The story takes place in the 1950s. Konstantin “Kostik” Romin (Oleg Menshikov) has come to Moscow to study history and is staying with kindly aunt Alisa (Sofya Pilyavskaya), who runs a communal apartment building there. His life soon becomes intertwined with those of the other residents. Among them are Margarita Pavlovna (Inna Ulyanova) and both her former husband Lev Khobotov (Anatoly Ravikovich), a publisher of foreign poetry, and her new beau, engraver-turned-teacher Savva Ignatevich (Viktor Bortsov). 　　The main plot revolves around the congenial Khobotov’s attempts to find happiness with newfound love Lyudochka (Yelena Koreneva), while constantly being thwarted by the controlling Margarita. Another tenant is musical comedian Arkady Velyurov (Leonid Bronevoy), who is trying to revive his faltering career and escape from his own loneliness. He has become enamored of a young competitive swimmer, Svetlana (Tatyana Dogileva), who rebuffs his advances but takes a fancy to the opportunistic Kostik. 　　Kostik finds his own love interest, Rita (Valentina Voilkova), for whom he decides to forsake his playboy lifestyle. In the end he becomes the catalyst for both Khobotov and Velyurov to find some measure of happiness: the former elopes with Lyudochka with the help of Kostik's pal Savransky, and the latter is elated that Svetlana attends one of his concerts in response to a telegram Kostik had urged him to send.

The young officer Dubrovsky sets out to avenge the death of his father who was dishonoured and ruined by rich landowner Troyekurov. From the novel of the same name by Pushkin.

巴黎公社领导人、波兰革命家雅罗斯拉夫·东布罗夫斯基的传记片。

新晋总警司伊丽莎白·班克罗夫特警探负责领导新合并成立的联合警务部门，在同僚崇敬中取得极低犯罪率并仕途高涨。然而她也为此付出沉重代价，爱子乔两年…

《安德烈·塔科夫斯基的一天》（Une journée d’André Arsenevitch，克里斯·马凯，1999年|55分钟|录像|黑白与彩色|有声）记录了苏联电影大师安德烈·塔科夫斯基（1932—1986）生命中最后的瞬间并回顾了他的电影艺术生涯。1986年冬，正在巴黎拍摄影片《牺牲》的塔科夫斯基突然得到一个消息：多年来被苏联政府扣为人质儿子来到巴黎。征得塔科夫斯基同意后，法国纪录片大师马凯立即带着摄像机赶往拍片现场，记录了这位当代电影史上别具一格的电影诗人最后的工作瞬间。一个月之后，塔科夫斯基因病卧床不起，只能躺在床上观看刚刚拍完的电影素材。本片既是对塔科夫斯基拍摄最后一部影片的工作记录，也是对他毕生艺术道路的高度总结。本片导演克里斯·马尔凯（Chris Marker）1921年生于巴黎近郊，从影之前当过新闻记者、摄影师、评论家，从影之后依然笔耕不辍。因此，他的影片兼具电影与文学两种艺术形式之长，对摄影机的运用如同自来水笔那样挥洒自如。同时，他的影片关注世界各地的政治事件，并以独特的个人化视点读解这些事件，他在1968年法国“五月风暴”之后拍摄的影片尤其如此。在将近50年的电影生涯中他拍摄过将近50部影片，如《1952年奥运会》（1952）、《北京的星期天》（1955）、《西伯利亚来信》（1958）、《海堤》（1963）、《美丽的五月》（1963）、《远离越南》（1967）、《红色天空》（1977）、《无日》（1982）、《亚历山大之墓》（1993）等等。进入21世纪，年逾八旬的马凯继续为观众带来新的作品，如《未来的记忆》（2001，与雅尼克·贝隆合作）、《栖息的猫》（2004）。（关于马凯拍摄影片《北京的星期天》的情况，参见张献民《与朗兹曼谈〈浩劫〉》，载《当代电影》杂志2004年第5期“2004北京国际纪录片展”专辑）。

In a sparse and inhospitable land, the policeman Enzo Vitello, a man with a dark past, is obsessed with "Dostoyevsky", a serial killer whom he kills with a peculiarity: next to the body, the murderer always leaves a letter with his desolate and very clear vision of the world, of life and darkness that Vitello hears resonating in him.

In a gritty and gloomy village, detective Enzo Vitello becomes increasingly obsessed with tracking down the serial killer “Dostoyevsky”. The killer has a habit of leaving letters next to his victims’ bodies in which he describes their last moments. Seduced by the murderer’s nihilistic notes, and driven by his own inner demons, Vitello embarks on a correspondence with Dostoyevsky outside the knowledge of his investigative team. This exchange drives Vitello into the darker corners of his soul and forces him to confront a secret from his past – a secret that led him to abandon his daughter Ambra when she was a toddler. Vitello penetrates deep into the murderer’s head, but also opens the doors to his own thoughts and emotions. A gruelling game of cat and mouse develops.

In a gritty and gloomy village, detective Enzo Vitello becomes increasingly obsessed with tracking down the serial killer “Dostoyevsky”. The killer has a habit of leaving letters next to his victims’ bodies in which he describes their last moments. Seduced by the murderer’s nihilistic notes, and driven by his own inner demons, Vitello embarks on a correspondence with Dostoyevsky outside the knowledge of his investigative team. This exchange drives Vitello into the darker corners of his soul and forces him to confront a secret from his past – a secret that led him to abandon his daughter Ambra when she was a toddler. Vitello penetrates deep into the murderer’s head, but also opens the doors to his own thoughts and emotions. A gruelling game of cat and mouse develops.

该剧描述两个女警察的故事：Elizabeth Bancroft是个高级警司，一辈子都投身事业，甚至不惜冒生命危险。她赢得了同事的尊重与崇拜。虽然她的履历表完美无瑕，但她事实上是个喜欢操纵别人、有自毁倾向的女人。Katherine Stevens是个很有野心的侦探，与一个已婚的同事发生了婚外情。当调查一起黑帮案件时，她曝光了许多过去的秘密，多名同事的生活都受到影响。