1972年在窮鄉僻壤的恆春遇見的陳達，雖然已是六十七高齡，唱起歌來卻還是頂硬朗的。他俐落的抓起隨身月琴彈將起來，那久遠、滄桑的嗓音彷彿是人間絕響，如此厚實、獨特與遼闊，陳達不愧是臺灣民間歌謠真正的遊唱傳人、典範。 　　陳達，1905年出生於屏東縣恆春鎮大光里，有四分之一原住民血統。小時候他跟媽媽學唱由祖母流傳下來的「臺東調」，以原母語發音。十二歲替人放牛、捕魚，經常隨著大人由恆春至楓港，翻山越嶺到後山（臺東）四處跑。十七歲時，陳達開始跟著大哥學唱《牛尾擺》，趁兄哥午睡時，偷偷取下牆下月琴自彈自練，他既不識字，更不懂樂譜上畫些什麼蝌蚪。1925那一年，陳達二十歲，正式展開他的歌唱生涯。 　　《紀念‧陳達》收錄了三段影片：1972他在家鄉的生活與歌唱‧1977於臺北「稻草人」餐廳駐唱時伴著李光輝，隨機吟唱李光輝這位阿美族／日本兵在站後獨自一人躲進印尼荒島叢林中的三十年遭遇；以及寒風中他依傍關渡河邊兀自落寞的彈唱。

1972年在窮鄉僻壤的恆春遇見的陳達，雖然已是六十七高齡，唱起歌來卻還是頂硬朗的。他俐落的抓起隨身月琴彈將起來，那久遠、滄桑的嗓音彷彿是人間絕響，如此厚實、獨特與遼闊，陳達不愧是臺灣民間歌謠真正的遊唱傳人、典範。 　　陳達，1905年出生於屏東縣恆春鎮大光里，有四分之一原住民血統。小時候他跟媽媽學唱由祖母流傳下來的「臺東調」，以原母語發音。十二歲替人放牛、捕魚，經常隨著大人由恆春至楓港，翻山越嶺到後山（臺東）四處跑。十七歲時，陳達開始跟著大哥學唱《牛尾擺》，趁兄哥午睡時，偷偷取下牆下月琴自彈自練，他既不識字，更不懂樂譜上畫些什麼蝌蚪。1925那一年，陳達二十歲，正式展開他的歌唱生涯。 　　《紀念‧陳達》收錄了三段影片：1972他在家鄉的生活與歌唱‧1977於臺北「稻草人」餐廳駐唱時伴著李光輝，隨機吟唱李光輝這位阿美族／日本兵在站後獨自一人躲進印尼荒島叢林中的三十年遭遇；以及寒風中他依傍關渡河邊兀自落寞的彈唱。

"The Fassbinder Story" narrates the fast and furious life of the German writer-producer-director and, above all, artist Rainer Werner Fassbinder, a life which had all the dynamics of a Hollywood blockbuster. A man who paid the price for a career shaped by ceaseless work and world fame. After his death in 1982, aged only 37, Fassbinder came to leave a total of 44 self-directed films, including two multi-part TV series. The chronological connection between his films, whenever showing autobiographical references to his life, sketches the madness of his being, uniting it with rare footage from film sets and previously undisclosed video and audio recordings into one composite whole.

"The Fassbinder Story" narrates the fast and furious life of the German writer-producer-director and, above all, artist Rainer Werner Fassbinder, a life which had all the dynamics of a Hollywood blockbuster. A man who paid the price for a career shaped by ceaseless work and world fame. After his death in 1982, aged only 37, Fassbinder came to leave a total of 44 self-directed films, including two multi-part TV series. The chronological connection between his films, whenever showing autobiographical references to his life, sketches the madness of his being, uniting it with rare footage from film sets and previously undisclosed video and audio recordings into one composite whole.

