Moshe Ivgy is Yutz, a frustrated poet past his prime, who with his aging bohemian friends frequent Café Braun run by Leah a sympathetic mother figure who has kept the place going for over 30 years. The café was once a home to artists and intellectuals, now it is a haven for oddballs and outcasts including: a violent Arab painter fresh out of an insane asylum, an alcoholic mama’s boy who stutters, a macho heartbroken musician and an outcast Belgian immigrant photographer. The landlord puts the squeeze on Leah and threatens to demolish the building. Through a bizarre chain of events, Yutz and his friends band together to save the café and in turn save themselves. An off beat comedy about people struggling to maintain their sanity in an insane reality

Moshe Ivgy is Yutz, a frustrated poet past his prime, who with his aging bohemian friends frequent Café Braun run by Leah a sympathetic mother figure who has kept the place going for over 30 years. The café was once a home to artists and intellectuals, now it is a haven for oddballs and outcasts including: a violent Arab painter fresh out of an insane asylum, an alcoholic mama’s boy who stutters, a macho heartbroken musician and an outcast Belgian immigrant photographer. The landlord puts the squeeze on Leah and threatens to demolish the building. Through a bizarre chain of events, Yutz and his friends band together to save the café and in turn save themselves. An off beat comedy about people struggling to maintain their sanity in an insane reality

影片中的居民们居住在一个堤坝围绕的国家里。出水而起，平凡的一天伴随着香脆的面包而开始，主妇目送家庭成员陆续离开，悠然地做着家务。在这个水的世界里，水却仿佛不存在一样，生活的一切都显得理所当然。凌驾于这一切之上的， 是一个居住在城堡里的国王。而侵入者打破了一切的平静，水之国的国王为了他的王国毅然与入侵者战斗，赢得了民众的尊敬。这部作品也是保罗唯一一部在日本制作的作品。

影片中的居民们居住在一个堤坝围绕的国家里。出水而起，平凡的一天伴随着香脆的面包而开始，主妇目送家庭成员陆续离开，悠然地做着家务。在这个水的世界里，水却仿佛不存在一样，生活的一切都显得理所当然。凌驾于这一切之上的， 是一个居住在城堡里的国王。而侵入者打破了一切的平静，水之国的国王为了他的王国毅然与入侵者战斗，赢得了民众的尊敬。这部作品也是保罗唯一一部在日本制作的作品。

无声黑白短片

无声黑白短片

A man lives in conflict as he deals with his friends and love interests against the backdrop of São Paulo.

Une commande de film sur les élections législatives dans le 11e arrondissement de Paris vues par un exilé chilien devient prétexte à une réflexion de Ruiz sur le cinéma documentaire.

Une commande de film sur les élections législatives dans le 11e arrondissement de Paris vues par un exilé chilien devient prétexte à une réflexion de Ruiz sur le cinéma documentaire.