阿多尼斯俱乐部人气最高的午夜牛郎朱利昂（金柱赫 饰），处事态度就是当女人为玩具，即使在成群的女子中活动也游刃有余，应付自如。说一句甜言蜜语钞票便滚滚而来。终于有一天一个为他痴迷的女顾客自杀了，受牵连的朱利昂被投进监狱，挨过铁窗生涯的他出狱后正准备再过纸醉金迷的生活时，等待他的却是解雇他的通知书和一笔高达28亿7千万韩元的债务，为了收到钱杀人不眨眼的冷血光洙（李基英 饰）只给他30天的时间让他凑钱……就在这时，爸爸去世成为孤女的敏（文根英 饰）奇迹般的打来电话寻找幼时失散的哥哥…… 偶然得到由于交通事故而猝死的柳真的手机的朱利昂，得知死者就是敏的哥哥的事实，于是代替柳真摇身一变成了假哥哥，为了争夺巨额财产和同是牛郎出身的后辈米奇开始了一场没有退路的阴谋……让这两个阴谋者感到惊喜的是敏的双眼竟不能视物，而敏本身却是一个同失去视力时连同对任何事物都失去信心的寂寞女孩，不顾一直在她身旁照顾她的李老师（度智嫒 饰）的劝阻一心想寻死，直到有一天她知道哥哥的存在……在握住的假哥哥朱利昂手的那一刹那，她感觉到了一种不可思议的震憾……

朱利昂（金柱赫 饰）是俱乐部里人气最高的牛郎，他把女人当成玩具，周旋于众多的女人当中，一句甜言蜜语便能为他带来许多钱财。一位情迷于他的女顾客自杀身亡了，利昂也受牵连而被关进了监狱。他以为熬过这段苦日子，出狱后便能继续牛郎的生活。没想到他被解雇了，还有欠下了巨额债务，债主还要他在30天内还钱。 　　就在这时候，孤儿敏（文根英 饰）打来电话寻找哥哥。原来利昂无意中得到了因交通事故猝死的柳真的手机，敏就是柳真的妹妹。利昂决定假扮柳真，希望得到巨额财产。他与同是牛郎的米奇一起接近敏，发现敏原来是失明的。敏对身边事物早已失去了信心，她寻死过，但当她知道自己的哥哥尚在人间，她又放弃了寻死的念头。只是当她牵着假扮哥哥的利昂的手的时候，她心中有种莫名的感觉……

SYNOPSIS 　　Chan-woo Park is the head of R&D at a high tech research institute. He returns to Korea to work for a new technology development project through his college friend Jung-hee's referral. When he sees Yoon Su-jin who meets him at the airport, Chan-woo is instantly attracted to her. Despite Jung-hee's repeated overtures, Chan-woo and Su-jin begin to live together. Their living arrangements are contractual with strict respect for each other's privacy and confidentiality. Yu-jin boards a plane to Paris but through the underhanded scheme of Jung-hee and her friend Man-su, she ends up stranded on a remote island in Thailand. Chan-woo realizes his love for Su-jin and decides to risk his life to save her. He succeeds in saving her and they reunite to re-ignite their romance. 　　故事 　　美国最先进的工程实验室的研究园Chanwoo（X）的负责人在大学少年的Carissa的建议被邀请到新的项目H组。公园Chanwoo保持未知感受到来自他们接我在机场暗恋尤恩·萨士（Y）的回归怀旧心态。尽管假虎和chanwoo和苏珊的坚持开始同居合同进行彻底的隐私，不干涉原则。泛欧doeja赛车与会者决定检查仅限于一个偏远的岛屿在泰国巴黎飞行欺骗的情节可以在假虎赛车手和他的同事出现。向苏珊Chanwoo怀有留恋被处死，它烧毁，两个人获救苏珊熊完美的爱情之果。

一个不珍惜亲情，眼睛只有“金钱”和“实力”的男人。 　　一个生活在唯有物质生活，富裕的生活里，某个渐渐不相信爱的女人。 　　于是人生变得不坦白，剩下的只是一份“不需要人爱”的人生观。 　　白鸟凌志(渡部笃郎饰)是流窜在灯红酒绿，繁华夜生活的牛郎。称得上新宿歌舞伎町里的风云人物。不停地挥霍留下的只有7亿的负债。还债期限是2个月，若还不出来只有赔上命一条。于是他开始寻找救命的猎物。鹰园　亚子(广末凉子饰)继承父亲庞大的遗产，多年来她一直找寻失散的哥哥。巧的是名字却和凌志一样的哥哥。 　　“金钱”和“谎言”展开了两人的关系……

一个不珍惜亲情，眼睛只有“金钱”和“实力”的男人。 　　一个生活在唯有物质生活，富裕的生活里，某个渐渐不相信爱的女人。 　　于是人生变得不坦白，剩下的只是一份“不需要人爱”的人生观。 　　白鸟凌志(渡部笃郎饰)是流窜在灯红酒绿，繁华夜生活的牛郎。称得上新宿歌舞伎町里的风云人物。不停地挥霍留下的只有7亿的负债。还债期限是2个月，若还不出来只有赔上命一条。于是他开始寻找救命的猎物。鹰园　亚子(广末凉子饰)继承父亲庞大的遗产，多年来她一直找寻失散的哥哥。巧的是名字却和凌志一样的哥哥。 　　“金钱”和“谎言”展开了两人的关系……

