成远机械有条怪规矩：每天第一台机器开工前，老板必须用老煤油打火机给首席技师孙国梁点烟。一次三百万订单因“点烟规矩”险些停摆，乡镇机械师赵铁柱意外卷入，用技术、流程和团队一次次化解刀具、夹具、设备、人员危机，也让老板陆成逐渐明白：工厂不能靠任何一个人撑着。真正能让机器不停的，是制度、协作与每个人都能独当一面。

Enriched by cinematography as remarkable as the filmmaker's work on Zaynê Akyol's Rojek, this documentary by director Arshia Shakiba situates viewers amid the oil refineries in Syria's war-ravaged north, a landscape that may seem post-apocalyptic but lives in our ever-more alarming present.

The story appears simple on the surface, but is revealed, especially after multiple viewings, as more multi-layered and textured than Cassavetes at his best. Ostensibly it concerns a 14-year old Catholic girl, Wynne (Agutter) growing up in this post-modern wasteland, who develops a crush on her much older adoptive brother (Marshall)- a crush which perversely deepens and grows into infatuation once she starts to believe he is the local sex killer. This is in itself an idea that makes you sit up and jolt, but as the narrative develops, it continues not necessarily along a linear path but in several confusing and fascinating directions: the family's history, (detailed effectively in chilling flashback during an improvised seance) is a chequered one, and has suffered at least one major relocation and upheaval in the last ten years. At the crux, however, it's the depiction of socialal changes that make I Start Counting so fascinating and elevate its language far beyond the confines of the standard horror film. The major subtext- that teenage girls were maturing more quickly than before, and developing full sexual and romantic appetites (even if in thought rather than deed) but were not possessed of enough discretion to make the right choices- was a step forward for a genre in which its young females had previously been portrayed as bimbo victims (Cover Girl Killer and The Night Caller spring to mind), but not one that all viewers would necessarily agree with. But most striking of all, and possibly the most enduring image which the viewer will take away with them, is of the masterful symbolism with which director Greene invests every shot. Every inch of the Kinch family's world- their house, their walls, their TV, Agutters underwear, bedroom furniture and toys, Sutcliffe's clothes, Marshalls van, the local Catholic church, their town centre, their record shop) - is painted a bright, scintillating white- a white which, by inference, is slowly becoming smudged and corrupted with the dirt of the outside world. White also symbolises, of course, purity and innocence (two qualities Catholic schoolgirls are supposed to hold dear), and it is into this world of innocence that the ever-present red bus (a symbol of violation and penetration), conducted by the lecherous yet similarly juvenile Simon Ward, makes regular journeys. The allegory is further expanded in one scene where Agutter believes she sees the Christ figure in church weeping blood: by the time we acknowledge it, its gone, but the seed has already been planted. Rarely in a genre production has the use of colour and background been so important or effective in creating a uniformity of mood. I Start Counting is as near-perfect an end to a decade as one could hope for, and exactly the kind of film people should be making now- which is, of course, exactly why they never will. A genre essential. by D.R. SHIMON@lounge.moviecodec.com

三世重生的沈明月，开局遭两位丫鬟各执一词的命运预警， 一个劝拒婚，一个催联姻，背后藏着表小姐苏染染的阴谋， 她冒领救命之恩，还买通丫鬟设局，谢小公爷也曾被蒙蔽， 春日花宴后风波迭起，沈明月早已看穿一切，步步为营揭穿诡计， 巧用布局摆脱纷争，以军功换得终身自由，远离上京是非，终得安稳归宿。

In an attic full of discarded junk, a pretty doll called Buttercup lives in an old trunk together with her friends, the marionette Sir Handsome, the lovable Teddy Bear, a Mechanical Mouse and the plasticine creature, Laurent. When Buttercup is snatched and taken off to the Land of Evil, her pals set out on a wondrous and daring adventure to rescue her from the all-powerful Head of State.

