壁癌脫落的房間裡，女人正等著補過的牆面風乾，一邊摸著腿上的疤，回憶著一段愛情。這是一部柔美的手繪動畫，透過創作重現女性在受傷與自我療癒歷程中展現的獨特觀點與內在時間感。

壁癌脫落的房間裡，女人正等著補過的牆面風乾，一邊摸著腿上的疤，回憶著一段愛情。這是一部柔美的手繪動畫，透過創作重現女性在受傷與自我療癒歷程中展現的獨特觀點與內在時間感。

Karel Bursík (Lukás Vaculík), as a child called Kajda, recalls his childhood spent in Prague - Zizkov. His father (Vladimír Mensík), a shoe-maker, moved there his wife and three children hoping they would escape a country poverty. He soon threw his daughter Vera (Zlata Adamovská) out of home; he did not like her relationship with a married man. The competition of Bata factory was unsurpassable for a minor craftsman Bursík and his neighbours owed him for minor services. The desperate Bursík sent Kajda to sell his mother's dresses to get money for food. In a second-hand shop, Kajda met his first love.

Shot in black-and-white, this fiercely independent film traces the steps a young photographer takes to fulfil the dying wishes of a beautiful young woman, including getting a job in a funeral parlour so he can oversee her cremation.

ARIANE MNOUCHKINE’S FILM Tambours sur la Digue is a cinematographic transposition of her production performed by the Théâtre du Soleil troupe at the Cartoucherie theatre complex. This transition from theatre to film creates an additional story within a story, especially since it is about a dramatic work itself performed using a juxtaposition of theatrical forms and different levels of meaning and perception. The political and philosophical tale conjured up by Hélène Cixous takes place in a legendary, ancient China. The inhabitants are faced with a massive threat, a devastating flood that could wash away the city’s protective dykes. From prince to beggar, the imminent disaster brings out in everyone a moment of truth where the nature and character of human beings is revealed, where, in the face of doom, a pell-mell of sacrifice, wisdom, courage and cowardice, selfless commitment to saving the community, megalomania and personal interests all jostle and collide. 　　These comic and poetic “living dolls” create a striking break with reality, intensifying the impact as the audience is plunged into a disturbingly strange world. 　　------------------------------- 　　影片《堤霸上的鼓手》是亞里安娜．穆西金把她導演的同名劇作轉成電影。 戲劇是由太陽劇場演出。 　　這個有關政治和哲學的故事由 Hélène Cixous 創作，是發生在古代傳說中的中國。居民將面對一個嚴重的災難：一場大水將會衝破保護整個城市的堤霸。而因為這場即將來臨的災難，每一個人，由王子到乞丐都要面對人性真實的一面。 　　在這齣劇作中，導演亞里安娜．穆西金選擇由真人模仿日本人形淨琉璃。每個人偶背後有一名穿黑衣的操偶師控制。這些活生生的 “ 人形公仔 ” 為戲劇營造了一種脫離現實的感覺，加強了故事的震撼性，觀眾被帶進一個奇異的世界中。

故事将我们带回1899年的上阿尔卑斯地区。"苏丹"是一个被雪峰环抱的小村落。某个暴风雨之夜，深色眼眸的年轻教师艾梅抵达此地，她将在此度过整个冬季，教导寥寥数名学生。然而就在她到来后不久，一场雪崩夺走了第一位当地人的性命……

故事将我们带回1899年的上阿尔卑斯地区。"苏丹"是一个被雪峰环抱的小村落。某个暴风雨之夜，深色眼眸的年轻教师艾梅抵达此地，她将在此度过整个冬季，教导寥寥数名学生。然而就在她到来后不久，一场雪崩夺走了第一位当地人的性命……

《雾中的女孩》改编自畅销全球的同名惊悚小说。在一个浓雾瀰漫的山中小镇，办案手法令人费解的侦探沃格尔正著手调查16岁少女安娜卢的失踪案件。随著侦办…

1918年，加拿大某村庄，小女孩奥若蕾（Marianne Fortier 饰）的母亲玛丽安（Hélène Bourgeois Leclerc 饰）感染肺结核，病入膏肓。她的父亲（Serge Postigo 饰）非但没有对妻子表现出应有的关心，反而和表妹（Stéphanie Lapointe 饰）勾搭成奸。不久，玛丽安在愤怒和忧郁中死去，父亲旋即与表妹成亲。 　　三个姐妹兄弟中，奥若蕾对父亲和继母尤其抵触。父亲忙于工作，对家事鲜少过问。而奥若蕾和继母的矛盾则不断加深，继母从最初的体罚，逐渐演变成赤裸裸的虐待。娇弱的小女孩命悬一线…… 　　本片根据真实事件改编。