狐妖白逍借用灵珠闭关修炼，只差几天便可功德圆满，却被冒失少女夏葵一跤跌在他身上。白逍不仅修炼被打断，还被当萨摩耶送到宠物医院。宝贵灵珠，亦被夏葵拿走，打算摆到她的淘宝小店上当假古董卖。白逍追到小葵家，灵珠竟以小葵做了宿主，他欲杀夏葵而夺珠，却被夏葵做的红烧肉诱惑。而此时，白逍眼前的世界越来越让他惊奇，不仅红烧肉前所未见，还有电灯，微波炉，完全在其经验之外。原来白逍竟是一只唐朝的狐狸精，一觉醒来，人间已变成现代社会。这就是唐朝妖法遇到现代科技，纵使高冷范儿十足的白逍也露惊慌相。小葵看出他的疑惧和好奇，趁机骗得几日活命时间，以向单恋的学长表白。但令这对啼笑皆非冤家怎么也想不到的是，灵珠现世，竟悄然激活了冰冷都市丛林中无数匪夷所思的奇异妖灵，纷纷前来搅扰。为保灵珠不被抢走，白逍被迫当起小葵的贴身保镖。一个冷面唐朝狐少年，一个呆萌贪财少女，被迫生活在一起，经历这大都市中最诡异的阴谋以及最暖心的情感。

狐妖白逍借用灵珠闭关修炼，只差几天便可功德圆满，却被冒失少女夏葵一跤跌在他身上。白逍不仅修炼被打断，还被当萨摩耶送到宠物医院。宝贵灵珠，亦被夏葵拿走，打算摆到她的淘宝小店上当假古董卖。白逍追到小葵家，灵珠竟以小葵做了宿主，他欲杀夏葵而夺珠，却被夏葵做的红烧肉诱惑。而此时，白逍眼前的世界越来越让他惊奇，不仅红烧肉前所未见，还有电灯，微波炉，完全在其经验之外。原来白逍竟是一只唐朝的狐狸精，一觉醒来，人间已变成现代社会。这就是唐朝妖法遇到现代科技，纵使高冷范儿十足的白逍也露惊慌相。小葵看出他的疑惧和好奇，趁机骗得几日活命时间，以向单恋的学长表白。但令这对啼笑皆非冤家怎么也想不到的是，灵珠现世，竟悄然激活了冰冷都市丛林中无数匪夷所思的奇异妖灵，纷纷前来搅扰。为保灵珠不被抢走，白逍被迫当起小葵的贴身保镖。一个冷面唐朝狐少年，一个呆萌贪财少女，被迫生活在一起，经历这大都市中最诡异的阴谋以及最暖心的情感。

《Bravo My Life》讲述了电视台助理导演、准备七年还未能出道的演员，以及在电视台目中无人的绝对掌权者之间的故事。延政勋将在剧中饰演电视剧PD申东宇，郑柔美则将饰演一直未能升职的助理导演河度娜，显祐将在剧中饰演准备7年都未能出道的演员金范宇。

1997, 75 min., colour, BETACAM SP, Stereo 　　The Japan Foundation, North Foundation, Pandora Co., Ltd (Japan) 　　Special thanks to Hiroko Kodjima 　　scenario: A. Sokurov 　　camera: A. Fedorov 　　sound: S. Moshkov 　　editor: L. Semenova 　　“My journey to your sorrowful country cannot finish… even here in Russia. 　　I can't part with feelings which have captured me… as if my soul had been in search of Beauty and Kindness. If not — what for have I deserved this gift, this meeting… 　　I have arrived in the twilight. The noise of the wind and my tiredness didn't let me fall asleep. 　　I was lying on the floor, there was a small lamp at my head, the bedding had been thrown over the mat. 　　I don't know why, but I began to think about the war, and the scenes of unknown life appeared before me from the past… or, perhaps, from the future; Somebody’s children… somebody's mothers… 　　The summer was warm… 　　Then the morning came, windy, cold and sunny… I examined the house cautiously. It was empty… 　　Then, I remember, I turned back, having heard a creak. 　　It seemed she had not yet noticed me… I decided to come nearer. 　　I can remember well enough, how everything became interesting: walls, utensils, wind, light, sounds — all her life. 　　We agreed that she would let me stay near her all the time All the hours and minutes that I could spend in her old house. I sat near her with her permission. And it was really necessary: I could contem­plate her to my heart's content.” 　　Alexander Sokurov (from the author's text to the film) 　　A myth about lost harmony, which is always with us, though we often cannot feel it, is further developed in this film by Alexander Sokurov. The material used here is concrete and, at first sight, quite fit for TV. The whole work is unhurried and detailed report from an old solitary house, lost in the mountains, in the village of Aska, prefecture Nara, Japan, where an old woman, whose name is Umeno Matshueshi, lives alone. But filmmaker's creative task is quite opposed to the TV information stream. It is not only because this subject, this person couldn't be of any interest for any TV crew in any country (and least of all, perhaps, in modern Japan). 　　Sokurov's camera doesn't watch this character, doesn’t ask any questions, doesn’t surprise her, but extracts uninterrupted poetical image out of the trivial details of this physical reality, out of this extinct life and daily routine. The image is epic and lyrical at the same time. Refined simplicity of Japanese landscape, interior, a series of portraits are not a representation of “couleur local,” but only the sign of ideal technique of the ideal description, allowing to enter this life. The woman, who remains silent throughout the whole film, cooking and eating, kindling the fire and sewing, giving alms and combing her hair before us, recites in the final poem as a prayer: artless and sorrowful tanku about loneliness, about the constancy of losses and gainings. Sokurov shoots this unexpected stroke in his personage's portrait as a lyrical coda of his work.

流落多年的真千金白芷回到何家，使得假千金何香一夜之间失去所有。何香陷入封魔，绑架了白芷并与其交换容貌，假扮白芷回到未婚夫和母亲身边。而顶着何香脸的白芷，却遭遇到了不属于她的苦难，只祈求真相大白的一天