壁癌脫落的房間裡，女人正等著補過的牆面風乾，一邊摸著腿上的疤，回憶著一段愛情。這是一部柔美的手繪動畫，透過創作重現女性在受傷與自我療癒歷程中展現的獨特觀點與內在時間感。

壁癌脫落的房間裡，女人正等著補過的牆面風乾，一邊摸著腿上的疤，回憶著一段愛情。這是一部柔美的手繪動畫，透過創作重現女性在受傷與自我療癒歷程中展現的獨特觀點與內在時間感。

Shot in black-and-white, this fiercely independent film traces the steps a young photographer takes to fulfil the dying wishes of a beautiful young woman, including getting a job in a funeral parlour so he can oversee her cremation.

Karel Bursík (Lukás Vaculík), as a child called Kajda, recalls his childhood spent in Prague - Zizkov. His father (Vladimír Mensík), a shoe-maker, moved there his wife and three children hoping they would escape a country poverty. He soon threw his daughter Vera (Zlata Adamovská) out of home; he did not like her relationship with a married man. The competition of Bata factory was unsurpassable for a minor craftsman Bursík and his neighbours owed him for minor services. The desperate Bursík sent Kajda to sell his mother's dresses to get money for food. In a second-hand shop, Kajda met his first love.

ARIANE MNOUCHKINE’S FILM Tambours sur la Digue is a cinematographic transposition of her production performed by the Théâtre du Soleil troupe at the Cartoucherie theatre complex. This transition from theatre to film creates an additional story within a story, especially since it is about a dramatic work itself performed using a juxtaposition of theatrical forms and different levels of meaning and perception. The political and philosophical tale conjured up by Hélène Cixous takes place in a legendary, ancient China. The inhabitants are faced with a massive threat, a devastating flood that could wash away the city’s protective dykes. From prince to beggar, the imminent disaster brings out in everyone a moment of truth where the nature and character of human beings is revealed, where, in the face of doom, a pell-mell of sacrifice, wisdom, courage and cowardice, selfless commitment to saving the community, megalomania and personal interests all jostle and collide. 　　These comic and poetic “living dolls” create a striking break with reality, intensifying the impact as the audience is plunged into a disturbingly strange world. 　　------------------------------- 　　影片《堤霸上的鼓手》是亞里安娜．穆西金把她導演的同名劇作轉成電影。 戲劇是由太陽劇場演出。 　　這個有關政治和哲學的故事由 Hélène Cixous 創作，是發生在古代傳說中的中國。居民將面對一個嚴重的災難：一場大水將會衝破保護整個城市的堤霸。而因為這場即將來臨的災難，每一個人，由王子到乞丐都要面對人性真實的一面。 　　在這齣劇作中，導演亞里安娜．穆西金選擇由真人模仿日本人形淨琉璃。每個人偶背後有一名穿黑衣的操偶師控制。這些活生生的 “ 人形公仔 ” 為戲劇營造了一種脫離現實的感覺，加強了故事的震撼性，觀眾被帶進一個奇異的世界中。

寄住在工务店的木匠大西胜男（江口洋介 饰）是一个热血直爽的好青年。当他得知他的大学学长因火灾意外去世，而夫人也陷入昏迷不醒的状态时，他毅然决然地决定领养学长的四个孩子。从此，他从一个快乐的单身汉转变为超级奶爸。 　　胜男要面对的，是个性迥异的四兄妹——对待自己态度非常冷淡的健太（二宫和也 饰）、无论在生活中还是在学校里都堪称典范的小桃（上户彩 饰）、喜欢恶作剧的康太（辰巳雄大 饰）和温柔可爱的良太（神木隆之介 饰）。与此同时，工务店的女儿珠美（内田有纪 饰）刚刚离婚，也加入了这个大家庭之中。

寄住在工务店的木匠大西胜男（江口洋介 饰）是一个热血直爽的好青年。当他得知他的大学学长因火灾意外去世，而夫人也陷入昏迷不醒的状态时，他毅然决然地决定领养学长的四个孩子。从此，他从一个快乐的单身汉转变为超级奶爸。 　　胜男要面对的，是个性迥异的四兄妹——对待自己态度非常冷淡的健太（二宫和也 饰）、无论在生活中还是在学校里都堪称典范的小桃（上户彩 饰）、喜欢恶作剧的康太（辰巳雄大 饰）和温柔可爱的良太（神木隆之介 饰）。与此同时，工务店的女儿珠美（内田有纪 饰）刚刚离婚，也加入了这个大家庭之中。

当红爱豆的宠物猫不幸去世，她来到我所在的宠物殡葬机构办理火化。行踪被的记者发现后，她焦急地恳求我，作为知情的宠物殡葬师，务必为她隐瞒，唯恐事业因此遭受重创。然而，媒体在殡葬机构与她的住所外步步紧逼....

Tamara Rojo, world-famous ballerina and artistic director of English National Ballet, takes us backstage as she prepares for one of classical ballet's biggest challenges, the dual lead in Swan Lake. It is the ultimate role for any dancer, requiring her to play the completely contrasting characters - Odette the White Swan and Odile the Black Swan. 　　With unprecedented access, the disarmingly candid Rojo reveals her insights on the role's physical and psychological challenges. Through demonstration and masterclass, she reveals how to read the choreography of some of Swan Lake's most famous scenes. 　　Along the way Rojo gives us a glimpse of Swan Lake's history - its genesis through to 21st-century incarnations. She looks back at some of the greats that inspired her and leads the way forward, coaching the next generation of rising stars. 　　This film celebrates Swan Lake as an evolving and living work of art - the ultimate classic.