A mortuary in Taiwan stores the bodies of deceased children whose parents, for whatever reason, have disappeared. Their remains are kept at the top of a freezer, sometimes for years, until the funeral home organizes a ceremony. Houses and horses made of paper are burned to accompany the children on their solitary journey to the afterlife. 　　This intriguing film successfully evokes the transitional world that these abandoned children have inhabited for far too long. We see a young child scampering around aimlessly in the funeral home, and the staff chatting casually in the dressing room. These everyday scenes are interspersed with more enigmatic imagery—sometimes in negative—of young people dancing in front of a blazing fire, and another wandering child, who now seems less aimless. 　　In this way, the short film depicts a transitional ritual that is necessary to bring peace to lost souls. An elegantly realized, sorrowful yet hopeful tribute.

《一板之隔》（1952年）以后，朱石麟改编话剧《风雨牛车水》，继续刻画五十年代香港一屋多户的板间房生活。因为物质匮乏，几家人同屋共住好比群雄割据，一天到晚为了贮水、做饭、晾衫、交电费等小事闹得鸡犬不宁；当中有人连亲人也出卖，有人偷却偷得有尊严。对白的刻薄与针锋相对连连制造喜剧效果，人物处境又流露生活逼人的辛酸。朱石麟将狭小的空间与纷扰的人事处理得层次分明，烦琐小事此起彼落又环环相扣。最后一场小火令众人互相扶持，人性的自私自利，到底盖不过人情味。

《一板之隔》（1952年）以后，朱石麟改编话剧《风雨牛车水》，继续刻画五十年代香港一屋多户的板间房生活。因为物质匮乏，几家人同屋共住好比群雄割据，一天到晚为了贮水、做饭、晾衫、交电费等小事闹得鸡犬不宁；当中有人连亲人也出卖，有人偷却偷得有尊严。对白的刻薄与针锋相对连连制造喜剧效果，人物处境又流露生活逼人的辛酸。朱石麟将狭小的空间与纷扰的人事处理得层次分明，烦琐小事此起彼落又环环相扣。最后一场小火令众人互相扶持，人性的自私自利，到底盖不过人情味。

苏轩英俊帅气，扮猪吃虎，聪明涓俐，是江城医药世家苏家唯一后代，跟韩天盈在山上修行十八年，拥有超强的武功以及逆天的医术。直到一天，为了查清苏家灭门真相，苏轩下山了.……

Dust, starring Alan Rickman and Jodie Whittaker, is the short story of a man who follows a young girl and her mum home from school one day. He waits outside their house until nightfall before breaking in. Once inside, events take an unexpected turn...

Dust, starring Alan Rickman and Jodie Whittaker, is the short story of a man who follows a young girl and her mum home from school one day. He waits outside their house until nightfall before breaking in. Once inside, events take an unexpected turn...

"Chiri" is the close observation of the end of the life of her foster mother, after she had turned 95. Following her mother's daily life as she lives out her time, steadily approaching death, Kawase contemplates the fundamental themes of her own film productions.

"Chiri" is the close observation of the end of the life of her foster mother, after she had turned 95. Following her mother's daily life as she lives out her time, steadily approaching death, Kawase contemplates the fundamental themes of her own film productions.