番組中盤には既にOVAの企画があったが、この時はローラにスポットを当てた番外編的な内容になる予定だった。しかし、打ち切りが決定すると「ムゲとの決戦を無理に放送枠内に詰め込むのではなく、後からじっくり描こう」という案が浮上。TV版の最終話はダンクーガがムゲの宇宙に突入するところで終了し、その続きがOVAとして作られた。 　　総集編と新規に制作されたムゲとの決戦で構成されており、総集編パートは一部の台詞が変更されている。また、必殺武器「断空剣」が初登場した。獣戦機隊の物語は、ここで一度終了する。 なお、クレジットには原画でしか表示されていないが、新規パートのメカ作画監督は大張正巳が担当している。（BD-BOX01の本人のインタビューの発言）。そのインタビューにて、ザンガイオーの他に、断空剣、ムゲ魔宮、ムゲの霊波砲のデザインをしたと語っている。 　　また、ザンガイオーの名付け親も大張で、当初は「ダンガイオー」を考えており、その名前は後にバンダイビジュアルから出たOVAで日の目を見ることになる。 　　断空剣の他に対になるシールドもデザインされたが、本編で使うことはなかった。 　　メカ以外のムゲ側の作画監督は羽原信義が担当した。

路易斯·布鲁克斯饰演的年轻女子总是接连遭遇不幸……父亲是个喜新厌旧的主，他的药剂师徒弟也自然沾花惹草，泰米莲在导演的安排下就成了一个精灵，忽而堕落，忽而高尚，她因为未婚先孕而被家族送入少女教养院管束，他们家族的朋友，一个纨绔子弟将她救出却无力承担她的生活，于是，下等酒吧的命运就必然无法避免，直到父亲死去她赢回了父亲的遗产，然她却将这些送给了曾经恶意于她，已经两个孩子的后母，自己也成为了一个戴着道德光环的楷模。

新加坡，这个被誉为全球最干净、最安全的国家，16岁女孩周却无法忍受这样的新加坡。生活在一个仍保留鞭刑、连在街上嚼口香糖都属违法的国家，会是种怎样的感受？ 　　当我们透过校园中发生的、带有前现代暴力色彩的事件这一隐喻，将新加坡视作一个巨大的水族箱时，其含义便延伸至国家暴力层面。周是唯一反抗校规的人。她的朋友们受其勇敢举动的鼓舞，同意仿照三合会成立一个组织。 　　然而，他们笨拙的计划很快被校方发现。为逃避惩罚，所有人都必须在期末考试中取得好成绩。考场上，朋友们给出的都是既爱国又标准的答案。可周会给出怎样的答案呢？

Following an act of violence committed by her own brother, Emma escapes with her mother to wild, open country, where they find refuge in an isolated retreat in the shadow of a nuclear power station.

In his interview on Facet Video's DVD of Diary of a Suicide (Le journal d'un suicidé), Serbian director Stanislav Stanojevic mentions a French arts body that dispenses funds for creative filmmaking, and remarks that Luis Buñuel received more money than he did! This early 70s art film depends for its reputation on a quote by François Truffaut, who may have not seen the film, but had high praise for its screenplay. 　　Diary of a Suicide plays very much like a brief episode in a Buñuel film, but padded to feature length and communicating little beyond a vague nihilism. Busy actor Sami Frey is a handsome young man on a pleasure cruise on the east coast of Spain. He flirts with an attractive fellow passenger (Delphine Seyrig). Neither is given a name. No matter how much the man coaxes, the woman refuses to remove her sunglasses. They visit a church in Barcelona but mostly talk on board ship while watching seagulls. 　　The smiling woman encourages the young man to entertain her with a beautiful story. He responds with several morbid, interlinked anecdotes. A man (Bernard Haller) stands before a mirror, unable to make himself smile. Another man faces a firing squad. Anarchist lovers (Marie-France Pisier & Roland Bertin) fail to carry out an assassination. Wounded, she wants to die but is given a life sentence. Her jailer (Sacha Pitoëff) cannot sleep because he was brain-damaged in a war. That infirmity allows him to watch his prisoner around the clock. The jailer explains that his mind holds only one memory, of a beautiful woman he once knew. Should he forget her as well, the jailer reasons, his life will no longer have a purpose. 　　The female cruise passenger seems pleased by the young man's efforts to seduce her, but she has withheld a wicked surprise. 　　Unfortunately, Diary of a Suicide is a weak and uninvolving slice of mannered filmmaking. Scenes with the two main actors seem arbitrary and haphazard. Many of their encounters are staged against blank walls, and some dialogue scenes avoid showing lips, as in the cheapest of post-dubbed low-budget productions. Except for a few color inserts, all of the shipboard scenes are in B&W. Some of the young man's stories are tinted in various hues. The compositions are rarely framed wider than a medium shot, producing a feeling of claustrophobia. 　　With its nameless lovers and stories within stories, director Stanojevic's puzzle picture is more than a little reminiscent of Alan Resnais' Last Year at Marienbad, minus that film's elegance and compelling dreamlike surface. Little tension develops between the shipboard reality and the man's bizarre stories. A melancholy singer performing aboard the ship appears to represent the mystery woman of the jailer's tale. The singer's actor-husband dresses similarly to the jailer, and carries out the jailer's suicide as part of his act. With the exception of Sacha Pitoëff's morose jailer, none of the story characters connect with the audience. The gaunt, sad jailer truly looks like a man haunted by his loss of memory. 　　Stanislav Stanojevic's main coup for his first film is the gathering of an impressive cast. He's secured the services of Seyrig and Pitoëff, two of the stars of Last Year at Marienbad. Sami Frey and Marie-France Pisier have appeared in films by Agnès Varda, Georges Franju, William Klein, Jean-Luc Godard, H.G. Clouzot, François Truffaut, Alain Robbe-Grillet, Luis Buñuel and Jacques Rivette. 　　Director Stanojevic made two more features blending political themes with aspects of the fantastic. 1979's Subversion is about a country ruled by a paralyzed, blind president and his corrupt daughter. Diary of a Suicide has images of soldiers used as cannon fodder and anarchists dedicated to an assassination, but makes no real political statement. Its final twist is indeed a surprise, but an almost pointless one. 　　Facets Video's DVD of Diary of a Suicide is an acceptable flat transfer with English subtitles. For an extra we're given a lengthy video interview with the director. Stanojevic doesn't discuss Diary at length, preferring to give an unfocused talk about film funding and filmmaking in general.

