“I would like to propose a film that contributes to the concept of work. That compares the work of a traditional society, like in Africa, in an early industrial society such as India, and in a highly developed industrial society, in Europe or Japan. The object of comparison is to be the work in building houses. Houses to live in.” 　　This was written in Harun Farocki’s exposé from 2003 for a documentary project. “After initial research (...) I had the idea of using the brick, its manufacture and its processing as the object of comparison, explains Farocki. “We were looking for a great variety of uses for bricks – and we were looking for manufacturing processes that would possibly do away with bricks.” In India he filmed a brickworks whose threading machine was from the 1930s when Gandhi was organizing the anti-colonialist protest. The installation in northern France was operated by Moroccans who housed in barracks like POWs or forced labourers. In Mumbai apartment houses were built much like they are in Europe. No hand touched the products that came out of the highly mechanized factories in Germany. In Burkina Faso Farocki followed the communal work on a hospital ward and a school building with his camera: “I’ve never in my life been able to observed such a strange process so closely.” 　　The film does without commentary; there are only indications of the places and a few explanations offered in subtitles.

在一座鸽子笼似的弄堂房里，住着六户人家：楼上统厢房住的是已被停职的某丝厂职员袁瑞三（王献斋饰）和他的会做人的太太（舒绣文饰），袁瑞三虽然失业已久，却硬撑着门面，装出并未失业的样子；客堂楼住的是两名舞女孙如梅和俞连珠，她们虽然每天到舞厅去，可是舞厅里舞客寥寥，只有“汤”可吃；亭子间里住的是汽车夫唐根泰，他的主人在事业上“兜不转”，致使他闲来无事，终日开着小车，载着女人乱转；阁楼上住的是小学教员陈老师，由于校方欠薪太久，加上卖文无路，使他异常焦急；楼下统厢房住的是范思全夫妇，男的在一家木器店当跑街，但拉不到生意，女的多产又多病，整天守着一群孩子；后客堂住的则是二房东吕老太婆和她的喜欢赌博的儿子。这样一些“灰色人物”，聚居在这样一种“灰色环境”里。人人，家家，时时，处处，都缠绕在一种难解的愁绪和郁闷的气氛里。

Life at the border is very tough. The land is stony and dry, farmers plough fields of sand and illegal trafficking seems to be the only way to make a living. In Deliviran, a village near Urfa close to the Syrian border, Hidir’s chief is involved in smuggling and gets shot. Hidir tries to stay out of illegal activities but circumstances contrive to push him in the opposite direction until he accepts to take a herd of sheep across the border. Amidst poverty and the landmines Hidir struggles to keep his dream and his young son alive.

富绅董怀古生有一子四女：长子孟达，长女宝珠，次女静珠，三女丽珠，四女雪珠。二十年后董家已外强中干。孟达成为一个无赖；宝珠嫁一小官，自己成日赌博；静珠嫁了商人，生子体弱，便终日念佛，对善事却一毛不拔；丽珠嫁了小职员，爱慕虚荣，其夫苦不堪言；雪珠则与姑母办托儿所，为社会服务。

富绅董怀古生有一子四女：长子孟达，长女宝珠，次女静珠，三女丽珠，四女雪珠。二十年后董家已外强中干。孟达成为一个无赖；宝珠嫁一小官，自己成日赌博；静珠嫁了商人，生子体弱，便终日念佛，对善事却一毛不拔；丽珠嫁了小职员，爱慕虚荣，其夫苦不堪言；雪珠则与姑母办托儿所，为社会服务。

Sidayu是badiwei上校的下属，却被其暗杀，但他大难不死 ，并一直怀恨在心 。等到badiwei有了他的第一个女儿时,Sidayu暗地里抱走了她 医院害怕被追究责任…

《开心法典》，是一类普及法律常识的大型生活服务类节目，以经典人物或当红明星作为闯关者闯关答题的方式，风趣幽默地呈现给大众需要详细了解的各类法律常识，娱乐性和知识性堪比中央电视台的经典益智节目《开心辞典》。

《开心法典》，是一类普及法律常识的大型生活服务类节目，以经典人物或当红明星作为闯关者闯关答题的方式，风趣幽默地呈现给大众需要详细了解的各类法律常识，娱乐性和知识性堪比中央电视台的经典益智节目《开心辞典》。