“他们为什么在一起？”这将是第一个想到的想法，因为朱相宇和张在英在所有可以想象的方面都是如此不同。一个是一个像机器人一样的工科学生，为了方便穿…

工学院的风云人物张宰英(朴栖含 饰)，是个拥有模特儿好身材和脸蛋的视觉设计系大四生，成绩优越的边缘人秋尚宇(朴宰灿 饰)，则是机械科的大三生，逻辑能力绝佳却有点书呆子。个性截然不同的两个人，却阴错阳差一起制作手游，张宰英对于秋尚宇来说，就像是电脑程式中的BUG错误指令，一场甜蜜的校园爱情就此展开。本剧改编自同名人气小说，后制作成网漫、动画，这次推出真人版戏剧，可见其魅力。

主修電腦工程的秋尚宇律己甚嚴，在一堂通識課中認識了設計系的張宰英，是校園風雲人物的張宰英可謂十項全能，卻只對秋尚宇無能為力......。張宰英在完美主義的秋尚宇面前，就像程式中錯誤的語意，秋尚宇能否編好這程式錯誤呢？

工学院的风云人物张宰英(朴栖含 饰)，是个拥有模特儿好身材和脸蛋的视觉设计系大四生，成绩优越的边缘人秋尚宇(朴宰灿 饰)，则是机械科的大三生，逻辑能力绝佳却有点书呆子。个性截然不同的两个人，却阴错阳差一起制作手游，张宰英对于秋尚宇来说，就像是电脑程式中的BUG错误指令，一场甜蜜的校园爱情就此展开。本剧改编自同名人气小说，后制作成网漫、动画，这次推出真人版戏剧，可见其魅力。

口哨，古称啸，动唇有曲，发口成音，可传意寄情。有啸者坚信，其音与天地自然共振，连接过去、当下与未至之境。

口哨，古称啸，动唇有曲，发口成音，可传意寄情。有啸者坚信，其音与天地自然共振，连接过去、当下与未至之境。

The French Teacher follows Cleo, a woman in her late-40s who is grappling with complicated personal dilemmas. Hesitantly, she begins an affair with Matthew, a student half her age. After the death of Cleo's father, her daughter Sophie returns home from New York to stay with her. The already fraught relationship between mother and daughter is intensified when a triangle emerges between Cleo, Sophie and Matthew. The present collides with the past, as long-buried family issues are unearthed in this complex, intergenerational drama.

The French Teacher follows Cleo, a woman in her late-40s who is grappling with complicated personal dilemmas. Hesitantly, she begins an affair with Matthew, a student half her age. After the death of Cleo's father, her daughter Sophie returns home from New York to stay with her. The already fraught relationship between mother and daughter is intensified when a triangle emerges between Cleo, Sophie and Matthew. The present collides with the past, as long-buried family issues are unearthed in this complex, intergenerational drama.

In the space of 10 minutes, the African baobab tree grows 0.008 mm, the fastest dog in the world, the Greyhound, can run 12 km, and the Earth travels 18,000 km around the Sun. MOVEMENTS is a 10-minute animated film which I drew at a rate of 2 seconds of animation per day. We are all walking, seeing, working, running, and stopping together.

这部“民族志”式的叙事纪录片以极为先锋的方式展示了葡萄牙山村一次基督受难剧演出的完整过程，甚至包括导演与其剧组的拍摄以及村民的围观参与。 　　影片常被拿来与戈达尔、杜拉斯，甚或拍摄《葛楚》的德莱叶。奥利维拉认为这一次创作彻底改变了他的电影观念，从对现实的模仿转变为一种“简单”的再现行为。这部影片也作为先导，开创了葡萄牙电影的一条风格线索。