The closing titles say The Two Sights was “collected” on various islands of the Outer Hebrides from 2017–19, but what does the film gather? There are the images, captured on 16mm, which survey all this ravishing landscape contains, taking in its rocky cliffs, beaches and plains, alighting on its flora and fauna and the houses and ships sprinkled over it, picking out currents, reflections and shifts in light. Then there are the sounds, recorded with the mic visible in the first shots, keening birds, the roaring wind, the crashing, gurgling, trickling of the water. In voiceover, a whole anthology of tales can be heard, narrated in both English and Gaelic, stories of dog skeletons, drowned villages, and family members passing away, although songs, silence and the shipping forecast are just as at home there. But like any great collection, it’s not about the individual elements, but how they overlap, about how the crow hanging on barbed wire conjures up another story never told, about how the ripples seem to reverberate along with the woman’s harmonies, about how each anecdote floats over the rushing air. Sight by eye, sight by ear, two sights that ripple and flow together.

The closing titles say The Two Sights was “collected” on various islands of the Outer Hebrides from 2017–19, but what does the film gather? There are the images, captured on 16mm, which survey all this ravishing landscape contains, taking in its rocky cliffs, beaches and plains, alighting on its flora and fauna and the houses and ships sprinkled over it, picking out currents, reflections and shifts in light. Then there are the sounds, recorded with the mic visible in the first shots, keening birds, the roaring wind, the crashing, gurgling, trickling of the water. In voiceover, a whole anthology of tales can be heard, narrated in both English and Gaelic, stories of dog skeletons, drowned villages, and family members passing away, although songs, silence and the shipping forecast are just as at home there. But like any great collection, it’s not about the individual elements, but how they overlap, about how the crow hanging on barbed wire conjures up another story never told, about how the ripples seem to reverberate along with the woman’s harmonies, about how each anecdote floats over the rushing air. Sight by eye, sight by ear, two sights that ripple and flow together.

A father starts a journey to figure out the best way to protect his son from seeing filthiness of this crime-ridden city. When it comes to protecting children's innocence, how far will human go? Since children will eventually grow into adults, and every society will always has its light and shadow, is 'shield kids away from sex and violence' really about protecting children's innocence? Or is it about the fear of children growing up?

A father starts a journey to figure out the best way to protect his son from seeing filthiness of this crime-ridden city. When it comes to protecting children's innocence, how far will human go? Since children will eventually grow into adults, and every society will always has its light and shadow, is 'shield kids away from sex and violence' really about protecting children's innocence? Or is it about the fear of children growing up?

一个女人与她的椅子的故事。

兩岸關係怎麼破？你需要點“新視野”

兩岸關係怎麼破？你需要點“新視野”

施拉德在萨拉热窝电影节上表示，他已经确定了下一个项目。这部电影名为《哲学基础》，他已经写好了大纲，并计划在未来三个月内完成剧本创作。 　　施拉德说，这部电影讲述的是“一位知识分子大学哲学教授”的故事。他还补充说，这部影片的风格将与他最近《第一归正会》《算牌人》《园艺大师》组成的"房间里的男人"三部曲相同。