A young man named Rick regularly gets drunk three sheets and seduces women, one after another. But this was not always the case. Once he had a family, rather beloved wife Elke and he was a sailor and had all the chances to become the captain of the ship. One day he was sent to the semi-annual cruise and Elke left alone. When he returned after a long absence, Rick learns that his wife has become a drug addict and a prostitute. Having found it, he realized that all was lost, and all life is too loses meaning for him, but then "rescue" comes the wife of his best friend Doreen, who tries to seduce him and make her lover. Having been refused, vindictive woman who brought Elke to such a state in the absence of her husband, decides to take revenge on cruel Rica. She finds a young girl like an ideal Rica, pays her money and asks that she "fell in love" him in himself, and then violently thrown. But events unfold in such a way that almost all the characters will regret their actions, and not all will survive until the finals ...

影片主要讲述一架客机坠落在太平洋的孤岛上，48名乘客侥幸生还。面对这种荒芜人烟的小岛，他们如何才能生存下去呢？生还者形形色色，国籍、人种、文化背景、个性各异，有父亲，有儿子，有朋友，也有敌人。他们既要克服恶劣的天气，在荒蛮的热带丛林中寻找食物、水源，还有一只在夜晚发出令所有人胆战叫声的神秘生物；更困难的是他们必须战胜个人私欲，排除隔阂与分，同舟共济，求得生存。

《迷失》作为一部心理惊悚片，在剧情上做了一个更加戏剧性的转变，剧中的美国心理学家（埃桑特）却成了一位被迫返回巴塞罗那了结宿怨的畅销作家，Meyer扮演了一位去世病人的妹妹。

老北京城的胡同，正值炎炎夏季，青年小唐（蔡鹭 饰）独坐某家小店内。他看似专注电脑上的信息，眼神儿却飘向了旁边桌子的美丽女孩（唐笑笑 饰）。小唐有心跟姑娘搭讪，又找不到理由。当他从厕所出来时，发现女孩早已结帐走人。小唐心有不甘，连忙追了出去，而女孩已经坐上出租车绝尘而去。正当他满怀怅然之际，他的手被另一只手握住。那是一位老太太（毕秀茹 饰），也许年岁过大，老人家的记忆已经衰退。美女没有搭上，反被陌生大妈缠住。小唐一天的计划都被打乱，陪着老人在派出所度过了难忘的一上午…… 　　本片为导演宁浩采用EOS单反相机拍摄的广告短片。

老北京城的胡同，正值炎炎夏季，青年小唐（蔡鹭 饰）独坐某家小店内。他看似专注电脑上的信息，眼神儿却飘向了旁边桌子的美丽女孩（唐笑笑 饰）。小唐有心跟姑娘搭讪，又找不到理由。当他从厕所出来时，发现女孩早已结帐走人。小唐心有不甘，连忙追了出去，而女孩已经坐上出租车绝尘而去。正当他满怀怅然之际，他的手被另一只手握住。那是一位老太太（毕秀茹 饰），也许年岁过大，老人家的记忆已经衰退。美女没有搭上，反被陌生大妈缠住。小唐一天的计划都被打乱，陪着老人在派出所度过了难忘的一上午…… 　　本片为导演宁浩采用EOS单反相机拍摄的广告短片。