Pilar and Elvira, two teachers in Spain during the waning years of the Franco era, become friends, then roommates, then ardent lovers. But their blissful time together ends abruptly because during this period in Spain, their love is illegal. When Pilar's domineering mother discovers her daughter's Sapphic propensity, she institutionalizes her, despite her father's objections, telling the doctor to do whatever it takes to "cure" her daughter. 　　For years, Elvira searches for Pilar, writing letters to every asylum in Spain, and imploring Pilar's parents to tell her where she is. But Pilar's mother is resolute. When Elvira finally locates the asylum on her own, the guards refuse her entry, and the emotional anticlimax brings her to her knees. 　　She continues teaching, all the while pining in misery for her one true love. But her plight cannot compare with that of Pilar, who must endure drastic behavioral conditioning and isolation as part of her "therapy". Drained of all her will, and traumatized by the relentless, harsh treatment, Pilar finally convinces her doctor she has lost all attraction to women. Only then does the asylum release her. In the custody of her parents, who severely restrict her comings and goings, she functions as a shadow of her former self. 　　One fateful evening, Elvira shows up at her doorstep, and Pilar's mother turns her away once more. Watching from an upstairs window, Pilar's father witnesses the crestfallen Elvira. Incapable of allowing this injustice to continue any further, he sneaks Pilar some money and instructs her to escape and find the happiness she deserves. 　　Pilar at once finds Elvira, and for a time, they rejoice in their reunion, openly displaying their affection in public. "It's not like it used to be", Elvira tells her, explaining that times have fortunately changed. But the difficult years have taken their toll, both physically and mentally. Though Pilar loves Elvira deeply, the memories of her ordeal will not quickly fade, and the scars again test their bond.

Pilar and Elvira, two teachers in Spain during the waning years of the Franco era, become friends, then roommates, then ardent lovers. But their blissful time together ends abruptly because during this period in Spain, their love is illegal. When Pilar's domineering mother discovers her daughter's Sapphic propensity, she institutionalizes her, despite her father's objections, telling the doctor to do whatever it takes to "cure" her daughter. 　　For years, Elvira searches for Pilar, writing letters to every asylum in Spain, and imploring Pilar's parents to tell her where she is. But Pilar's mother is resolute. When Elvira finally locates the asylum on her own, the guards refuse her entry, and the emotional anticlimax brings her to her knees. 　　She continues teaching, all the while pining in misery for her one true love. But her plight cannot compare with that of Pilar, who must endure drastic behavioral conditioning and isolation as part of her "therapy". Drained of all her will, and traumatized by the relentless, harsh treatment, Pilar finally convinces her doctor she has lost all attraction to women. Only then does the asylum release her. In the custody of her parents, who severely restrict her comings and goings, she functions as a shadow of her former self. 　　One fateful evening, Elvira shows up at her doorstep, and Pilar's mother turns her away once more. Watching from an upstairs window, Pilar's father witnesses the crestfallen Elvira. Incapable of allowing this injustice to continue any further, he sneaks Pilar some money and instructs her to escape and find the happiness she deserves. 　　Pilar at once finds Elvira, and for a time, they rejoice in their reunion, openly displaying their affection in public. "It's not like it used to be", Elvira tells her, explaining that times have fortunately changed. But the difficult years have taken their toll, both physically and mentally. Though Pilar loves Elvira deeply, the memories of her ordeal will not quickly fade, and the scars again test their bond.

