Through a nonlinear, abstract and surreal form of storytelling, this film follows a protagonist through a labyrinth of physical and emotional situations, set in a house which acts as both the set for the story and a metaphor for the mind. The techniques used in the film are a mix of analogue and digital: actual painting in the house, digital rendering and avatars, stop-motion painting, drawing, and collaging, with the majority created in Detroit and subsequent scenes finalised in London. With an original score by Susanne Deeken in collaboration with experimental and jazz musicians from Detroit.

Through a nonlinear, abstract and surreal form of storytelling, this film follows a protagonist through a labyrinth of physical and emotional situations, set in a house which acts as both the set for the story and a metaphor for the mind. The techniques used in the film are a mix of analogue and digital: actual painting in the house, digital rendering and avatars, stop-motion painting, drawing, and collaging, with the majority created in Detroit and subsequent scenes finalised in London. With an original score by Susanne Deeken in collaboration with experimental and jazz musicians from Detroit.

韩国人车银太与学生时代认识的日本女性麻衣结婚，建立了幸福的家庭。但是，麻衣因事故突然死亡，银太因此受到打击而失去了记忆。失去生存的理由的银泰以在自家找到的照片为线索，展开了最后的旅程，在路途遇到了不可思议的少女。她的真实身份以及她隐藏的想法会被揭晓吗?

周晶晶（甘婷婷 饰）和男友罗大为（郭晓冬 饰）相恋多年，彼此之间感情一直十分要好。然而，富商韩冰（巫刚 饰）亦在十分积极火热的追求着周晶晶，在权衡了利弊之后，周晶晶决定向荣华富贵的生活妥协，抛弃了罗大为。 　　然而好景不长，韩冰因病去世，尽管继承了丈夫的巨额财产，但周晶晶的内心里十分空虚寂寞，她想到了罗大为，企图回到他的身边，重叙旧缘。然而此时的罗大为早已经和名为朱珠（罗海琼 饰）的女子走到了一起，而朱珠是周晶晶和罗大为曾经的红娘，亦是周晶晶最好的朋友。咽不下这口气的周晶晶决定和朱珠之间展开角逐，而面对昔日好友的威胁，朱珠也决定紧紧抓住眼前的这份感情。

周晶晶（甘婷婷 饰）和男友罗大为（郭晓冬 饰）相恋多年，彼此之间感情一直十分要好。然而，富商韩冰（巫刚 饰）亦在十分积极火热的追求着周晶晶，在权衡了利弊之后，周晶晶决定向荣华富贵的生活妥协，抛弃了罗大为。 　　然而好景不长，韩冰因病去世，尽管继承了丈夫的巨额财产，但周晶晶的内心里十分空虚寂寞，她想到了罗大为，企图回到他的身边，重叙旧缘。然而此时的罗大为早已经和名为朱珠（罗海琼 饰）的女子走到了一起，而朱珠是周晶晶和罗大为曾经的红娘，亦是周晶晶最好的朋友。咽不下这口气的周晶晶决定和朱珠之间展开角逐，而面对昔日好友的威胁，朱珠也决定紧紧抓住眼前的这份感情。

A German police state of the past is the setting for the pulsating short film thriller Es gibt keine Angst (Afraid Doesn’t Exist). In it, Anna Zett collages video and audio material from the Berlin Archive of the GDR Opposition, partially taking the perspective of a sensitive child. Based on her own intimate involvement, the artist traces a successful, yet mostly unknown act of resistance at the very end of the GDR, while at the same time opening up an associative space for connecting with experiences of violence that are otherwise difficult to access today. Vocally highly condensed voices from a 1986 East Berlin poetry reading support the voiceless narrator – “an adult child” – in the reconstruction of her own emotional world, as does the multi-layered musical score. From footage of the environmental library to private videos and journalistic material, the film leads to the second occupation of the Stasi headquarters in Berlin-Lichtenberg in September 1990, where it settles into a very different mood. 　　源自：https://www.berlinale.de/en/2023/programme/202312726.html

A German police state of the past is the setting for the pulsating short film thriller Es gibt keine Angst (Afraid Doesn’t Exist). In it, Anna Zett collages video and audio material from the Berlin Archive of the GDR Opposition, partially taking the perspective of a sensitive child. Based on her own intimate involvement, the artist traces a successful, yet mostly unknown act of resistance at the very end of the GDR, while at the same time opening up an associative space for connecting with experiences of violence that are otherwise difficult to access today. Vocally highly condensed voices from a 1986 East Berlin poetry reading support the voiceless narrator – “an adult child” – in the reconstruction of her own emotional world, as does the multi-layered musical score. From footage of the environmental library to private videos and journalistic material, the film leads to the second occupation of the Stasi headquarters in Berlin-Lichtenberg in September 1990, where it settles into a very different mood. 　　源自：https://www.berlinale.de/en/2023/programme/202312726.html

以个人细碎回忆，对抗国家大历史的遗忘。生于伊斯兰革命时期的伊朗，她由被母亲抱在怀里的一刻开始，个人与民族命运仿佛注定紧紧相连。拿起摄像机，拍下生活日常，在家内任发飘扬、自由歌舞的喜悦，与在家外被迫披上头巾、禁止踏足球场的愤怒相互碰撞。《我的家庭X光片》剪接师莎利菲首部纪录片，搜集陌生人的8米厘菲林，糅合自拍家庭及街头录象，以全新视角组合成伊朗真实微历史，向那些为争取自由甚至不惜以生命作代价的妇女，献上赞歌。

以个人细碎回忆，对抗国家大历史的遗忘。生于伊斯兰革命时期的伊朗，她由被母亲抱在怀里的一刻开始，个人与民族命运仿佛注定紧紧相连。拿起摄像机，拍下生活日常，在家内任发飘扬、自由歌舞的喜悦，与在家外被迫披上头巾、禁止踏足球场的愤怒相互碰撞。《我的家庭X光片》剪接师莎利菲首部纪录片，搜集陌生人的8米厘菲林，糅合自拍家庭及街头录象，以全新视角组合成伊朗真实微历史，向那些为争取自由甚至不惜以生命作代价的妇女，献上赞歌。

In this surprising and perceptive drama directed by Karimah Zakia Issa and adapted from a short story by Ace Clamber, two strangers on a late walk home must contend not only with familiar fears but also with realizations that force complex truths out of the dark and into the light.