From the balcony of his family’s apartment in Aleppo’s Midan district, Avo Kaprealian began chronicling daily life on the streets, capturing the sense of foreboding rapidly approaching with the violent conflict engulfing the country. Once in a while, the father breaks his silence to reprimand his son for endangering the entire family. In contrast, the mother avails herself to the camera, recounting events and divulging emotion without reserve. Midan’s residents are mainly descendants of survivors of the Armenian genocide, who fled their homes in modern-day Turkey to settle in Aleppo. As the armed conflict hits their street, Kaprealian’s lens turns inward to record the family’s quotidian life and how they cope with shelling, snipers and power cuts. For Armenian-Syrians, whose memory is deeply etched with the tragedy of forced exile, the prospect of leaving their homes and lives behind to escape death echoes like an ancestral trauma being relived. Kaprealian invokes the history of cinema to incarnate his family’s agonising present and transforms an archive of the imaginary into one of lived experience, stitching together ruptures in modern history and providing condolence for grief. berlinale 2016

A psychological dystopia that wrings existential dilemmas with Almodóvar-like elegance. 　　What does it mean to live in a society where punishment for crime is the complete deletion of your existence? Director Hatice Aşkın places a visually stunning predicament in front of the viewers, where a steep price must be paid for nine crimes – in addition to the rest of their life, the punished also have to give up the life they have already lived, their memory in the hearts of their close ones. 　　Alper is about to fulfil his dream of becoming a prosecutor. As a talented employee of the public prosecutor’s office, he has made a considerable contribution to the systematic implementation of the rule of law under which people who have been greedy, lazy, impudent or lavish or have desired, envied, hated or betrayed someone are abolished from society. 　　Alper’s moral compass is sent cartwheeling on the day when his mother is taken away due to a seemingly unnoticeable mistake, and thus an elusive part of Alper’s inner world is removed. Rule-based clarity becomes an unpredictable labyrinth traversing of which offers psychological thrills as well as deeper food for thought about the value of remembering and memories.

A psychological dystopia that wrings existential dilemmas with Almodóvar-like elegance. 　　What does it mean to live in a society where punishment for crime is the complete deletion of your existence? Director Hatice Aşkın places a visually stunning predicament in front of the viewers, where a steep price must be paid for nine crimes – in addition to the rest of their life, the punished also have to give up the life they have already lived, their memory in the hearts of their close ones. 　　Alper is about to fulfil his dream of becoming a prosecutor. As a talented employee of the public prosecutor’s office, he has made a considerable contribution to the systematic implementation of the rule of law under which people who have been greedy, lazy, impudent or lavish or have desired, envied, hated or betrayed someone are abolished from society. 　　Alper’s moral compass is sent cartwheeling on the day when his mother is taken away due to a seemingly unnoticeable mistake, and thus an elusive part of Alper’s inner world is removed. Rule-based clarity becomes an unpredictable labyrinth traversing of which offers psychological thrills as well as deeper food for thought about the value of remembering and memories.

2022年3月的下午，沈博伦和女儿在回家吃饭前，完成了一次行为表演，重现了他的童年记忆。当沈博伦和他女儿的年纪一样时，他曾和爷爷奶奶一起生活了一年。每天下午放学回家时，他不按门铃，而是在靠近楼房时开始高声呼喊爷爷奶奶。在2022年3月，沈博伦的奶奶即将被送进养老院，由于疫情封锁，这有可能是最后一次见到她了。

2022年3月的下午，沈博伦和女儿在回家吃饭前，完成了一次行为表演，重现了他的童年记忆。当沈博伦和他女儿的年纪一样时，他曾和爷爷奶奶一起生活了一年。每天下午放学回家时，他不按门铃，而是在靠近楼房时开始高声呼喊爷爷奶奶。在2022年3月，沈博伦的奶奶即将被送进养老院，由于疫情封锁，这有可能是最后一次见到她了。

影片讲述三位海外游子将母亲遗体送返故乡入土为安的故事。三兄妹出生于伊拉克的库尔德地区，却在德国长大。他们想要完成母亲的遗愿——将母亲的遗体运回老家，和他们死于战场的父亲葬在一起。在返乡的旅途中，三兄妹不仅要解决库尔德大家族拒绝自己母亲与父亲合葬的问题，也要面对他们各自的问题。近年来，他们家人之间的距离愈行愈远，大家都过着自己的生活，每次谈话，基本上都会互相指责……

影片讲述三位海外游子将母亲遗体送返故乡入土为安的故事。三兄妹出生于伊拉克的库尔德地区，却在德国长大。他们想要完成母亲的遗愿——将母亲的遗体运回老家，和他们死于战场的父亲葬在一起。在返乡的旅途中，三兄妹不仅要解决库尔德大家族拒绝自己母亲与父亲合葬的问题，也要面对他们各自的问题。近年来，他们家人之间的距离愈行愈远，大家都过着自己的生活，每次谈话，基本上都会互相指责……

这里曾经是繁华的大都会，许多中产阶级在郊区构筑了自己完美幸福的生活。但是城市衰退了，四下里罕见人烟。一度欢声笑语的郊区变得寂静破败，人去楼空。房屋破旧不堪，许多房子都挂起了出售的牌子。有一间蓝色的小木屋不愿坐以待毙，它扔掉出售的木牌子，笨重地挪动自己的身体，缓缓离开了萧索凄凉的城市。不知不觉他来到另一片社区，在那里遇到一栋更加老旧的房子。同是天涯沦落屋，相逢何必曾相识。两间老屋子结伴上路，期间经历了久违的快乐，当然悲伤的事情也在所难免。 　　这对忘年交的朋友经历了点点滴滴，寻找久违的幸福感觉……

这里曾经是繁华的大都会，许多中产阶级在郊区构筑了自己完美幸福的生活。但是城市衰退了，四下里罕见人烟。一度欢声笑语的郊区变得寂静破败，人去楼空。房屋破旧不堪，许多房子都挂起了出售的牌子。有一间蓝色的小木屋不愿坐以待毙，它扔掉出售的木牌子，笨重地挪动自己的身体，缓缓离开了萧索凄凉的城市。不知不觉他来到另一片社区，在那里遇到一栋更加老旧的房子。同是天涯沦落屋，相逢何必曾相识。两间老屋子结伴上路，期间经历了久违的快乐，当然悲伤的事情也在所难免。 　　这对忘年交的朋友经历了点点滴滴，寻找久违的幸福感觉……

出生在一个被黑手党控制的小城里，一名愤怒的年轻女子决意向拆散和囚禁她家人的邪恶力量复仇。