A masterclass in mood, the film plunges us into the darkness of the blackouts that ripple across Cuba. In the murk of shadow, the flickering of fire beckons stories from realms beyond the reach of light. Electricity cuts have revived a protest movement dormant since the revolution, one demanding that power be restored. 　　源自：https://iffr.com/en/iffr/2024/films/history-is-written-at-night

Mariano and Juan have been dating for several years, they have a dog and a quiet life. Mariano always wanted to have a plant nursery away from the city and now that Juan's work as a writer is more established due to the success of his latest novel, they decide to make that change. While they adjust to their new space and their new routines, they receive a visit from Juan's best friend, who has news to tell them.

Mariano and Juan have been dating for several years, they have a dog and a quiet life. Mariano always wanted to have a plant nursery away from the city and now that Juan's work as a writer is more established due to the success of his latest novel, they decide to make that change. While they adjust to their new space and their new routines, they receive a visit from Juan's best friend, who has news to tell them.

"The Theme" is a film that had to stay on the shelf for almost ten years because of its "theme". Mikhail Ulyanov plays Kim Yesenin, a disillusioned and cynical playwright who uses the system by writing the conformist plays and enjoys the benefits of being the officially recognized and appointed "great Soviet writer" but who in reality has been used by a system and spent all the talent he ever had in writing the plays that had no artistic value whatsoever. Bitter irony lies in the name of the character: Sergei Yesenin was a real life enormously talented, widely popular and beloved Russian poet who committed suicide at the age of 30 in 1925 because he could not fit in the Soviet Russia. Kim Yesenin in the movie suffers the writing block and arrives to the small provincial town with a friend and a young mistress in search of inspiration. He meets an attractive, intelligent and well educated museum guide named Sasha (Inna Churikova never looked so beautiful and sophisticated and I finally understood why Panfilov always had been fascinated by her face, never conventionally pretty) who used to be a big fan of his earlier works but has a lot of unflattering things to say about his officially praised outings. Sasha is in love with a talented historian who had made a very difficult and life changing decision to emigrate from the Soviet Union. He had lost his job by becoming a dissident and had to work as a gravedigger to support himself while waiting for permission to leave the country. Those who never had to emigrate from their country knowing that they might leave forever and never be allowed to go back to see their loved ones and the places dear to their heart again would not fully understand why Panfilov's film had to stay on the shelf for almost ten year after it was completed. It was released only during the "perestroika" in 1987 and I saw it then. I respect Panfilov for his siding with the real artists rejected by the system but his film is not only a courageous statement against the conformity suffocating cultural life under the Brezhnev regime which would be later called "period zastoya" or "stagnation", it is a memorable work of cinema with very good performances from his muse, Inna Churikova, Mikhail Ulyanov, and supporting cast.

"The Theme" is a film that had to stay on the shelf for almost ten years because of its "theme". Mikhail Ulyanov plays Kim Yesenin, a disillusioned and cynical playwright who uses the system by writing the conformist plays and enjoys the benefits of being the officially recognized and appointed "great Soviet writer" but who in reality has been used by a system and spent all the talent he ever had in writing the plays that had no artistic value whatsoever. Bitter irony lies in the name of the character: Sergei Yesenin was a real life enormously talented, widely popular and beloved Russian poet who committed suicide at the age of 30 in 1925 because he could not fit in the Soviet Russia. Kim Yesenin in the movie suffers the writing block and arrives to the small provincial town with a friend and a young mistress in search of inspiration. He meets an attractive, intelligent and well educated museum guide named Sasha (Inna Churikova never looked so beautiful and sophisticated and I finally understood why Panfilov always had been fascinated by her face, never conventionally pretty) who used to be a big fan of his earlier works but has a lot of unflattering things to say about his officially praised outings. Sasha is in love with a talented historian who had made a very difficult and life changing decision to emigrate from the Soviet Union. He had lost his job by becoming a dissident and had to work as a gravedigger to support himself while waiting for permission to leave the country. Those who never had to emigrate from their country knowing that they might leave forever and never be allowed to go back to see their loved ones and the places dear to their heart again would not fully understand why Panfilov's film had to stay on the shelf for almost ten year after it was completed. It was released only during the "perestroika" in 1987 and I saw it then. I respect Panfilov for his siding with the real artists rejected by the system but his film is not only a courageous statement against the conformity suffocating cultural life under the Brezhnev regime which would be later called "period zastoya" or "stagnation", it is a memorable work of cinema with very good performances from his muse, Inna Churikova, Mikhail Ulyanov, and supporting cast.

