This is the story of a school teacher who becomes a mementary hero after having rescued a stuffed-bird from a school incident! In essence, he is the prototype of the small and insignificant man and this fact is to be generalized even by his name (Nyul - meaning "rabbit"- Bela). When he sees his name written on the walls as all insignificant spiritual leader, who must go, we know there`s no way out for him, but the inevitable death! Heartbreaking and sad, but so real, in the same time! Don`t miss it!

This movie did not have too many spoken lines, it's main focus is on showing the viewer how the two people are bonding, becoming one, by their actions. You must have a tough stomache to endure the extreme gruesome scene in the movie. I couldn't eat for a few days after watching this movie. Most of all, it plays with your mind on a psychological level, so be extremely mentally strong in order to watch this. For those who are hard core horror fans, like myself, just thought that you should know that this movie is not a horror. It's about a human being's desires and executing those desires in real life. Bon Apetit!!

《蕃尼蕃尼》是北京蕃尼蕃尼文化传媒有限公司打造的中国首档沉浸式少儿玩具体验类节目，于2020年8月28日在优酷少儿频道首播。节目里，蕃尼家族成员悦儿和马树演绎小朋友的趣味小剧场，内容包含趣味日常、潮流玩具、神奇小物、爆笑剧场等。节目以充满神秘感和趣味性的展示方式，引领小朋友们走进神奇的玩具世界。

《蕃尼蕃尼》是由北京蕃尼蕃尼文化传媒有限公司打造的中国首档沉浸式少儿玩具体验类节目，于2020年8月28日在优酷少儿频道上线首播。 节目主要讲述了蕃尼家族的成员悦儿和马树演绎小朋友的趣味小剧场，涵盖了趣味日常，潮流玩具，神奇小物，爆笑剧场等，通过具有神秘感和趣味性的展示方式，带领小朋友们进入神奇的玩具世界。

BONA loves Gardo. Gardo loves Gardo. Gardo loves going to bed with almost any woman he can attract. Once - apparently in the absence of anyone better - he even takes Bona to bed, but by the next morning, the matter seems to have slipped his mind. 　　Bona is a grave-looking woman who drops out of school to pursue her crush on the narcissistic Gardo by moving in with him, more as a servant than anything else. Gardo, in the estimation of Bona's enraged father, is either a second- or third-rate actor in Philippine action movies. 　　Bona (Nora Aunor) and Gardo (Philip Salvador) are the central figures in ''Bona,'' a film from the Philippines directed by Lino Brocka, whose publicity describes him as a prolific film maker and likens him to Rainer Werner Fassbinder. 　　Prolific he may be, but, while technically unobjectionable, ''Bona,'' which opens today at the Film Forum, fails to shed much light on the wellsprings of Bona's obsessive love for Gardo. A young woman's attraction and devotion to a sleazily handsome actor are understandable, and so at first it not surprising that Bona is willing to fetch water so that Gardo can have warm baths; that she scrubs his floors and mends his clothes and cooks for him in the house they share in a poor neighborhood. 　　But right from the start, it is also clear that Gardo is not exactly a flawless jewel of humanity: he is beaten up by the relatives of one of his women; he is a drunk; he brings home an assortment of other women; he disappears for extended periods; he leaves it to Bona to arrange an abortion for one of his lovers, and finally - after Bona has been essentially disowned by her family - Gardo informs her that he is selling the house they share and going off with another woman. 　　About five minutes of Gardo would be enough to make most people explode. But it takes Bona about 90 minutes. And since she seems reasonably intelligent and sensitive and is alert from the outset to Gardo's slights, the writing and direction of ''Bona'' must be faulted for failing to supply dramatically valid explanations for her patience. 　　''Bona'' is chiefly interesting as an example of Philippine film making and for its glimpses of life in the neighborhood where Bona and Gardo live. 　　Philippine Glimpses

BONA loves Gardo. Gardo loves Gardo. Gardo loves going to bed with almost any woman he can attract. Once - apparently in the absence of anyone better - he even takes Bona to bed, but by the next morning, the matter seems to have slipped his mind. 　　Bona is a grave-looking woman who drops out of school to pursue her crush on the narcissistic Gardo by moving in with him, more as a servant than anything else. Gardo, in the estimation of Bona's enraged father, is either a second- or third-rate actor in Philippine action movies. 　　Bona (Nora Aunor) and Gardo (Philip Salvador) are the central figures in ''Bona,'' a film from the Philippines directed by Lino Brocka, whose publicity describes him as a prolific film maker and likens him to Rainer Werner Fassbinder. 　　Prolific he may be, but, while technically unobjectionable, ''Bona,'' which opens today at the Film Forum, fails to shed much light on the wellsprings of Bona's obsessive love for Gardo. A young woman's attraction and devotion to a sleazily handsome actor are understandable, and so at first it not surprising that Bona is willing to fetch water so that Gardo can have warm baths; that she scrubs his floors and mends his clothes and cooks for him in the house they share in a poor neighborhood. 　　But right from the start, it is also clear that Gardo is not exactly a flawless jewel of humanity: he is beaten up by the relatives of one of his women; he is a drunk; he brings home an assortment of other women; he disappears for extended periods; he leaves it to Bona to arrange an abortion for one of his lovers, and finally - after Bona has been essentially disowned by her family - Gardo informs her that he is selling the house they share and going off with another woman. 　　About five minutes of Gardo would be enough to make most people explode. But it takes Bona about 90 minutes. And since she seems reasonably intelligent and sensitive and is alert from the outset to Gardo's slights, the writing and direction of ''Bona'' must be faulted for failing to supply dramatically valid explanations for her patience. 　　''Bona'' is chiefly interesting as an example of Philippine film making and for its glimpses of life in the neighborhood where Bona and Gardo live. 　　Philippine Glimpses

The functional drama by genius-director Naoyuki Tomomatsu. Sister of Miyo and Kayo was sold to prostitute hut, refuge to the famous Temple of Great Mercy and Goodness as a refuge. Sisters going Awakening a woman by preaching hermit of nunnery, was hidden. In fact, Temple of Great Mercy and Goodness I had a nun who Atega~tsu magistrate and landowner, the village headman.

The functional drama by genius-director Naoyuki Tomomatsu. Sister of Miyo and Kayo was sold to prostitute hut, refuge to the famous Temple of Great Mercy and Goodness as a refuge. Sisters going Awakening a woman by preaching hermit of nunnery, was hidden. In fact, Temple of Great Mercy and Goodness I had a nun who Atega~tsu magistrate and landowner, the village headman.

Roman emperor Nero is used to getting what he wants. He has grown tired of his wife Octavia, and has become infatuated with Poppea. He succeeds in making Poppea the new empress, but soon he faces opposition from an outraged populace.

故事讲述一位厌世的大学教授被诊断癌症，得知只有6个月的生命后决定抛弃一切伪装，从而改变自己人生的故事。他要求自己尽可能的大胆而自由的生活，并且幽默而从容，不计后果，甚至有点接近疯狂……