阮彦初本与骆清珺相爱，五年前，骆清珺为护他死于车祸，临终托他照顾妹妹骆澜月五年。于是阮彦初成了骆澜月秘书，为她挡子弹、喝酒中毒，帮她处理各种难题。可骆澜月深爱林晚昱，对阮彦初的付出视而不见，甚至言语伤害。五年期满，阮彦初递交辞呈后跳桥，失忆后前往南城寻忆，骆澜月这时才惊觉阮彦初的重要，开始四处寻觅他的踪迹。

季凛城与苏亭晚曾深爱结婚，却因一通误会的通话，误以为苏亭晚另有所爱，嫁给自己只是贪图富贵。前女友叶语携女回国，谎称曾患血癌，季凛城愧疚补偿，对其深信不疑。 叶语屡次陷害苏亭晚，季凛城皆认定是苏亭晚争风吃醋。车祸中，他弃重伤的苏亭晚先救叶语，甚至强令重伤的她为叶语输血，致其失血过多离世。 六岁女儿季岁岁目睹惨状，却遭叶语虐待、季凛城苛待。苏亭晚的哥哥程砚寻来，带岁岁试图讨公道却屡屡受阻。叶语继续作恶，推落知晓真相的季老夫人，还挑拨离间，让季凛城误会加深，甚至要与叶语订婚。 订婚宴上，程砚推着苏醒的季老夫人赶到，揭穿叶语的阴谋。季凛城得知苏亭晚已死且真相大白，悔恨崩溃，而叶语终受惩罚。

"花甲之年的苏曼，得知丈夫陆砚川将白月光骨灰迁入祖坟、儿子竟是私生子，还被改遗嘱净身出户，气急惨死。重生回陆家择妻日，她发现陆砚川也已重生且满怀敌意，当即主动退出。 林晚星设局逼她净身出户，苏曼绝境中与江楚合作，凭前世商业经验助江氏崛起。陆砚川逐渐发现林晚星虚伪，查清当年救命恩人实为苏曼，悔悟后求原谅遭拒。最终林晚星阴谋败露入狱，陆家衰败，苏曼与江楚开启全新人生。"

《城南花正开》是一部都市爱情剧，讲述了程心和傅林深这对青梅竹马的恋人，因误会而分开，多年后在职场重逢并重新点燃爱情的故事。程心是一位知名律师，而傅林深则是一位亿万富翁。两人在经历了误会和分离后，最终在彼此的成长和理解中找到了真爱。

《城南花正开》是一部都市爱情剧，讲述了程心和傅林深这对青梅竹马的恋人，因误会而分开，多年后在职场重逢并重新点燃爱情的故事。程心是一位知名律师，而傅林深则是一位亿万富翁。两人在经历了误会和分离后，最终在彼此的成长和理解中找到了真爱。

抗战相持阶段，国民政府为保卫中国与世界的唯一通道 – 滇缅公路，派出30万精锐部队入缅作战，惨烈的战争让远征军将士伤亡过半，至今，远征军英烈遗骸大多未得到妥善安置。 　　中国内地志愿者们努力想通过民间方式让遗骸回国，但困难重重，艰难推进。2015年，经过4年多的努力，共收敛347 具远征军英烈遗骸，但在回国最后关头，遭遇意外阻碍。2017年，志愿者们再次前往缅甸，祭拜关在黑屋里的347具远征军英烈遗，盼归来，胡不归！胡不归！ 　　Synopsis 　　During the stalemate years of the Anti-Japanese Aggression War, in order to defend the Burma Road- the sole surviving international route to China, the Chinese Nationalist government dispatched Special Forces of 300,000 soldiers to fight in Burma. More than half were killed or wounded in the brutal war. Until now, the soldiers’ remains have not been properly preserved and tended. 　　Volunteers from chinese mainland sought to rely on Chinese civil society to bring the remains back, yet the process is full of obstacles. With four years’ efforts, 347 remains of the Expeditionary Force soldiers were uncovered in 2015. However, as volunteers sought to reclaim the bodies of the soldiers who gave their lives in defense of the nation, they ran into unexpected problems at last minute. In 2017, volunteers went to Burma again, honoring the 347 remains of the Expeditionary Force martyrs that were locked in a dark room. We wait for them to come back home! Why not coming back?! Why not coming back?!

本片背景是淘金热时代的美国西北山区——一名刚出狱的囚犯来到镇上接他的儿子回家，认识了照顾儿子的酒吧歌女，但也引起了歌女男友的怀疑。当获释的囚犯和儿子在农庄耕种时，歌女的男友前来寻衅，后来又偷了囚犯的枪和马，赶到矿区去淘金。歌女感到不忍心，留下来照顾囚犯。此时，印第安人前来突袭农庄，于是三人沿河流逃亡到镇上……

抗战相持阶段，国民政府为保卫中国与世界的唯一通道 – 滇缅公路，派出30万精锐部队入缅作战，惨烈的战争让远征军将士伤亡过半，至今，远征军英烈遗骸大多未得到妥善安置。 　　中国内地志愿者们努力想通过民间方式让遗骸回国，但困难重重，艰难推进。2015年，经过4年多的努力，共收敛347 具远征军英烈遗骸，但在回国最后关头，遭遇意外阻碍。2017年，志愿者们再次前往缅甸，祭拜关在黑屋里的347具远征军英烈遗，盼归来，胡不归！胡不归！ 　　Synopsis 　　During the stalemate years of the Anti-Japanese Aggression War, in order to defend the Burma Road- the sole surviving international route to China, the Chinese Nationalist government dispatched Special Forces of 300,000 soldiers to fight in Burma. More than half were killed or wounded in the brutal war. Until now, the soldiers’ remains have not been properly preserved and tended. 　　Volunteers from chinese mainland sought to rely on Chinese civil society to bring the remains back, yet the process is full of obstacles. With four years’ efforts, 347 remains of the Expeditionary Force soldiers were uncovered in 2015. However, as volunteers sought to reclaim the bodies of the soldiers who gave their lives in defense of the nation, they ran into unexpected problems at last minute. In 2017, volunteers went to Burma again, honoring the 347 remains of the Expeditionary Force martyrs that were locked in a dark room. We wait for them to come back home! Why not coming back?! Why not coming back?!

Set against the backdrop of an imperial victory in the civil war leading up to the Meiji Restoration, Fallen Blossoms tells the story of the sorrows of women in a geisha house in Kyoto by recounting the relationships of its inhabitants. 　　Alexander Jacoby & Johan Nordström wrote: 　　Ishida’s original and brilliant film tells history as ‘her story’. Against the backdrop of a victory for the imperial forces in the civil war leading up to the Meiji Restoration, Ishida recounts the relationships among the inhabitants of a Kyoto geisha house, producing what has been described by Noël Burch as “one of the most remarkable community portraits ever filmed”. The film is set completely inside the house, with only female characters ever seen on screen. 　　For Burch, “the exclusion from the scene of men, patrons or soldiers, is a meaningful corollary of the exclusion of Japanese women from the history of the country”. Ishida narrates his story using an imaginative cinematic style in which shots are almost never repeated. The narrative, Burch notes, evokes Chekhov, but he judges its “combination of a restricted, unified setting and continual renewal of the imagery” to be unparalleled in conventional narrative cinema.

The story of Manivelle, an automaton whose rise and fall mirrors that of Lebanon. Once the wonder of his age, Manivelle is now rusty and mostly forgotten.