In July, 19-year-old pianist Benjamin Grosvenor made his debut at the Proms to great acclaim, wowing both audiences and critics with his performance of Liszt's Piano Concerto No 2 in A Major. The youngest ever soloist to perform in the First Night of the Proms, he returns to the Royal Albert Hall on August 6 to take on Britten's Piano Concerto. 　　In 2005, Imagine discovered this musical prodigy in the making. Alan Yentob talked to the 12-year-old Grosvenor about his success the previous year, in the piano section of The Young Musician of The Year Competition. This is another chance to see that documentary. 　　Imagine: Being a Concert Pianist gets under the lid of this extreme form of musicianship. Celebrated pianists, including Yevgeny Kissin, Vladimir Ashkenazy and Chinese wunderkind Lang Lang, talk intimately about their lives, their work and their motivation. The film gives a frank and personal perspective on a profession for which the only real qualification is genius, richly illustrated with specially recorded rehearsal and performance.

The Art of the Piano is a feature-length, 106-minute documentary that presents in refreshingly straightforward fashion a portrait of 20th-century piano playing. The format is simple: short segments on virtually all of the great pianists who have ever been captured on film, augmented by extracts from interviews, sometimes with the pianists themselves, or with later conductors and musicians of international stature, including specially filmed contributions from Daniel Barenboim, Sir Colin Davis, Evgeny Kissin, Gennadi Rozhdestvensky, and Tamás Vásáry. The narration by John Tusa offers an overview of piano music through the century, though the heart of the film is the great quantity of rare archive historic footage, with extracts from performances by Gould, Horowitz, Paderwski, Rachmaninoff, Richter, Rubinstein, and many others. The interviews are short, but offer considerable insight, while the film of so many revered pianists brought together is a literal eye-opener, especially for those who have previously only known these masters from LP and CD. This is, like the companion program The Art of Singing, as close to definitive as a single film can get, even going so far as to include footage from the "silent" era with sound from corresponding recordings. --Gary S. Dalkin, Amazon.co.uk

Art, politics and motorcycles - on the occasion of his 90th birthday John Berger or the Art of Looking is an intimate portrait of the writer and art critic whose ground-breaking work on seeing has shaped our understanding of the concept for over five decades. The film explores how paintings become narratives and stories turn into images, and rarely does anybody demonstrate this as poignantly as Berger. 　　Berger lived and worked for decades in a small mountain village in the French Alps, where the nearness to nature, the world of the peasants and his motorcycle, which for him deals so much with presence, inspired his drawing and writing. 　　The film introduces Berger's art of looking with theatre wizard Simon McBurney, film-director Michael Dibb, visual artist John Christie, cartoonist Selçuk Demiral, photographer Jean Mohr as well as two of his children, film-critic Katya Berger and the painter Yves Berger. 　　The prelude and starting point is Berger's mind-boggling experience of restored vision following a successful cataract removal surgery. There, in the cusp of his clouding eyesight, Berger re-discovers the irredeemable wonder of seeing. 　　Realised as a portrait in works and collaborations, this creative documentary takes a different approach to biography, with John Berger leading in his favourite role of the storyteller.

经典的偶发艺术/行为艺术表演现场纪录片。Claes Oldenburg早年是偶发艺术的实践者，70年代后成为著名的现代派雕塑家、设计师和波普艺术家。《Happenings》是其早年的艺术实践之一，参与创作的还有Carolee Schneemann、Jackie Ferrara、Jean-Jacques Lebel等许多来自美法德各国的偶发艺术家。 　　Early in 1962 Claes Oldenburg offered a remarkable series of ten 'Happenings' in a store on East Second Street in New York City. The audiences were kept small to heighten the intimacy of the experience. What is a 'Happening'? It would seem impossible to describe afterwards. Yet Raymond Saroff compressed the rich and sprawling imagery of each evening-length work to the essential matter in hand, reassembling a visual realization of what was seemingly consigned to the memories of its audience. All the characterizations, the unprepared transitions, the very personal rhythms with something of Saroff's own: the 'Happenings' impact on a sensitive eye, its reduction to a single and coherent point of view.

Marta hauls a piano home from a shop that sells used musical instruments. She almost succeeds. Albert tries for the thirtieth year already to tell Paula that he loves her. He almost succeeds. Paula wants to respond to Albert in the same vein. She almost succeeds. Police commissioner Kits has dreamed of parachuting all his life. He almost succeeds. Mirjam wants be become a circus artist. She almost succeeds. A honeybee tries to get out past a closed window. It almost succeeds. 　　A film without main characters where the lives of characters that have lost their head intertwine in a dramatic and less dramatic way in an ordinary concrete panel apartment building.

1964年奥斯卡最佳短片提名。

勇敢的热血好青年立花直树从安莫伦星人处得到威力无穷的机器人JUMBOG A和JUMBOG9，并和保卫地球的PAT队一起同妄图侵略地球的哥斯军団战斗。 詹伯格艾斯不属于奥特曼系列，是圆谷公司的特摄作品，与奥特曼的任何一世界观没有任何联系。