It’s not uncommon for a film to have a moving love story at its core. Yet this particular set-up is unusual. The lovers here are Ingeborg Bachmann and Paul Celan, both important representatives of post-war German-language poetry. The story of the relationship between the Austrian and the Jew from Czernowitz is told through their nearly 20-year correspondence (1948–1967). Or, more precisely, by a young woman and a young man reading from their letters in a studio in Vienna’s venerable Funkhaus. You hear longing, accusations, doubts, expressions of intimacy and alienation, news of separations and lengthy silences. You sense their struggle for words. What these words trigger can be seen in the faces of those reading them out. It’s not only the text but also its effects that are being performed and occasionally discussed. The intensity of the relationship drama is generated via the fascinating language, the actors’ presence, and the camerawork and editing, which break up the dialogue via changing perspectives and shot sizes. Chats during cigarette breaks, in the stairwell and the canteen, lead into the present. History, which was stronger than love, never slips out of focus. berlinale 2016

Established in 1960, Tower Records was once a retail powerhouse with two hundred stores, in thirty countries, on five continents. From humble beginnings in a small-town drugstore, Tower Records eventually became the heart and soul of the music world, and a powerful force in the music industry. In 1999, Tower Records made $1 billion. In 2006, the company filed for bankruptcy. What went wrong? Everyone thinks they know what killed Tower Records: The Internet. But that's not the story. "All Things Must Pass" is a feature documentary film examining this iconic company's explosive trajectory, tragic demise, and legacy forged by its rebellious founder Russ Solomon.

Established in 1960, Tower Records was once a retail powerhouse with two hundred stores, in thirty countries, on five continents. From humble beginnings in a small-town drugstore, Tower Records eventually became the heart and soul of the music world, and a powerful force in the music industry. In 1999, Tower Records made $1 billion. In 2006, the company filed for bankruptcy. What went wrong? Everyone thinks they know what killed Tower Records: The Internet. But that's not the story. "All Things Must Pass" is a feature documentary film examining this iconic company's explosive trajectory, tragic demise, and legacy forged by its rebellious founder Russ Solomon.

A young man is found bruised, beaten and stumbling down a secluded road. As the police try to piece together what happened, the convoluted relationship between a young woman and her two suitors gradually emerges.

A young man is found bruised, beaten and stumbling down a secluded road. As the police try to piece together what happened, the convoluted relationship between a young woman and her two suitors gradually emerges.

Three Syrian women, each living in a different place, are separated by the very things that unite them: fear and trauma. One lives in Damascus and has stopped speaking to others entirely, isolating herself in her apartment and seeking solace in silence since the death of her son. The second has left Damascus as a result of the war and went to Sweden where she loses herself in her paintings, hoping to free herself from the torments of the past. The third ended up in Vienna and faces an unknown future, just like the ghost of a woman who fled Austria after the Second World War. Chaos is a discussion between a woman stuck in Damascus, another one stuck in exile, and a third who has recently left. It is a conversation between the interior and exterior, an impossible conversation.

一个残酷的自我认知，放荡不羁的爱情成瘾者斯特拉·福克斯在一场毁灭性的分手后搬到了纽约，并在整个夏天里追求着令人失望的浪漫邂逅。

Three Syrian women, each living in a different place, are separated by the very things that unite them: fear and trauma. One lives in Damascus and has stopped speaking to others entirely, isolating herself in her apartment and seeking solace in silence since the death of her son. The second has left Damascus as a result of the war and went to Sweden where she loses herself in her paintings, hoping to free herself from the torments of the past. The third ended up in Vienna and faces an unknown future, just like the ghost of a woman who fled Austria after the Second World War. Chaos is a discussion between a woman stuck in Damascus, another one stuck in exile, and a third who has recently left. It is a conversation between the interior and exterior, an impossible conversation.

脉轮是14岁，过着精疲力竭的生活。他、他的父母和他的许多兄弟姐妹都在柬埔寨的稻田里一起工作。晚饭时，他们围坐在小木屋里的木桌旁，父子之间总是意见分歧。当一个朋友告诉查克拉在工厂赚钱的可能性时，这个男孩决定自己出发。但在途中，他落入了贩运人口的魔掌，被贩卖为奴隶。在他现在必须工作的泰国渔船上，船长的政权既残忍又武断。暴力、酷刑甚至谋杀都是当今社会的当务之急。脉轮意识到他唯一的希望就是摆脱折磨他的人。 　　罗德·拉什金的第一部故事片是一部残酷而现实的描述柬埔寨强迫劳工处境的电影。这位澳大利亚导演的方法远远不够漂亮，无人能幸免。他的扣人心弦的电影是一个对社会不公正的激情见证，同时也是一个关于一个被考验人性的男孩的令人感动和震惊的成年故事。