辰紀與佑大是在一起多年的「夫夫」，兩人共築愛巢，並留下許多難忘的深刻回憶。但是當相伴一生的諾言無法兌現時，最後僅存的時光該如何把握住？

辰紀與佑大是在一起多年的「夫夫」，兩人共築愛巢，並留下許多難忘的深刻回憶。但是當相伴一生的諾言無法兌現時，最後僅存的時光該如何把握住？

嶋のりこ主演によるエロスドラマ「DOLL」シリーズ第2弾。水商売で働く姉と暮らす専門学校生・透。ある夜、ごみ収集所に捨てられていたラブ・ドールと出会い“唯”と名付けて映画を撮り始めるが…

校貓 Hoki 數次攻擊校園裡的鳥類，生研社決定發起一場公投。 　　在高中最後的春日裡，小逸、真真、軒庭想在彼此身上找到最好的答案。

古今哲學探討的一大重點始終在於：人如何確定自己的存在不是一場虛幻？然而長期受困於免疫疾病的患者對於生活或甚至是生存的寄託反而可能建立於，會不會身體或是感知的痛苦其實只是一種幻象或是夢境？ 　　從「牽亡」的概念為發想，將免疫疾病比喻為一場自己與己身身體的長期抗戰，於戰爭中死亡的亡靈透過凝視生前的記憶切片，重新檢視與探索生命、存在如何在始終流動與不穩定的狀態下，與其共存與找到平衡。 　　One major focus of philosophical inquiry has been: how can individuals determine that their existence is not an illusion? However, for those enduring chronic immune diseases, reliance on life might paradoxically hinge on whether the pain is merely a dream. 　　Inspired by the concept of khan-bông(a traditional taiwanese ritual) likening immune diseases to a prolonged battle against one's own body, the spirits of those who die in this war revisit fragments of their memories to re-examine and explore how life and existence coexist and find balance amid perpetual flux and instability.

This is a two part Slovenian documentary on the Yugoslav Wars 1991-1999. It uses extensive archive footage from Slovenian terrestrial TV. Having watched every documentary I can find on this subject I can say that much of the footage contained in this documentary is unique to it, at least from a Western European audience's standpoint. As such this is an excellent documentary for those with an interest in the fall of Yugoslavia, or those looking for an account of the wars from a Slovenian perspective. 　　As this is a war documentary be prepared for some violent/disturbing scenes. Above all of the other documentaries covering the Yugoslav wars I think that this one has some particularly gruesome images, corpses with gunshot wounds to the head, etc. The usual war footage I see on satellite TV news, rarely if ever shows such things, or when they are shown this is done so quickly, this is not the case here. I found that this does two things, firstly it hammers home the brutality of war. Secondly it illustrates the 'glossing over' of the reality of war by much of the global (or at least Western, from my own experience) media, where scenes of intense, real life violence are perhaps too difficult to swallow with an evening meal. That said, please note that this documentary is almost two hours long and these violent scenes only take up small parts of it.

This is a two part Slovenian documentary on the Yugoslav Wars 1991-1999. It uses extensive archive footage from Slovenian terrestrial TV. Having watched every documentary I can find on this subject I can say that much of the footage contained in this documentary is unique to it, at least from a Western European audience's standpoint. As such this is an excellent documentary for those with an interest in the fall of Yugoslavia, or those looking for an account of the wars from a Slovenian perspective. 　　As this is a war documentary be prepared for some violent/disturbing scenes. Above all of the other documentaries covering the Yugoslav wars I think that this one has some particularly gruesome images, corpses with gunshot wounds to the head, etc. The usual war footage I see on satellite TV news, rarely if ever shows such things, or when they are shown this is done so quickly, this is not the case here. I found that this does two things, firstly it hammers home the brutality of war. Secondly it illustrates the 'glossing over' of the reality of war by much of the global (or at least Western, from my own experience) media, where scenes of intense, real life violence are perhaps too difficult to swallow with an evening meal. That said, please note that this documentary is almost two hours long and these violent scenes only take up small parts of it.

監督: 若松孝二 　　出演: 早瀬優香子 　　-- 内容（「CDジャーナル」データベースより）

自2025年3月开幕、共吸引12万观众的全国竞技场巡演 《YAKI YAKI YANKEE TOUR 续〈名巧若愚〉》，于大阪·关西世博会举办期间，以“反向世博”的名义在大阪城大厅举行的4月29日（周二·节假日）公演，被完整收录。 　　时代设定为1970年，概念是太阳背后的“永远深夜博览会”。此番公演，依然延续了ずとまよ（ZUTOMAYO）过去在舞台上精密营造的、与当代日本时间与空间彻底游离的虚构世界——从便利店、游戏中心、播放昭和歌谣的咖啡馆，到正统的中式茶馆——但因为恰逢55年后大阪再度迎来世博会，此次巡演则精准地击中“2025年表象世界的背面”。演出的开场、中段、以及收尾的旁白，均由55年前在真实世博会上担任解说的 石坂浩二 担纲，这种用心不仅仅是“周到”而已。在本次 《永远深夜博览会〈名巧若愚〉》 中，旁白里引用了“太阳之塔”设计者 冈本太郎 的一句话——“孤独本质上是绝对的社会性”——而ACAね在MC中仿佛跨越时空与之呼应，使得“ZUTOMAYO为何是ZUTOMAYO”的理由，以最为清晰、最为动人的方式被铭刻了下来。（文：宇野维正） 　　在所有全数售罄的公演之中，这场特意对应世博举办地的4月29日“大阪”城大厅演出，被无剪辑商品化。内容不仅充满对过去演出的致敬与时代的呼应，更堆满了即使亲临现场也未必察觉的细节看点。此外，还收录了巡演制作花絮、ACAね的副音轨解说、作为故事前奏的 《やきやきヤンキーツアー2〜スナネコ建設の磨き仕上げ〜》 演出精华影像，以及最终公演的全音源（2CD），并搭载诸多特典，一同解读这部完全版（初回限定盘）。 　　这是关于人类疑问与挑战的舞台。 　　这是一场由不愿放弃的愚者们所举行的实验博览会。

由一则男友陈放的策展报道引爆的隐离婚事实，让南飞备受“小三”舆论围剿，更由于陈放在家庭责任与爱人名分之间两难选择而导致南飞单方面提出分手，投奔上海婚期将近的闺蜜齐家宜，不料正撞上闺蜜的临阵悔婚，助其“解套”短暂婚姻之后，两人联名买房，缔结闺蜜同盟。为了躲避父母催婚，在齐家宜的“拉郎配”下，患有抑郁症的华尔街海归邻居焦岳与南飞组成临时假情侣。不料蒙在鼓里的双方父母轮番上阵逼婚大战，不明真相千里追爱的陈放与以男闺蜜自居实则暗恋南飞多年的凌骄阳也化敌为友联手对焦岳开展“鉴渣”行动，由此引发了一系列啼笑皆非的误会……