影子是每个人最不能丢弃的忠实伙伴，本动画片里自卑的男人却用它同魔术师交换了财富和幸福，有了舒适的房子、车子和美丽的妻子，可是失去影子后，妻子离开了他，他并没真正得到幸福，也仍不是一个自信的人。意识到没有影子的自己并不快乐并不完整之后，他放弃了从魔术师那里换来的一切，开始在全世界找寻自己的影子。 　　男人找遍阿拉伯、中国等国家，一无所获，后来，他来到某个地方，那里的人们正在表演传统的皮影戏，没有影子的男人重新找到自己的位置。

影子是每个人最不能丢弃的忠实伙伴，本动画片里自卑的男人却用它同魔术师交换了财富和幸福，有了舒适的房子、车子和美丽的妻子，可是失去影子后，妻子离开了他，他并没真正得到幸福，也仍不是一个自信的人。意识到没有影子的自己并不快乐并不完整之后，他放弃了从魔术师那里换来的一切，开始在全世界找寻自己的影子。 　　男人找遍阿拉伯、中国等国家，一无所获，后来，他来到某个地方，那里的人们正在表演传统的皮影戏，没有影子的男人重新找到自己的位置。

影片是根据谢尔盖·卢科扬涅科的三部曲中的第一部《守夜人》改编。 　　光明军队与黑暗军队签订了一项为期一千年的免战合约。一千年后，两支军队的首领格谢尔(符拉季米尔·门少夫 Vladimir Menshov 饰)和扎乌龙(维克多尔·维尔热宾茨基 Valeri Zolotukhin 饰)生活在今日的莫斯科。守夜人跟踪黑暗的异己势力，维持善与恶之间的平衡；而守日人则是监视光明力量的活动，一旦善恶比例失衡就会引起战争、革命、毁灭甚至全世界的灾难。菜鸟守夜人安东·格洛节茨基(康斯坦丁·哈宾斯基 Konstantin Khabenskiy 饰)的监视对象是吸血鬼科斯佳(阿雷克西·查多夫 Aleksey Chadov 饰)。小男孩叶戈尔出现了，他拥有着打破光明黑暗两派平衡的力量，谁得到他都会取得最后的胜利。为了争夺终极力量的人魔大战开始了，自此世界开始崩溃…… 　　叶戈尔将走向光明还是走向黑暗？

故事讲述一名为亡者家庭提供守灵服务的男子，某天晚上突然收到一个急件，联系人甚至偷偷透露没有人敢接下这个案子，他却不信邪的进入了这栋房子。

故事讲述一名为亡者家庭提供守灵服务的男子，某天晚上突然收到一个急件，联系人甚至偷偷透露没有人敢接下这个案子，他却不信邪的进入了这栋房子。

世界上充满了异类生物。这些异类有光明的，也有黑暗的。他们可以进入冥界，可以完成被人类称为魔法的种种行为。一千年前，代表光明的军队与代表黑暗的军队狭路相逢，展开了一场恶战。双方势均力敌，为了避免两败俱伤，双方签订了一项为期一千年的合约和几项模糊的协议。 时光荏苒，一千年后，两支军队的首领-格谢尔(符拉季米尔门少夫饰)和扎乌龙(维克多尔维尔热宾茨基饰)生活在今日的莫斯科。其他的巡查队员都在他们的领导下工作。守夜人跟踪黑暗的异己势力，他们的使命是维持善与恶之间的平衡；而守日人的工作则是监视光明力量的活动，一旦善恶比例失衡就会引起战争、革命、毁灭甚至全世界的灾难。

Somewhere in Mexico, an opulent cemetery full of palatial mausoleums is growing by the day. The speed of expansion parallels the number of liquidations perpetrated by rival drug gangs in the area. A continual stream of notorious drug lords are buried here just as they lived, with pomp and ceremony - in marble buildings hung with chandeliers and portrait photos - and with machine guns and music. Their young widows and small children can be found there every day. Night watchman Martin looks after the site with two trusty dogs at his side. With the coming of each new day, family members arrive to tend to their loved ones' luxurious mausoleums, and construction workers race to build new ones. In the background, weeping mothers bury their sons who have died violent deaths. In this subdued film, which is entirely bereft of the violence at its core, the camera takes in Martin's almost serene days and nights in cinema verité style. News about the violent cartel wars on Martin's television and the coconut drink salesman's radio provide a clear context for this cemetery under construction. The sense of calm that reigns here contrasts increasingly sharply with the explosive epidemic of violence that can spread so easily in Mexico.

Somewhere in Mexico, an opulent cemetery full of palatial mausoleums is growing by the day. The speed of expansion parallels the number of liquidations perpetrated by rival drug gangs in the area. A continual stream of notorious drug lords are buried here just as they lived, with pomp and ceremony - in marble buildings hung with chandeliers and portrait photos - and with machine guns and music. Their young widows and small children can be found there every day. Night watchman Martin looks after the site with two trusty dogs at his side. With the coming of each new day, family members arrive to tend to their loved ones' luxurious mausoleums, and construction workers race to build new ones. In the background, weeping mothers bury their sons who have died violent deaths. In this subdued film, which is entirely bereft of the violence at its core, the camera takes in Martin's almost serene days and nights in cinema verité style. News about the violent cartel wars on Martin's television and the coconut drink salesman's radio provide a clear context for this cemetery under construction. The sense of calm that reigns here contrasts increasingly sharply with the explosive epidemic of violence that can spread so easily in Mexico.

Israeli filmmaker Yossi Aviram co-wrote this drama with Valeria Bruni-Tedeschi who also stars. She plays the daughter of a Holocaust survivor who travels to Tel-Aviv to act as a witness in the trial of a former Nazi collaborator and hopes her reluctant father will join her to testify. Shot in France and Israel, the Hebrew and French-language title was produced by Les Films du Poisson. Bruni-Tedeschi is a festival favorite both on screen and behind the camera (Forever Young, The Divide, Summer of 85) and Aviram earned critical acclaim for his last feature The Dune, also produced by les Film du Poisson.

十五年前，刚入行的押运员秦烈跟随队长陈老大、队友阿彪及贪婪的赵氏兄弟，在西南边境执行最后一次翡翠原石押运任务。不顾老站长”老烟枪”的警告，车队在暴雨中闯入禁地”野人沟”，遵遇特大泥石流被困。混乱中，为财迷心的赵大产生幻觉后失踪。秦烈在寻找时也遭遇”鬼叫魂险些坠崖，幸得守山人巴叔与他的灵犬”黑豹”相救。最终，赵大被发现死于悬崖下的石缝中，其弟赵二因此对秦烈和巴叔埋下怨恨的种子。十五年后，秦烈已是资深押运员。他探望退休的恩人巴叔时，发现巴叔身中奇邪，生命垂危。