在一个宁静的郊区社区，斯宾塞（Spencer）一家被邻居金凯德（Kinkade）搅得无法入眠。金凯德是个好心但行事古怪的邻居，他养了一只宠物水母，还在后院大声播放节日歌曲。从夜晚到黎明，金凯德的种种举动让斯宾塞从烦躁变得愤怒。随着金凯德怪异的行为对斯宾塞产生威胁，这个夜晚逐渐失控。

堕胎时，女孩从体内排出一只水母。

2013年・第5回沖縄国際映画祭コンペティション「Peace部門」で上映。クラスで浮いていた孤独な女子高生・宮下夕紀が、水族館のクラゲの水槽の前で同じクラスの叶子と出会い、唇を重ねたことから互いにひかれあっていく姿を描く青春劇。新潮社の「女による女のためのR-18文学賞」受賞作を映画化していく「R-18文学賞」シリーズの第2弾。

歡迎來到果凍石小鎮，這個迷人的小鎮，有你最喜愛的漢納巴伯拉動畫角色，他們在這裡一起生活、工作和遊玩……與此同時，還忍不住為彼此製造麻煩。

Clémence has been severely injured in a car accident, leaving her unable to talk and walk normally. When her sister Romane's boyfriend takes an interest in her recovery, their relationship becomes unbearable for Romane.

http://www.screenonline.org.uk/film/id/711817/index.html This experimental animation from the Amber Film Collective stands apart from the documentaries and social realist films, mostly concerned with life and work in the North East, that would become the collective's usual stock in trade. It was the third release to appear under the Amber banner, and the second of only two animations (the other being 1969's A Film). Jellyfish employs a variety of experimental approaches, combining stop-motion and pixilation techniques, freely mixing black and white photography of beach landscapes, objects and people - along with some drawings - to build a poetic, very textured montage, eliding the real and the surreal, the beautiful and the eerie, the spirited and the deadly. Figures and objects are isolated, linked together only by their presence on a beach, all exposed to direct or indirect threats. The different jellyfish are as much at threat - washing up dead, stranded in the desolate landscape - as they are a threat - appearing suddenly and making people vanish. Jellyfish resonates with a sense of unseen menace prevalent in the 1970s, at the height of the Cold War. With its mushroom cloud shape (providing the film's most direct image), stinging tentacles and alien appearance, the jellyfish makes a potent symbol for the atomic bomb. The film makes at first implicit, and later explicit, references to nuclear threat: the emblematic jellyfish, a woman disappearing in a toxic cloud, anonymous suited politicians around a table, a recurring image of a man running (in terror?). The mood of urgency and anxiety is enhanced by the soundtrack and editing, which grow faster and more staccato as the film goes on. In 1973, at the time of the film's making, the Vietnam War was still in progress, while the full extent of the risk of a full-scale nuclear war following Russia's intervention in that year's Egypt-Israeli war only emerged later.

巨型水母的瘟疫蔓延了整个日本——数十亿这种相扑选手级别的凝胶状生物将疯狂破坏日本的沿海城市。巨型野生水母——宽两米多接近200公斤，是世界上最大的水母。全球变暖造成其数量的增长——今年日本会见证这种爆炸级的增长。

米莉·波比·布朗将主演Wanuri Kahiu([肯尼亚式友谊])执导新片[水母物语](The Thing About Jellyfish，暂译)。影片改编自阿里·本杰明撰写的同名小说，围绕即将升入七年级的女孩苏茜展开。当她最好的朋友在溺水事故中去世时，她并不相信她母亲说的有时“事情就是这样会发生的”。苏茜确信这场悲剧的真正原因是她的好友被一种罕见的水母蛰了。她开始进入一个充满想象力的沉默世界，并制定了一个全球性的计划来证明她的理论，在书中探讨生死观念、友谊的脆弱以及近在咫尺的希望。

ThisisaboutTaehobeingcrazy.

影片改编自阿里·本杰明撰写的同名小说，围绕即将升入七年级的女孩苏茜展开。当她最好的朋友在溺水事故中去世时，她并不相信她母亲说的有时“事情就是这样会发生的”。苏茜确信这场悲剧的真正原因是她的好友被一种罕见的水母蛰了。她开始进入一个充满想象力的沉默世界，并制定了一个全球性的计划来证明她的理论，在书中探讨生死观念、友谊的脆弱以及近在咫尺的希望。