An Echo A Stain 4:18 　　8 Hidden Place 5:50 　　9 Cocoon 4:43 　　10 Unison 6:44 　　11 Harm Of Will 4:22 　　12 It's Not Up To You 5:22 　　13 Pagan Poetry 5:27 　　14 Possibly Maybe 6:00 　　15 Isobel 6:13 　　16 Hyperballad 4:59 　　17 Human Behaviour 4:28 　　18 Jóga 6:36 　　19 It's In Our Hands 5:58 　　20 Touring Vespertine 41:10

1 Frosti 1:23 　　2 Overture 3:35 　　3 All Is Full Of Love 4:03 　　4 Aurora 3:52 　　5 Undo 5:54 　　6 Generous Palmstroke 4:21 　　7 An Echo A Stain 4:18 　　8 Hidden Place 5:50 　　9 Cocoon 4:43 　　10 Unison 6:44 　　11 Harm Of Will 4:22 　　12 It's Not Up To You 5:22 　　13 Pagan Poetry 5:27 　　14 Possibly Maybe 6:00 　　15 Isobel 6:13 　　16 Hyperballad 4:59 　　17 Human Behaviour 4:28 　　18 Jóga 6:36 　　19 It's In Our Hands 5:58 　　20 Touring Vespertine 41:10

Biophilia Live is a 2014 British concert film by Björk, directed and edited by Peter Strickland and Nick Fenton. The film features Björk performing tracks from her Biophilia Tour, which started in June 2011 and ended in September 2013. It was filmed at Alexandra Palace in London on 3 September 2013, and screened in hundreds of theaters across the world in 2014. 　　The film has been released on digital download, on DVD and Blu-ray on 25 November 2014, and subsequently on CD release with the live audio.

加里．库珀荣获金像奖最佳男主角的代表作。他饰演一名来自田纳西州的农村子弟，个性纯朴，而且是一个虔诚的教徒。他被逼参加了第一次世界大战，但是他以宗教理由不肯杀人，然而这样的一个人却成为美国的战争英雄。这是一部取材比较特别的战争片，导演霍华德．霍克斯藉着一个教徒对战争的态度来探讨战争的本质，主题发人深省，所以本片在二次世界大战刚发生的1941年推出首映时引起了相当大的轰动，今天看来也依旧有它的思考性和娱乐性。

Amber Gray catches the attention of an elite group of students during her first semester at university. During the initiation, Amber and the York Witches' Society unintentionally awaken an ancient evil that has been waiting to finish the job it started centuries earlier.

In May 1981, truck driver Peter Sutcliffe was convicted of murdering thirteen women and attempting to kill seven others. His trial concluded the biggest manhunt in British criminal history, for a killer nicknamed 'The Yorkshire Ripper'. 　　But after an intense six year search, Sutcliffe was only caught when stopped for a minor motoring offence. And it transpired that he’d in fact already been questioned nine times during the investigation. 　　In this new box-set history series for BBC Four, filmmaker Liza Williams will re-investigate this infamous case from a wholly new perspective, asking whether prevailing attitudes of the time, towards women and prostitutes in particular, influenced the investigation and meant that Peter Sutcliffe was caught years too late. 　　Over three gripping hours of television Williams will meet the relatives and friends of those Sutcliffe murdered as well as survivors of his attacks - some of whom have never spoken before. Going back to original sources and meeting police officers who worked on the case, as well as journalists who covered it, she’ll re-examine the story with contemporary eyes 　　Her investigation will bring into focus the complex realities and social forces at play in the North of England in the 1970s that meant Britain’s most notorious serial killer evaded capture for too long, leaving 23 children motherless.

In May 1981, truck driver Peter Sutcliffe was convicted of murdering thirteen women and attempting to kill seven others. His trial concluded the biggest manhunt in British criminal history, for a killer nicknamed 'The Yorkshire Ripper'. 　　But after an intense six year search, Sutcliffe was only caught when stopped for a minor motoring offence. And it transpired that he’d in fact already been questioned nine times during the investigation. 　　In this new box-set history series for BBC Four, filmmaker Liza Williams will re-investigate this infamous case from a wholly new perspective, asking whether prevailing attitudes of the time, towards women and prostitutes in particular, influenced the investigation and meant that Peter Sutcliffe was caught years too late. 　　Over three gripping hours of television Williams will meet the relatives and friends of those Sutcliffe murdered as well as survivors of his attacks - some of whom have never spoken before. Going back to original sources and meeting police officers who worked on the case, as well as journalists who covered it, she’ll re-examine the story with contemporary eyes 　　Her investigation will bring into focus the complex realities and social forces at play in the North of England in the 1970s that meant Britain’s most notorious serial killer evaded capture for too long, leaving 23 children motherless.