故事发生于1399年至1413年间，英国国王亨利第四统治时期，英格兰中部一个叫温莎的地方。骑士法斯塔夫同时向福德的夫人艾丽丝和佩奇的太太梅格送了同样的情书，艾丽丝、梅格、医生卡尤斯与芬顿还有法斯塔夫的侍从巴多夫与皮斯托拉都非常厌恶法斯塔夫的这种行为，他们联合起来设下圈套，两位太太两次假意与法斯塔夫约会，从而将他捉弄。同时他们巧妙安排艾丽丝的女儿安妮塔与意中人芬顿结婚阻止了福德想把安妮塔嫁给卡尤斯的想法。

故事发生于1399年至1413年间，英国国王亨利第四统治时期，英格兰中部一个叫温莎的地方。骑士法斯塔夫同时向福德的夫人艾丽丝和佩奇的太太梅格送了同样的情书，艾丽丝、梅格、医生卡尤斯与芬顿还有法斯塔夫的侍从巴多夫与皮斯托拉都非常厌恶法斯塔夫的这种行为，他们联合起来设下圈套，两位太太两次假意与法斯塔夫约会，从而将他捉弄。同时他们巧妙安排艾丽丝的女儿安妮塔与意中人芬顿结婚阻止了福德想把安妮塔嫁给卡尤斯的想法。

法斯宾达，是德国电影史上的怪才大师。二十岁起创作作品已遍及剧场、电影和电视，是早期德国新电影重要的一员。性格喜怒无常的他，感情生活扑朔迷离，男人女人都为他倾倒、自愿受他的奴役折磨。 37岁便因为嗑药酗酒过量致死，英年早逝更使他充满神奇色彩。 本片导演走访多位法斯宾达生前重要的合作夥伴和情人，尝试勾勒出这位传奇人物背后的深层影响， 带领观众走进法斯宾达如行走于刀锋上的创作主题与生命情调。

法斯宾达，是德国电影史上的怪才大师。二十岁起创作作品已遍及剧场、电影和电视，是早期德国新电影重要的一员。性格喜怒无常的他，感情生活扑朔迷离，男人女人都为他倾倒、自愿受他的奴役折磨。 37岁便因为嗑药酗酒过量致死，英年早逝更使他充满神奇色彩。 本片导演走访多位法斯宾达生前重要的合作夥伴和情人，尝试勾勒出这位传奇人物背后的深层影响， 带领观众走进法斯宾达如行走于刀锋上的创作主题与生命情调。

Though he never actually worked in Hollywood, Rainer Werner Fassbinder, who died in 1982 at the age of 36, was influenced greatly by Amercian studio films of the 1950s and the convention of melodrama (the link most often mentioned is Douglas Sirk). With actor-turned-filmmaker Ulli Lommel as host and guide (he appeared in Fassbinder's very first feature, Love Is Colder Than Death, in 1969), documentary filmmaker Robert Fischer conducts a tour of Hollywood today, pausing to chat with cinematographer Michael Ballhaus and actress Hanna Schygulla # both charter members of Fassbinder's tight-knit stock company of technicians and players # as well as Wim Wenders, who found the toehold in the studio system that Fassbinder never had. The proceedings are liberally sprinkled with clips from Fassbinder's films, as well as glimpses of a theater company in Los Angeles that specializes in performing the director's plays. As Fischer makes clear, Fassbinder's influence on Hollywood is not only still being felt today, but is gathering a dramatic force that will serve to introduce his oeuvre to a new generation of moviegoers.

Though he never actually worked in Hollywood, Rainer Werner Fassbinder, who died in 1982 at the age of 36, was influenced greatly by Amercian studio films of the 1950s and the convention of melodrama (the link most often mentioned is Douglas Sirk). With actor-turned-filmmaker Ulli Lommel as host and guide (he appeared in Fassbinder's very first feature, Love Is Colder Than Death, in 1969), documentary filmmaker Robert Fischer conducts a tour of Hollywood today, pausing to chat with cinematographer Michael Ballhaus and actress Hanna Schygulla # both charter members of Fassbinder's tight-knit stock company of technicians and players # as well as Wim Wenders, who found the toehold in the studio system that Fassbinder never had. The proceedings are liberally sprinkled with clips from Fassbinder's films, as well as glimpses of a theater company in Los Angeles that specializes in performing the director's plays. As Fischer makes clear, Fassbinder's influence on Hollywood is not only still being felt today, but is gathering a dramatic force that will serve to introduce his oeuvre to a new generation of moviegoers.