Greg, a susceptible teenager from a chaotic home, numbs himself through drugs and alcohol. What started as innocent fun turns haunting, as his recklessness increases to the point of no return. He is forced to make a change, or drown in his addictions. Based on a true story.

主人公仁藤俊美是一流大学毕业的银行精英，有着幸福美满的家庭。在某日下午，他以“想要有地方放书”为由，突然杀害了妻子和女儿。随着庭审的进行，仁藤不为人知的过去逐渐被揭开……

漂亮的双性恋男子Antonin在巴黎一家音像店打着零工，他喜欢音乐，和乐队男队友有着理不清的暧昧。某个夜晚当他的“爱”在他的怀里失去后，他的感情世界开始一片片剥落。Antonin开始沉迷在巴黎的夜间行走，发生匿名性爱，同时曾与他有过性关系的的老板一再暗示Antonin就范。这一切直到他遇见神秘女子Juliette。导演Hormoz并不忌讳直白裸露的性爱，他创造了一个充满魅惑的地下世界，却不忘提醒观众爱和希望即便在夜里也会盛开。

漂亮的双性恋男子Antonin在巴黎一家音像店打着零工，他喜欢音乐，和乐队男队友有着理不清的暧昧。某个夜晚当他的“爱”在他的怀里失去后，他的感情世界开始一片片剥落。Antonin开始沉迷在巴黎的夜间行走，发生匿名性爱，同时曾与他有过性关系的的老板一再暗示Antonin就范。这一切直到他遇见神秘女子Juliette。导演Hormoz并不忌讳直白裸露的性爱，他创造了一个充满魅惑的地下世界，却不忘提醒观众爱和希望即便在夜里也会盛开。

看懂的人也许能感受作者意图体现的深邃的思想，看不懂的人可能只能看到一堆线条在跳来跳去，自己是属于后者。 　　An experiment in pure design by film artists Norman McLaren and Evelyn Lambart. Lines, ruled directly on film, move with precision and grace against a background of changing colors, in response to music specially composed for the films. Lines - Horizontal is accompanied by American folk musician Pete Seeger on wind and string instruments.

看懂的人也许能感受作者意图体现的深邃的思想，看不懂的人可能只能看到一堆线条在跳来跳去，自己是属于后者。 　　An experiment in pure design by film artists Norman McLaren and Evelyn Lambart. Lines, ruled directly on film, move with precision and grace against a background of changing colors, in response to music specially composed for the films. Lines - Horizontal is accompanied by American folk musician Pete Seeger on wind and string instruments.

一名警探在调查一宗毒贩谋杀案时，发现自己身处在这一生最为危险的一个案件中心。她身边的人都没有发现，她就是警方以及杀手都在追查的那名关键证人。

一名警探在调查一宗毒贩谋杀案时，发现自己身处在这一生最为危险的一个案件中心。她身边的人都没有发现，她就是警方以及杀手都在追查的那名关键证人。

宁家真千金宁默历经四世重生，每一世她与继母李慈、假千金宁可可、养妹宁允儿都因争抢首富顾夜庭的百亿求婚戒指惨死。这一世，四人决定联手求生。宁默发现眼前的顾夜庭是冒牌替身，真正的顾夜庭已被其杀害。为揭穿真相，宁默假意答应求婚，在婚礼晚宴与顾家周旋，众人默契配合寻找证据。最终，在顾家书房，众人成功拿到替身证明，揭穿了冒牌货的真面目，将其制服。宁默不仅保住性命，还手握顾氏集团股份，与曾经的 “敌人” 们和解，开启新的人生。

It’s been roughly 30 years since the desktop computer revolutionized the way the graphic design industry works. For decades before that, it was the hands of industrious workers, and various ingenious machines and tools that brought type and image together on meticulously prepared paste-up boards, before they were sent to the printer. 　　The documentary, Graphic Means, which is now in production, will explore graphic design production of the 1950s through the 1990s—from linecaster to photocomposition, and from paste-up to PDF.