由内尔瓦纳出品的《奥利的背包》是一部关于13岁奥利的动作喜剧，讲述了奥利与他的朋友克莱奥、伯尼和怪物训练师沃夫斯基船长一起，保护和控制着通往怪物王国的背包入口的奇妙冒险故事。

Alone in his kitchen in Bucharest, Dorel prepares for what seems to be a party. Actually, it's his son's wedding which takes place in the USA. Dorel is going to watch the wedding through a webcam together with two of his son's friends. On the small display they are going to meet the bride and her father and will witness the ceremony. A bitter-sweet story about scattered families and lonely parents.

The unforgettable hero of Les quatre cents coups (The 400 Blows), Jean-Pierre Léaud made a spectacular entrance into the world of cinema at the age of 14. And to this day, it’s fair to say he’s never left. Truffaut, Godard, Eustache, Pasolini but also more recently Assayas, Lvovsky, Kaurismäki, Bertolucci, Tsai Ming-liang, Bonello or Serra... an impressive filmography in which he has invented a new way of being in front of the camera, where everything is true and everything is fiction. So much so that one might almost have a doubt: does Jean-Pierre Léaud really exist off- screen? Or does he belong entirely to cinema?

The unforgettable hero of Les quatre cents coups (The 400 Blows), Jean-Pierre Léaud made a spectacular entrance into the world of cinema at the age of 14. And to this day, it’s fair to say he’s never left. Truffaut, Godard, Eustache, Pasolini but also more recently Assayas, Lvovsky, Kaurismäki, Bertolucci, Tsai Ming-liang, Bonello or Serra... an impressive filmography in which he has invented a new way of being in front of the camera, where everything is true and everything is fiction. So much so that one might almost have a doubt: does Jean-Pierre Léaud really exist off- screen? Or does he belong entirely to cinema?

影片根据真实新闻事件改编。屠夫奥利格从拉脱维亚来到比利时打工，但处处碰壁的他没有找到工作，却落到了无赖工头安德烈的手上。他发现自己的生活逐步陷入了绝望之中。本片是拉脱维亚导演尤里斯·库赛蒂斯第二部剧情长片，于2019年在戛纳电影节导演双周单元首映。

Amidst the impersonal hubbub of Paris' Orly Airport, strangers meet, secrets are revealed, and sudden intimacies develop in this beautifully observed mosaic of lives in transit. 　　Loosely-linked scenes in the hall of Paris’ Orly airport. A man and a woman, both French but living abroad, meet each other by chance. He has just decided to move back to Paris and she longs to return there. A mother and her almost adult son are going to the funeral of her ex-husband, his father. A young couple is embarking on its first big trip. And a woman reads a letter from the man she has recently left. They are all waiting for their flight. 　　The departure hall is a place of transit. People are between the here and there, between the “not yet” and the “no more”. Schanelec places four couples amid the crowds of waiting passengers; the camera observes them, often from a distance. But their conversations can be heard; the ear is closer than the eye. Intimate islands of dialogue amid hectic activity. The tremendous background noise does them no harm until the music comes and infects the whole room. Cat Power sings “Remember Me”, reinforcing the atmosphere of longing, separation and transitoriness that already lingers in the air. Later, the off-screen monologue of a dying, loving man adds to it. “Love Will Tear Us Apart” – that’s what’s written at the beginning on a record cover. A farewell film.

In his efforts to connect with his Chinese heritage, a biracial man discovers challenges and complexities he may not have expected in James Michael Chiang’s remarkably deft blending of drama and comedy.

Amidst the impersonal hubbub of Paris' Orly Airport, strangers meet, secrets are revealed, and sudden intimacies develop in this beautifully observed mosaic of lives in transit. 　　Loosely-linked scenes in the hall of Paris’ Orly airport. A man and a woman, both French but living abroad, meet each other by chance. He has just decided to move back to Paris and she longs to return there. A mother and her almost adult son are going to the funeral of her ex-husband, his father. A young couple is embarking on its first big trip. And a woman reads a letter from the man she has recently left. They are all waiting for their flight. 　　The departure hall is a place of transit. People are between the here and there, between the “not yet” and the “no more”. Schanelec places four couples amid the crowds of waiting passengers; the camera observes them, often from a distance. But their conversations can be heard; the ear is closer than the eye. Intimate islands of dialogue amid hectic activity. The tremendous background noise does them no harm until the music comes and infects the whole room. Cat Power sings “Remember Me”, reinforcing the atmosphere of longing, separation and transitoriness that already lingers in the air. Later, the off-screen monologue of a dying, loving man adds to it. “Love Will Tear Us Apart” – that’s what’s written at the beginning on a record cover. A farewell film.

小男孩埃利奥误打误撞被传送到银河系，被外星人当作地球星际大使。

故事发生在十九世纪的英国，一个弃婴被本地教会收留，抚养他的女管事给他取名叫奥利弗。奥利弗在孤儿院里饱受虐待，九岁的时候先是在工厂劳动，然后又被卖到殡仪馆，他因此逃亡到伦敦。在伦敦男孩遇到少年扒手亚特佛，并加入了由费金所领导的扒手集团。当道奇行窃之时，奥利弗因为看起来有行窃嫌疑而被警察逮捕，被证实是无辜后，被窃的是布朗洛先生，为了弥补自己的过失，他把奥利弗带回家并且照顾他。布朗洛的亲戚孟斯调查发现原来奥利弗正是布朗洛的侄孙，为了不让遗产落入奥利弗手中，孟斯与费金勾结设计谋害奥利弗。最终真相大白，可怜的孤儿回到了他自己真正的家。