「型子」瑣事人人理，「宅男」心事又有誰知？紀錄片一分為二。上集主角加賀，廿三歲大好青年，卻害怕與人溝通，又怕接觸女兒家，於是長年潛藏家中，與世隔絕，閒時對剪報女星幻想幻想，連面對心儀女孩也羞於表白，失禮失禮。導演決定幫他壯壯膽，逼他參與AV拍攝，要他「痛失」處子身，做個真正男子漢？！下集主角梅澤，人如其名，還要更「宅」，家徒四壁，四壁卻盡是漫畫和明星海報，但原來情根深種，自小暗戀一過氣女明星。導演再作馮婦，迫令梅澤自拍生活點滴，小小「宅男」只望影片首映時偶像能抽空出席，有幸一睹偶像芳容．．．瘋狂「劇情」、爆笑「演繹」。喂喂喂，各位型男索女，你們之前沒有這麼「宅」過嗎？ *2008英國倫敦Raindance電影節參展電影 香港亞洲獨立電影節2008 A young yet acclaimed documentary director best known for his Annyong-Kimchi, Tetsuaki Matsue documents the dim-witted stories of two Otaku (people isolated themselves from society with obsessive interests, particularly anime, manga, and video games) in his latest documentary The Virgin Wildsides. Kaga, Matsue’s friend who is still a cherry boy at the age of 23, is his first “victim”. Having no physical touch with any girls at all in his life and being afraid of confessing to his dream girl, he is persuaded by Matsue to star in a pornographic video in order to relieve him of his virginity and to step into adulthood…… In Volume 2, Kaga the victim turns himself into an “accomplice” entrapping his friend Umezawa into another hilarious documentary of Otaku. A manga lunatic and pop-star follower, Umezawa has built a shrine in his bedroom, walled by nothing but comic books, to a retired celebrity, and was convinced by Matsue to film a film of himself in order to see his obsession face to face in reality. However dealing with a dim and serious topic, The Virgin Wildsides is certainly in a light and enlightening approach, entertaining enough to make you burst into laughter. *Official Selection, Raindance Film Festival 2008 Hong Kong Asia Independent Film Festival 2008 http://www.spopro.net/virgin_wildsides/

宋铁生人到中年，惨遭工厂无情开除。可厂里研发陷入绝境，厂长与一众老员工又低声下气哀求他回去主持大局。宋铁生不计前嫌，苦心钻研出爆款新品，一经上市便引爆市场。谁知厂长与员工见利忘义，反手将他告上法庭。宋铁生当庭怒斥众人忘恩负义，最后被订货商找上门来，要求十亿赔偿。

纳兰容若（纳兰性德）一生用情极深，对生命中先后出现的三名女性倾尽了所有的爱，最后她们为何却又纷纷离他远去？留给纳兰的只有彻骨之痛。人生若只如初见，何事秋风悲画扇。面对大喜大悲的坎坷经历，纳兰的心就像是一碗黄连熬成的苦汁，苦不堪言，并最终为情所累，生命在三十一岁这年戛然而止，犹如苍穹中划过的流星，短暂而震撼。 节目播出目录： 《百家讲坛》 20120428 纳兰心事有谁知（一）我是人间惆怅客 《百家讲坛》 20120429 纳兰心事有谁知（二）多情自古原多病 《百家讲坛》 20120430 纳兰心事有谁知（三）一生一代一双人 《百家讲坛》 20120501 纳兰心事有谁知（四）当时只道是寻常 《百家讲坛》 20120502 纳兰心事有谁知（五）不是人间富贵花 《百家讲坛》 20120503 纳兰心事有谁知（六）幽怨从前何处诉 《百家讲坛》 20120504 纳兰心事有谁知（七）身世悠悠何足问 《百家讲坛》 20120505 纳兰心事有谁知（八）而今才道当时错

钟灿（金柱赫 饰）和妻子妍红（孙艺珍 饰）结婚多年，膝下有一可爱的女儿，两人男才女貌，在外人眼中是如同神仙眷侣一般的存在。钟灿涉足政坛，事业小有成就，同僚们都知道，他将有极大的可能成为下一任的国会议员。 某一日，厄运降临到了这个幸福的家庭之中，女儿无故失踪下落不明，留下难以解释的模糊线索，令警方毫无头绪。让妍红感到不可思议的是，对于女儿的失踪，钟灿似乎并没有那么焦急，他脑中所想的，只有如何在下一场竞选中取得胜利，夫妻两人之间的感情因此而产生裂痕。无奈之下，妍红只得强打起精神，她知道，女儿所能依靠的只有自己。

一名受人尊敬的主播（高庚杓 饰）突然在播报时失去自我约束力，此举吸引了一名电视台编剧（姜汉娜 饰）的注意，并邀请他上自己的综艺节目。