Nagaya Miho started out making private documentaries, but has since shifted to creating even more personally developed works. By layering different aspects of light, for example, lightning and blinking fluorescent lights, The Mercury leads introspective images to a release.

Nagaya Miho started out making private documentaries, but has since shifted to creating even more personally developed works. By layering different aspects of light, for example, lightning and blinking fluorescent lights, The Mercury leads introspective images to a release.

A troubled man runs away to Mexico and is recruited to join a paramilitary group of teens fighting the drug cartels. He proves himself to the group, but questions their motive.

Words of Mercury is, if nothing else, economical. It was shot on reversal film and is being screened as original. Its layers of superimpositions were all shot in the camera. Half of the many fades in the film were made by submerging the original film in a black liquid. The film is silent. The shooting ratio is low and there are areas which are unedited since taken from the camera. I generally shoot first and ask questions later, but I’m struck at the influences that I see in Words of Mercury because they reach back to the very first times that I saw great 16mm films in the early Sixties: Marie Menken, Gregory Markopolous, Stan Brakhage and my lifetime companion Nathaniel Dorsky.—Jerome Hiler

暂无剧情简介

Words of Mercury is, if nothing else, economical. It was shot on reversal film and is being screened as original. Its layers of superimpositions were all shot in the camera. Half of the many fades in the film were made by submerging the original film in a black liquid. The film is silent. The shooting ratio is low and there are areas which are unedited since taken from the camera. I generally shoot first and ask questions later, but I’m struck at the influences that I see in Words of Mercury because they reach back to the very first times that I saw great 16mm films in the early Sixties: Marie Menken, Gregory Markopolous, Stan Brakhage and my lifetime companion Nathaniel Dorsky.—Jerome Hiler

主角阿伦有一天看到一个深夜节目，里面是一个真实杀人影片。自从看了那个影片以后，里面的受害者的尸体跟着他了。开始时是在他家的街口，慢慢的，尸体离他越来越近，三天，尸体已经来到他的房间了，四天，尸体已经坐在他的旁边。最后一天，他们的距离到底会有多近？尸体就在那里，静静的，很像要用沉默告诉阿伦一个不为人知的秘密。

主角阿伦有一天看到一个深夜节目，里面是一个真实杀人影片。自从看了那个影片以后，里面的受害者的尸体跟着他了。开始时是在他家的街口，慢慢的，尸体离他越来越近，三天，尸体已经来到他的房间了，四天，尸体已经坐在他的旁边。最后一天，他们的距离到底会有多近？尸体就在那里，静静的，很像要用沉默告诉阿伦一个不为人知的秘密。

为保护女继承人，并躲避训练有素的绑匪，只身一人的维安专家（劳米·拉佩斯饰）必须揭开一桩邪恶的阴谋，同时想办法活命。

Ju-won, a personal assistant for people with disabilities, steals the guide dog from her visually impaired employer, Kyung-min, to pay off her boyfriend's debt.