陈界仁拍摄《加工厂》源于这样一个经历。“2003年我邀请偶然相识的联福制衣厂成衣女工，回到她们曾经工作了二十多年、如今已荒废的工厂。7年前资方在拒付退休金后恶性关厂，虽然当时发生了激烈的劳工抗争，但问题至今悬而未决，工厂继续处于荒废。”随着镜头缓慢而持续的推拉摇移，我们看见了女工拂去缝纫机上的灰尘，穿针引线，艰辛地进入现实，她们举起一件衣服，好像那就是抗议的旗帜。

陈界仁拍摄《加工厂》源于这样一个经历。“2003年我邀请偶然相识的联福制衣厂成衣女工，回到她们曾经工作了二十多年、如今已荒废的工厂。7年前资方在拒付退休金后恶性关厂，虽然当时发生了激烈的劳工抗争，但问题至今悬而未决，工厂继续处于荒废。”随着镜头缓慢而持续的推拉摇移，我们看见了女工拂去缝纫机上的灰尘，穿针引线，艰辛地进入现实，她们举起一件衣服，好像那就是抗议的旗帜。

蔬菜的世界远比我们想象的更奇妙！它们不仅形态各异、色彩缤纷，背后还藏着许多不为人知的生长秘密与趣味吃法。本系列将带你探索蔬菜从播种到收获的有趣过程，解锁它们新奇又美味的一面。一起发现蔬菜的魅力吧！！！

After years of being seen via VHS and DVD, Bob the Tomato, Larry the Cucumber, and their friends come toTV.Every week Bob invites us to his house where he and the gang answer letters from kids and help them with their problems using their fun and sometimes wacky stories.

After years of being seen via VHS and DVD, Bob the Tomato, Larry the Cucumber, and their friends come toTV.Every week Bob invites us to his house where he and the gang answer letters from kids and help them with their problems using their fun and sometimes wacky stories.

世界上第一档关于考古的电视节目，也可能是英国历史上收视率最高的考古节目。每集都会邀请英国当时著名的考古学家，在不提供任何信息的情况下，猜测珍宝的年代，出处与作用等，珍宝由欧洲各大博物馆提供。从1952年至1959年结束，共七季。

一棵菜兴起一座城，“菜篮子”托起“小康梦”。 　　山东寿光作为“中国蔬菜之乡”，领风气之先，创造了设施农业的绿色奇迹，蹚出了乡村振兴的新路子。寿光故事更是中国故事，背后蕴藏着中国农业、农村、农民历史变迁和未来发展的神奇密码。 　　“寿光模式”从哪里来，未来又要到哪里去？蔬菜产业如何为乡村振兴再发力再赋能？2月2日起，四集纪录片《蔬菜改变中国》在山东卫视播出。 　　《蔬菜改变中国》节目组历时一年，从“中国蔬菜之乡”山东潍坊寿光出发，辗转北京、广东、西藏、新疆、贵州等地及俄罗斯、韩国等国家采访拍摄，全程展现了由寿光冬暖式大棚引发的绿色革命，全面记录了山东打造乡村振兴齐鲁样板的先行步伐，全景描绘了蔬菜改变命运，改变中国，助力整体脱贫、实现全面小康的壮丽画卷。 　　纪录片共四集，分别为《拔土破节》、《绿潮竞流》、《多彩硅谷》、《众行者远》。

一棵菜兴起一座城，“菜篮子”托起“小康梦”。 　　山东寿光作为“中国蔬菜之乡”，领风气之先，创造了设施农业的绿色奇迹，蹚出了乡村振兴的新路子。寿光故事更是中国故事，背后蕴藏着中国农业、农村、农民历史变迁和未来发展的神奇密码。 　　“寿光模式”从哪里来，未来又要到哪里去？蔬菜产业如何为乡村振兴再发力再赋能？2月2日起，四集纪录片《蔬菜改变中国》在山东卫视播出。 　　《蔬菜改变中国》节目组历时一年，从“中国蔬菜之乡”山东潍坊寿光出发，辗转北京、广东、西藏、新疆、贵州等地及俄罗斯、韩国等国家采访拍摄，全程展现了由寿光冬暖式大棚引发的绿色革命，全面记录了山东打造乡村振兴齐鲁样板的先行步伐，全景描绘了蔬菜改变命运，改变中国，助力整体脱贫、实现全面小康的壮丽画卷。 　　纪录片共四集，分别为《拔土破节》、《绿潮竞流》、《多彩硅谷》、《众行者远》。