泥土，看似不起眼，但每一把泥土当中却含有超过十亿的有机物质，而这些物质恰好就是维系交互作用以及地球生态平衡的重要角色，本片以幽默充实的方式，带领观众好好看看脚下土地的过去与未来。现在，一群拥有各种不同身分的人，从生物学家到美国克斯岛监狱当中的囚犯，他们集合在一起，要告诉所有人该如何解决人类所造成的土地危机，并保护这些对生态永续维系非常重要的泥土。 　　幕后制作 　　导演比尔·本内森和吉尼·络斯沃因为 William Bryant Logan的著作《The Ecstatic Skin of the Earth, Dirt!》而起了拍摄本片的念头，由非营利组织Common Ground Media公司制作，并获圣丹斯电影节最佳纪录片的提名殊荣。

1977年冬，青梅竹马的春雪和麦茬相约一起参加高考。考试前夕春雪家中突遭变故，不得已嫁给了金沙窝村的高石条。麦茬一气之下离家出走。麦茬的父亲梁传根为了证明自己的身份，一直在寻找当年的部队。春雪婚后遭遇家庭暴力，提出离婚，通过招工进入县里的服装厂，却因流言被厂里开除，走投无路之时被幼时的伙伴所救，回村成立了自己的缝纫社，重燃对生活的希望。在外闯荡的麦茬学到了一手烧砖技术，在县委书记的鼓励下，回到家乡搞活了村里废弃的砖窑。在春雪和麦茬的带领下，贫穷的小山村成了省里经济发展示范村。梁传根找到了自己的部队，春雪也渐渐对麦茬重新打开了心扉。进入新世纪后，砖窑和服装厂被关停，春雪的女儿高天骄毕业回村，意识到土地和粮食才是农民的根，带领村民种植绿色粮食蔬菜，成功进行产业转型。

1977年冬，青梅竹马的春雪和麦茬相约一起参加高考。考试前夕春雪家中突遭变故，不得已嫁给了金沙窝村的青松。麦茬一气之下离家出走。麦茬的父亲魏守根为了证明自己的身份，一直在寻找当年的部队。春雪婚后遭遇家庭暴力，提出离婚，通过招工进入县里的服装厂，却因流言被厂里开除，走投无路之时被幼时的伙伴条子所救，回村成立了自己的缝纫社，重燃对生活的渴望。在外闯荡的麦茬学到了一手烧砖技术，在县委栗书记的鼓励下，回到家乡搞活了村里废弃的砖窑。在春雪和麦茬的带领下，贫穷的小山村成了省里经济发展示范村。魏守根找到了自己的部队，春雪也渐渐对麦茬重新打开了心扉。进入新世纪后，砖窑和服装厂被关停，春雪的儿子天明毕业回村，意识到土地和粮食才是农民的根，带领村民发展种植绿色粮食蔬菜，成功进行产业转型。

The Savage Three are three young men, fresh into the world, who work together at a computer analysis company. All three appear to be calm, level-headed, well-educated young men with the world at their fingertips. They are best friends, working together by day & playfully carousing at night. Dominating their carousing is Ovidio Mainardi, played by the handsome Joe Dallesandro. Ovid is married to a beautiful woman who is never home - she is a doctor who has put her career ahead of her marriage. As Ovid wiles away his days in front of a computer, doing repetitive, monotonous computations, he constantly glances at white mice kept trapped in a glass cage in the facility in which he works. He watches the mice as they trample each other wildly; he begins to ponder his own inner feelings of entrapment. His own frustration at being in a loveless marriage and monotone job boils over into lawlessness when he and his buddies cross the line from carousing to crime. Fango Bollente, also known as Savage Three and Hot Mud, follows these three handsome, young men through the busy streets of downtown Rome as they act out their frustrations in raw acts of violence. This Italian film is a treat for any Joe Dallensandro fan - he is completely unlikable as the complacently conniving & cruel Ovidio.

Karoline’s life is turned upside down when her father, Kjeld, manically starts digging a pit in their backyard. The following days turn into a living nightmare as the pit becomes a grave and the land, which has been in the family for generations, pulls Kjeld further and further down into the deep.

Karoline’s life is turned upside down when her father, Kjeld, manically starts digging a pit in their backyard. The following days turn into a living nightmare as the pit becomes a grave and the land, which has been in the family for generations, pulls Kjeld further and further down into the deep.

贤成是一个不太成功的电影导演，他和曾经的爱人有过一次约定，十次圣诞节后他将与她在“右道”所在的一家汽车旅馆见面。那是他们曾经一起旅游过的地方。时间不知不觉中已经过去了十年，而他始终没有忘记当初的约定，他在完成一部电影拍摄准备开始写新剧本之间决定去“右道”也许他只是想知道当初的约定能够实现。贤成找到了那家汽车旅馆，前来接他的是这家旅馆的经营者，天真活泼开朗可爱的女孩子素妍，她和自己不讲话的叔叔共同经营这家旅馆。在朝夕相处中，两人渐渐互相了解，原来素妍的叔叔一直在等她离去的婶子，他相信她会回来。而贤成没有在约定时间等来爱人，却等来了一架钢琴，而十年来一直都没有揭开的谜……

贤成是一个不太成功的电影导演，他和曾经的爱人有过一次约定，十次圣诞节后他将与她在“右道”所在的一家汽车旅馆见面。那是他们曾经一起旅游过的地方。时间不知不觉中已经过去了十年，而他始终没有忘记当初的约定，他在完成一部电影拍摄准备开始写新剧本之间决定去“右道”也许他只是想知道当初的约定能够实现。贤成找到了那家汽车旅馆，前来接他的是这家旅馆的经营者，天真活泼开朗可爱的女孩子素妍，她和自己不讲话的叔叔共同经营这家旅馆。在朝夕相处中，两人渐渐互相了解，原来素妍的叔叔一直在等她离去的婶子，他相信她会回来。而贤成没有在约定时间等来爱人，却等来了一架钢琴，而十年来一直都没有揭开的谜……

2016年威尼斯电影节主竞赛单元入围作品~青春的时候很有可能混乱，焦躁，犯错，尽管发生的每件事都可能让人抓狂，但永远不要放弃对待人生的希望，勇敢面对自己所犯下的错，所要承担的责任，生活终究会有太阳升起的一天。意大利的青春电影，有意外怀孕，但没有所谓的堕胎，撕逼，哭泣，甩巴掌，有的是对待青春每个人的都会表现的慌乱而崩溃，幼稚和成长，青春多好，生命多好~

P L U M E responds to a 2019 State of Canada’s Birds Report issued by Environment and Climate Change Canada that the diversity and abundance of Canada’s birds are in sharp decline. Thinking about this report and the effects of climate change and our interconnectedness with the natural world, I became an avid bird watcher, recording bird songs and collecting and labelling discarded feathers and down blends. The images in P L U M E are imprints from feathers soaked in a plant-based developer solution, a phytogram technique developed by filmmaker Karel Doing, and reanimated using optical printing and digital editing techniques.