故事开始于1951年，快书艺人巩天棚（张国立 饰）在师父走上战场英勇牺牲后一直照顾着师母一家人。之后，巩天棚带着师父的儿子严少斌（姚金飞 饰）参加了前往朝鲜的慰问团，在那里，严少斌见到自己心心念念的女友鸽子（韩雨芹 饰）。 实际上，鸽子的腹中早已经怀上了严少斌的孩子，然而严少斌在一次行动中牺牲了，为了保全严少斌的荣誉，鸽子选择将这个秘密埋藏在心底。眼看着鸽子的肚子一天天大了起来，一直暗恋鸽子的连长赵洪山（刘小锋 饰）找到了巩天棚，希望他能够和鸽子结婚，给鸽子和孩子一个名分，可是，巩天棚真正爱着的，却是师母贺帼玉（宋丹丹 饰）。

故事开始于1951年，快书艺人巩天棚（张国立 饰）在师父走上战场英勇牺牲后一直照顾着师母一家人。之后，巩天棚带着师父的儿子严少斌（姚金飞 饰）参加了前往朝鲜的慰问团，在那里，严少斌见到自己心心念念的女友鸽子（韩雨芹 饰）。 实际上，鸽子的腹中早已经怀上了严少斌的孩子，然而严少斌在一次行动中牺牲了，为了保全严少斌的荣誉，鸽子选择将这个秘密埋藏在心底。眼看着鸽子的肚子一天天大了起来，一直暗恋鸽子的连长赵洪山（刘小锋 饰）找到了巩天棚，希望他能够和鸽子结婚，给鸽子和孩子一个名分，可是，巩天棚真正爱着的，却是师母贺帼玉（宋丹丹 饰）。

在郊外的小房子里，住着猪先生一家。小猪们在草地上做游戏，只有汉姆霍克面带忧郁。原来他天生好吃，永远处于饥饿状态，为了填饱肚子，他甚至把妈妈刚烤好的馅饼投过来塞进嘴里，结果自然遭到妈妈的训斥。吃饭时间到了，汉姆霍克风一样地最先冲入餐厅，他刚伸出手就遭到妈妈的责打。祈祷期间，他又偷偷将兄弟姐妹的面条系在一起，结果所有的面条都跑到他的嘴里。夜深人静，汉姆霍克躺在床上辗转反侧。突然，他发现自己置身一个奇怪的房子内。在恐怖的科学家的带领下，汉姆霍克走入房间，却被科学家强迫吃掉了很多东西…… 　　本片根据Ellis Parker Butler.的原著改编。

The presence of a couple of guinea pigs at the Westcote railroad station create countless offspring as well as a load of paperwork for administrative bureaucrats including by-the-book agent Flannery when their owner won't pay the rate for standard pigs on them. Adapted from Ellis Parker Butler's story, this is one of the oddest shorts on the set, but it is certainly entertaining with its fast-paced, rhyming Irish-jig-like music.

《快乐相伴》是湖南卫视于2011年开播的一款综艺节目。该节目邀请嘉宾爆料趣事，点评热门娱乐事件，是湖南金牌综艺节目大精粹。

A group of animals hook up a power grid to the socket-shaped snout of a large, sleeping pig. The animals use the pig’s energy for simple things at first, but they are soon dependent on a city where everything is automated...

一个在沙漠上带着黑色头巾的男人迷路了，在强烈的阳光下，他的身体开始慢慢变得虚弱，并产生了幻觉，在死亡之门来临时，他看到了一个女人朝他走来，后来意识越来越模糊，他忘记了自己是谁，为什么来到这里。究竟在他身上发生了什么事情？

A young man journeys through a desert, where he is kidnapped by a sadistic stranger clad in a pig mask. The stranger proceeds to brutally torture the young man, who then finds himself escaping into his imagination, with fantasy and reality intersecting. Written by Phasmatrope.

"Psy" translates from Polish into dogs. The English title is "Pigs." Both titles are intended as slang references to the police. 　　In 1990 a group of former Communist Security Service officers after a verification get hired by the police. Franciszek "Franz" Maruer is one of them. His friend, Olgier "Olo" Zwirski, is not. Franz leads a new group of cops from crime unit on an operation against an international crime group. The operation goes wrong when they're attacked by thugs, who - as Franz believes - are also old Security Service officers, like them. He doesn't know which side is Olo on yet. 　　What is 'Dogs' about? 'About a dog's world, about the fact that freedom also engenders filth and stupidity while destroying ideals. Everything has been debased, sullied in mud, thrown into the cesspool,' wrote a reviewer. Such extreme critical reactions were elicited by the film's subject matter and its portrayal of the world as fundamentally castrated of positives and saturated with cynicism, moral dirt and cruelty. A world that is simultaneously hardly abstract, and in fact present in the here and now (i.e. in Poland in 1989), one that is additionally portrayed in an iconoclastic and provocative manner, derisive of all things sacred, be they related to nation or religion. Behind this façade of scoffing and anti-martyrological blasphemies, there was something more - a morality tale, a painful diagnosis of contemporary Poland. Was this 'cinema of immoral anxiety'? Opinions were divided. Only viewers succeeded in 'expressing themselves' clearly, demonstrating their fascination by lining up in front of the box office and rendering 'Dogs' a commercial hit. 　　Polish cinema went through a relatively quick and much needed transition in the late 80s that mirrored political changes. As Poland became a democratic country the state let go of its monopoly of the film industry and censorship was lifted. This not only gave freedom to Polish movie making but also allowed foreign films to be screened. These new film policies were well received among new audiences who were too young to remember the solidarity movements and became tired of watching movies about it. In a new market economy for film audiences started to choose what they wanted to watch. This meant classic Polish films struggled to capture audiences as foreign Hollywood-like films gained popularity. As some feared the end of Polish cinema others saw it as a chance to catch up with the rest of Europe and the world. It is through the Americanization of a very Polish story that Pigs expresses controversial and previously restricted topics. Issues of political instability with a lack of a real national hero are raised. Inequalities and corruption in the state ranging from a social to personal level are also looked at. Finally large scale criminal activity is recognized as a reality, presented through taboo subtopics of violence, vulgar language and drugs. 　　Polish Film Festival 　　1992 Won Best Actor Boguslaw Linda 　　1992 Won Best Director Wladyslaw Pasikowski 　　1992 Won Best Editing Zbigniew Nicinski Wanda Zeman 　　1992 Won Best Score Michal Lorenc 　　1992 Won Best Supporting Actress Agnieszka Jaskólka