一名神秘的教师来到了一座外省小镇的学校教书。但这名老师并没有老师的样子，他对事物的看法过于现代和自负。但整座小镇都很喜欢他，喜欢到超乎他的想象。

桑岩的妈妈裴书玲因顶替犯罪的丈夫桑木召在某林场服刑，刑满释放时，桑木召因意外被火车撞死，这给桑岩幼小的心灵造成重大创伤。出狱后的裴书玲带儿子回家，不料遭家人排挤，桑岩把爸爸的死归罪于妈妈，故意惹她生气，并不顾与南家恩怨与南大炮的女儿南冰洁成为好友。老师陆今生的出现让他踏上了正常孩子的求学之路，对此，裴书玲十分感激。长大成人后，桑岩时常为年幼无知时的行为后悔，毅然挑起了生活的重担，随后又考取了重点大学。之后不久，裴书玲被查出肝病，她不想拖累儿子，但桑岩还是通过他人得知了消息，他主动回到母亲身边。就在这时，当年的陆老师如今的大亨突然出现了......

80年代初某林场，小桑岩随父亲守候几里外劳改的妈妈多年，不料妈妈刚一出狱就随娘家人不辞而别回城。直到天黑爸爸也没有回来，小桑岩出去寻找，在铁轨上…

黑道、商道与人道短兵相接，缠绵、悱恻与震撼水乳交融。 　　丁光伟与胡玉珊婚姻破裂后远走南非，两岁的小宝却在胡玉珊与旧日恋人王念慈的婚礼上被保姆以四百元卖给了他人，追查中保姆车祸丧生，丁小宝生死未明。 　　二十年后，历经煎熬的丁光伟几经闯荡，已成商业巨子，思子心切的丁光伟找到胡玉珊，得知小宝已丢失，心内悲愤异常，但寻子之心不死，丁的养子阿龙担心小宝的出现会取代自己在丁家的地位，不断跟踪丁光伟，动用各种黑势力，不择手段伺机破坏，一条条线索被莫名中断，情况扑朔迷离！ 　　丁光伟费尽周折，终于找到小宝，而此时小宝却因幼时患病未得到及时治疗，旧病复发，气急败坏的阿龙怒闯小宝病房，捅穿了小宝的身世之谜，小宝过于震惊，病情再次恶化，情势十分凶险！ 　　面对遗弃自己的生身父母，伤心欲绝的小宝又将何去何从？ 　　面对阿龙多次的肆意伤害，丁光伟如何撕开这滴血的伤口？

黑道、商道与人道短兵相接，缠绵、悱恻与震撼水乳交融。 　　丁光伟与胡玉珊婚姻破裂后远走南非，两岁的小宝却在胡玉珊与旧日恋人王念慈的婚礼上被保姆以四百元卖给了他人，追查中保姆车祸丧生，丁小宝生死未明。 　　二十年后，历经煎熬的丁光伟几经闯荡，已成商业巨子，思子心切的丁光伟找到胡玉珊，得知小宝已丢失，心内悲愤异常，但寻子之心不死，丁的养子阿龙担心小宝的出现会取代自己在丁家的地位，不断跟踪丁光伟，动用各种黑势力，不择手段伺机破坏，一条条线索被莫名中断，情况扑朔迷离！ 　　丁光伟费尽周折，终于找到小宝，而此时小宝却因幼时患病未得到及时治疗，旧病复发，气急败坏的阿龙怒闯小宝病房，捅穿了小宝的身世之谜，小宝过于震惊，病情再次恶化，情势十分凶险！ 　　面对遗弃自己的生身父母，伤心欲绝的小宝又将何去何从？ 　　面对阿龙多次的肆意伤害，丁光伟如何撕开这滴血的伤口？