当普利姆一家搬进纽约市的新居时，他们年幼的儿子乔什很难适应他的新学校和新朋友。当他发现一只爱唱歌的鳄鱼住在新家的阁楼里后，一切发生了变化。这只“不同寻常、奇妙无比、不可思议”的鳄鱼名叫莱莱，能舞会唱，喜欢洗澡、鱼子酱。它与普利姆一家建立起了跨越种族的友谊与亲情。当莱莱的生存受到邪恶邻居格鲁姆斯先生的威胁时，普利姆夫妇必须与莱尔魅力非凡的主人赫克托·P·瓦伦蒂携手合作，向世界表明家人可以来自最意想不到的地方。

两个不识彼此的青少年，少男终日沉迷电玩，少女则是身怀六甲，孤独是两人唯一的共通点；为了金钱，他们钻律法漏洞，假扮夫妻，好让婴孩未来过继给少男不孕的叔叔。疏离的两人，尽管共处一室还是少有交集；随着婴儿意外早产，他们被迫拉近距离，多了怀抱里的婴孩，生活突然有了温度。在满室寂 寞之中，爱的声音已悄然在耳边喧哗。

二战前的欧洲，早慧的女孩比莱在狭小简陋的公寓中长大。父母虽然疼爱她，却也因为生活拮据而经常争吵、忽视她，这让比莱感到既无奈又困惑。还好，书籍和电影中的故事带她脱离现实的束缚，让她乘上想象的飞船，追寻理想中的梦幻乐园。就这样，比莱逐渐长大，完成了从小女孩到淑女的蜕变。导演通过现实和梦境片段的穿插描写、特效与真人拍摄的结合，描绘出了一个充满幻想的新世界。本片改编自曾入围诺贝尔文学奖的拉脱维亚女诗人、作家薇兹玛·贝尔赛维卡的畅销同名自传体小说，叙事由儿童视角展开，影像充满童真的诗意与美感，带领观众乘上时空飞船回到二战前一个平凡拉脱维亚家庭的日常快乐与挣扎。

二战前的欧洲，早慧的女孩比莱在狭小简陋的公寓中长大。父母虽然疼爱她，却也因为生活拮据而经常争吵、忽视她，这让比莱感到既无奈又困惑。还好，书籍和电影中的故事带她脱离现实的束缚，让她乘上想象的飞船，追寻理想中的梦幻乐园。就这样，比莱逐渐长大，完成了从小女孩到淑女的蜕变。导演通过现实和梦境片段的穿插描写、特效与真人拍摄的结合，描绘出了一个充满幻想的新世界。本片改编自曾入围诺贝尔文学奖的拉脱维亚女诗人、作家薇兹玛·贝尔赛维卡的畅销同名自传体小说，叙事由儿童视角展开，影像充满童真的诗意与美感，带领观众乘上时空飞船回到二战前一个平凡拉脱维亚家庭的日常快乐与挣扎。

运营商Arlo正在纽约制作一部色情音乐剧，Lialeh是一位才华横溢的女孩，她想要从事歌唱事业，不介意裸体或做爱，她加入了这个节目和传奇人物 Bernard Purdie以及Arlo的乐队。

The experiences of Charlie Company leading up to the My Lai massacre and the circumstances of the event make the tragedy seem almost inevitable but for a few heroic souls who tried to stop it. Following a detailed account of the event, American Experience examines the Army cover-up, the subsequent investigation and the defacto cover-up after the release of Lt. Calley. Soldiers involved in the massacre and survivors describe their experience and how they later dealt with their memory of the tragedy. Written by David Foss 　　Part of "The American Experience" (1988) series, this documentary recounts the events leading up to and then subsequent to March 16, 1968 when U.S. soldiers killed 507 civilians in the village of My Lai, Vietnam. Charlie Company (1st Battalion, 20th Infantry) was well trained and had arrived in Vietnam a few months before. The operation that day was supposed to be directed at a Viet Cong battalion (which it turned out was not there) and their orders were to destroy the village and kill anyone in it. Several helicopter pilots could see the rampage unfolding and rescued some of the Vietnamese civilians. The cover-up began almost immediately and it was a year before the story became national news. Some 30 men were charged but only one, Lt. William Calley was convicted. Written by garykmcd

作为一名年轻的酒吧女服务员，Natsuko已经接受了许多上原先生，一位富有的艺术老师。这是因为上原诚司可以替夏子的前夫还债。Uchara先生同意这些条款，但怀疑Natsuko为了钱背叛了他，并继续与Seiji会面。上原诚司决心用自己的“艺术”方式惩罚年轻的妻子。他把她绑起来，锁在他家的地下室里，或者更好地描述为“野兽的笼子”，一个“婊子”被以各种SM方式折磨和性虐待的地方

A young, seemingly mute woman has been fixed to the wall of an apartment with a long metal chain. She is being kept as a slave in the home of taxi driver Phanishwar, where she sleeps on a table and cooks for him. Phanishwar is a fervent supporter of the right-wing extremist guru ‘Baba’ and spreads his hatred in the commentary sections of social networks. One day he meets a young woman, Rami, who has had to go underground in Goa after a secretly filmed sex video in which she appeared went viral on the internet. He becomes her driver, whilst secretly stalking her online. Indian director Q does not shy away from controversy, having already succeeded in inflaming passions with the dark tales in his feature film debut, Gandu. His stylishly shot revenge story Garbage revolves around two women who are exposed to different forms of oppression. Q initially takes time to develop the events, making some (queer) detours until eventually, things radically change. And when female martyrdom turns into retaliation, the director finds drastic images for the filmic deconstruction of (Indian) masculinity.

A young, seemingly mute woman has been fixed to the wall of an apartment with a long metal chain. She is being kept as a slave in the home of taxi driver Phanishwar, where she sleeps on a table and cooks for him. Phanishwar is a fervent supporter of the right-wing extremist guru ‘Baba’ and spreads his hatred in the commentary sections of social networks. One day he meets a young woman, Rami, who has had to go underground in Goa after a secretly filmed sex video in which she appeared went viral on the internet. He becomes her driver, whilst secretly stalking her online. Indian director Q does not shy away from controversy, having already succeeded in inflaming passions with the dark tales in his feature film debut, Gandu. His stylishly shot revenge story Garbage revolves around two women who are exposed to different forms of oppression. Q initially takes time to develop the events, making some (queer) detours until eventually, things radically change. And when female martyrdom turns into retaliation, the director finds drastic images for the filmic deconstruction of (Indian) masculinity.