Ewan McGregor impresses in Niclas Larsson's star-studded psychological indie drama based on Jerker Virdborg's novella. 　　Three siblings converge in a furniture store in the middle of nowhere. Here, their mother, portrayed by Ellen Burstyn, has barricaded herself on a couch. David (McGregor) does his best to diplomatically try to resolve the situation, but the other siblings (Rhys Ifans, Laura Flynn Boyle) seem to take the situation with frustrating nonchalance. And while the mother's stationary position on the couch brings forth Norenesque family conflicts to the surface, the furniture store appears increasingly labyrinthine, and David is chased through a never-ending Kubrickian nightmare with a desperate look in his eyes. Swedish director Niclas Larsson (Vatten, GFF 2013) returns to Gothenburg after a period in international advertising with a charged psychological drama that not only impresses with its star-studded cast. 　　源自：https://program.goteborgfilmfestival.se/en/program/mother-couch

Ewan McGregor impresses in Niclas Larsson's star-studded psychological indie drama based on Jerker Virdborg's novella. 　　Three siblings converge in a furniture store in the middle of nowhere. Here, their mother, portrayed by Ellen Burstyn, has barricaded herself on a couch. David (McGregor) does his best to diplomatically try to resolve the situation, but the other siblings (Rhys Ifans, Laura Flynn Boyle) seem to take the situation with frustrating nonchalance. And while the mother's stationary position on the couch brings forth Norenesque family conflicts to the surface, the furniture store appears increasingly labyrinthine, and David is chased through a never-ending Kubrickian nightmare with a desperate look in his eyes. Swedish director Niclas Larsson (Vatten, GFF 2013) returns to Gothenburg after a period in international advertising with a charged psychological drama that not only impresses with its star-studded cast. 　　源自：https://program.goteborgfilmfestival.se/en/program/mother-couch

1910年，有“音乐暴君”之称的马勒，发现心爱的太太红杏出墙，第三者竟然是Bauhaus创办人兼建筑师Walter Gropius。受尽情变折磨的马勒，远走荷兰找来正在度假的弗洛伊德尽诉心声。起初不愿意接受心理治疗的马勒，无奈坐上弗洛伊德的病人床，回忆起跟年轻19岁的太太Aima的相遇情形：两人火速热恋，互相欣赏。但婚后的马勒，却严禁太太追逐她的作曲梦。女儿逝世过后，二人的婚姻开始触礁，促成太太的出轨行为。与弗洛伊德的一席话，令马勒自信找到了挽救婚姻的方法。马勒逝世100年纪念电影，揭开一代古典传奇音乐家的爱情故事。

一个是纽约拥有舒适大房子的事业成功的心理医生，一个是巴黎乱糟糟小屋里糊里糊涂却心地善良的舞蹈演员，他们都厌倦了各自的生活。一次偶然机会，他们交换了一下角色，世界有时就是浪漫的不可思议，爱情就这么自然地闯进了原本陌生的两个人的世界里。

一个是纽约拥有舒适大房子的事业成功的心理医生，一个是巴黎乱糟糟小屋里糊里糊涂却心地善良的舞蹈演员，他们都厌倦了各自的生活。一次偶然机会，他们交换了一下角色，世界有时就是浪漫的不可思议，爱情就这么自然地闯进了原本陌生的两个人的世界里。

A man (Sandler) goes shopping for a new couch.

科里亚（Nikolai Batalov 饰）与瓦洛加（Vladimir Fogel 饰）是一同参加红军的战友，后来分别做了建筑工人和印刷工人。科里亚与妻子柳达（Lyudmila Semyonova 饰）生活在莫斯科一间狭小的居室内，乐天的科里亚不曾留意妻子的琐碎不满。适逢瓦洛加奔赴莫斯科寻找工作，一时没有落脚之处，科里亚在离家施工的前夕收留了瓦洛加，安排瓦洛加睡在沙发上。在科里亚离家的日子里，瓦洛加同柳达发生了关系，获悉此事的科里亚拂袖而去，但家的舒适回忆让他最终返回并占据了沙发。两个男人和好如初之后，柳达发现自己怀孕了，但胎儿的父亲此时却无法确认，柳达选择了堕胎……

科里亚（Nikolai Batalov 饰）与瓦洛加（Vladimir Fogel 饰）是一同参加红军的战友，后来分别做了建筑工人和印刷工人。科里亚与妻子柳达（Lyudmila Semyonova 饰）生活在莫斯科一间狭小的居室内，乐天的科里亚不曾留意妻子的琐碎不满。适逢瓦洛加奔赴莫斯科寻找工作，一时没有落脚之处，科里亚在离家施工的前夕收留了瓦洛加，安排瓦洛加睡在沙发上。在科里亚离家的日子里，瓦洛加同柳达发生了关系，获悉此事的科里亚拂袖而去，但家的舒适回忆让他最终返回并占据了沙发。两个男人和好如初之后，柳达发现自己怀孕了，但胎儿的父亲此时却无法确认，柳达选择了堕胎……

为了筹钱救父亲，十八岁的金国秀惜别昔日恋人祝宇中，嫁到城中富商侯志宏家做填房，并许诺其前妻抚养侯云朗。在侯家，国秀虽受丈夫冷遇，婆婆刁难，但坚毅好强的个性支撑她挑起生活的大梁，慢慢赢得了侯家及当地商界的尊重。志宏反袁被捕，国秀挺着肚子去救志宏，却发现丈夫另有外遇含芳，国秀愤然离去，夫妻关系名存实亡，志宏后悔莫及，国秀却在侯母的要求下留在侯家支撑家业。抗战爆发，儿子参军报国，女儿加入共产党，国秀卖掉家产创办慈善机构收养孤儿。解放战争爆发，面临不同的信仰，侯家人走上了不同的政治道路，两个儿子相继在革命中牺牲，志宏被迫亲自杀死自己的爱女侯如玉，几近崩溃，最终宣布带部起义。重庆解放，政府偿还国秀两千两黄金，她婉拒并做出了另一个选择。