The year 1901, a psychiatric hospital in the Russian partition. One of the patients is a political prisoner - Józef Pilsudski (Borys Szyc). The Polish underground independence movement is preparing their mission to rescue the famous activist. Pilsudski is freed, qigou.cc but he will not get back his idyll family life that he once knew. Uncertain years are coming, marked by revolutionary events, violence and betrayal. Pilsudski must find a way to man oeuvre on the boggy ground - between the conservative passivity of the Polish Socialist Party and the aggression against the invaders, resulting in retaliation. The year 1914 is coming, and the chance for restoring an independent country, independent Poland, is now or never.

In this notorious Nazi propaganda historical costume melodrama, a conniving, ambitious Jewish businessman, Suess Oppenheimer, snares a post as treasurer to the Duke of Wurttemburg by showering the corrupt duke with treasure and promises of even greater riches. As the Jew's schemes grow more elaborate and his actions more brazen, the dukedom nearly erupts into civil war. Persuaded by the Jew, the Duke all but scuttles the constitution and alienates the assembly by lifting the local ban on Jews in Stuttgart. In a final outrage, the Jew rapes a wholesome German girl and tortures her father and fiancee. When the Duke succumbs to a sudden heart attack, the assembly of Elders try the Jew and sentence him to death for having "carnal knowledge of a Christian woman." 　　 　　Summary written by Kevin Rayburn

"Paracelsus," which was shown at the First Avenue Screening Room last Sunday and will be repeated there at noon and midnight today and tomorrow, is a very special footnote to film and political history. Never before released in New York, it is the second film made by the great, supposedly left-wing German director, G. W. Pabst, after he returned to Nazi Germany just in time for World War II. 　　Pabst, who died at the age of 82 in 1967, is a fascinating character, known as "the red Pabst" (Papst means pope in German) until he went back to Hitler's new German empire. His best films, including the silent "Joyless Street" with Greta Garbo and "The Threepenny Opera" (1931), are rather uproarious amalgams of stark realism, wild melodrama and pure poetry. Lots of elements in his films look dated today but also there is usually, something that looks totally new and surprising. 　　"Paracelsus," considering when it was made (1943) and under what conditions, is a remarkably interesting film, though full of not especially well disguised propaganda. It's the story of Paracelsus, the 16th-century Swiss healer whose reputation took on a new vogue in the Germany of the early nineteen-forties. Nazi writers and intellectuals began to attribute all sorts of Nazi ideals to the mystic healer who had been ridiculed and oppressed for choosing to write in German instead of Latin and who had challenged the authority of vested (feudal) interests. 　　With the exception of Werner Krauss, who plays Paracelsus as a sort of medieval Dr. Gillespie, crusty but kind, the acting is operatic. The screenplay is full of noble opinions about the German character and its ability to triumph over the ignorance of its enemies. 　　The physical production, however, is astonishingly handsome. In addition, the movie contains one of Pabst's most magical scenes, in which Death, in the person of a juggler, enters a town in the siege of plague and invites the citizens to join him in a celebratory dance. Realism moves into fantasy (and back again) with less awkwardness than most other directors display when making a simple cut between two scenes in the same style. 　　A further footnote to this footnote to history: after the war, Pabst went on to make other films, including "The Trial" (1949), about anti-Semitism in Hungary in 1882, but Werner Krauss was blacklisted, largely for his participation in the notorious "Jud Süss."

哈威·凯特尔将主演聚焦臭名昭著的黑帮人物迈耶·兰斯基的未定名传记片。本片卡司还有萨姆·沃辛顿、艾莫里·科恩、奥斯汀·斯托维尔。亚历珊德拉·达达里奥正洽谈出演中。影片由埃坦·洛克威尔([幽闭空间])自编自导，部分取材于洛克威尔的父亲、历史学教授罗伯特·罗克韦对兰斯基的真实采访。本片讲述兰斯基在被FBI调查和追捕了几十年之后，默默无闻地生活在迈阿密海滩。兰斯基请来年轻记者大卫·斯通(沃辛顿饰)来讲述他的故事时，FBI却把他当作了一枚棋子以追查涉嫌藏匿数亿美元的案件。本片将于8月开机。

The story of writer Charles Bukowski's formative years from childhood to high school and his struggles with an abusive father, disfiguring acne, alcohol addiction, and his initial attempts at writing.

Rare Interview-Film with polish Director and Author Andrzej Zulawski. He speaks about his cinema, polish identity, his relationships with women etc.

Zelensky takes an unfiltered and personal look at the astounding transformation of Ukraine’s President Volodymyr Zelensky from comedian to iconic war hero. The docuseries examines Zelensky’s transformation from comedy actor to calculating war commander, artfully combining his performer skills in his addresses and monopolising the media conversation to become one of the most recognised leaders on the planet.

初中生理课上，13岁小男孩科沃斯基（Cameron Wofford 饰）烦恼自己的腋下仍然是一片不毛之地。他决定采用非常规的办法来拔“毛”助长，结果不幸在同学面前露了馅。可是他的苦心倒也没白费......腋毛大过天，有爱在身边。