在奥内米斯王国里，有一支本应担任宇宙探险飞行的军队——王立宇宙军。但由于种种因素，他们始终只是一支无所作为的军队，甚至被其他军队视为废物。原本安于现状，只是在军队中混日子的年轻士官希洛兹，与美丽的少女莉库妮邂逅，被她的单纯与虔诚所吸引，逐渐开始改变自己的人生态度——成为第一个探索宇宙的人，让“王立宇宙军”成为名副其实的宇宙探索者。

成员不到10人，遭到“老是失败”“无所事事的军队”等揶揄，被轻视为吊车尾军队的欧尼亚米斯王立宇宙军军官，希洛兹古‧拉达特，由于与一名在街头传教的少女莉可妮‧侬蒂莱柯相遇后，而使他抛开了以往的自甘堕落生活，开始积极参与以“宇宙战舰”为名目的人类首次载人人造卫星发射计划，并以飞上宇宙为目标。 希洛兹古在自问了经过严格训练与花费大量税金的宇宙开发究竟意义何在，以及开发人员之死、敌国“共和国”派遣的刺客，加上与莉可妮之间擦身而过的感情等种种事故，他在跨越这些难关之后，精神上也有所成长。

Letters to a maternal ancestor reflect on identity connected to ethnic heritage, while also embracing a broader notion of family beyond bloodlines. Weaving images and sounds from the filmmaker’s personal ties to two cities—Detroit and Beirut—the film poses the central question: How do we belong to each other?

Letters to a maternal ancestor reflect on identity connected to ethnic heritage, while also embracing a broader notion of family beyond bloodlines. Weaving images and sounds from the filmmaker’s personal ties to two cities—Detroit and Beirut—the film poses the central question: How do we belong to each other?

主角范饼饼（高晓攀 饰）自幼对武侠充满热情，偶然获得一本武林秘籍后，走上了修炼的道路，并成为了胡同中的“霸主”。他参加了武林大赛并赢得冠军，逐渐膨胀的自信使他决定挑战国际泰拳比赛。然而，在比赛中，他的自信被瞬间击碎，遭到KO并被扔出赛场。这时，范饼饼被好心的阿茉救了。 　　阿茉的父亲莫老爹曾是一位厨神，但在经历了合伙人背叛后，莫老爹的生意崩溃，失去了味觉，陷入了债务和酗酒的困境。阿茉为了帮助父亲重拾昔日的辉煌，努力为他找回信心。她向范饼饼寻求帮助，并告诉他莫老爹曾是厨界的传奇人物。范饼饼在了解到自己拥有特殊的味觉天赋后，决定帮助莫老爹重新振作。这个故事不仅描绘了范饼饼从一个武侠梦想家到现实中的奋斗者的成长历程，还展现了他如何利用自己的特殊能力帮助莫老爹重拾厨艺。两人的合作成为了爆笑和励志的结合体，带领他们走向人生的新高峰。

主角范饼饼（高晓攀 饰）自幼对武侠充满热情，偶然获得一本武林秘籍后，走上了修炼的道路，并成为了胡同中的“霸主”。他参加了武林大赛并赢得冠军，逐渐膨胀的自信使他决定挑战国际泰拳比赛。然而，在比赛中，他的自信被瞬间击碎，遭到KO并被扔出赛场。这时，范饼饼被好心的阿茉救了。 　　阿茉的父亲莫老爹曾是一位厨神，但在经历了合伙人背叛后，莫老爹的生意崩溃，失去了味觉，陷入了债务和酗酒的困境。阿茉为了帮助父亲重拾昔日的辉煌，努力为他找回信心。她向范饼饼寻求帮助，并告诉他莫老爹曾是厨界的传奇人物。范饼饼在了解到自己拥有特殊的味觉天赋后，决定帮助莫老爹重新振作。这个故事不仅描绘了范饼饼从一个武侠梦想家到现实中的奋斗者的成长历程，还展现了他如何利用自己的特殊能力帮助莫老爹重拾厨艺。两人的合作成为了爆笑和励志的结合体，带领他们走向人生的新高峰。

"Futurism" was an avant-garde artistic movement, created in 1909 ( as you can see your grandfathers were long haired and dangerous youngsters for a while ) that demands a rejection of tradition and the past while exalting technical innovations, especially the mechanical ones, present and future. This avant-garde artistic movement ( literature and music genres) found great acceptance in Italy where many artists developed the Futurism postulates. 　　Herr Anton Giulio Bragaglia was a notable Italian Futurist who began experimenting with photography and published an important manifesto as a theoretical basis for Futurist photography, "Fotodinamismo Futurista". In addition to his career as set designer Herr Bragaglia had a short but intense film career, "Thais" being his debut as a Futurist director. 　　In any case "Thais" is a film that combines in a strange way classicism and the ( Futurist ) modernism, a paradox since we know that the Futurists were people who rejected tradition and the"Thais" story is a very conventional one. It tells of a "femme fatale" who toys with and uses her admirers for her capricious purposes with the expected tragic ending. Classicism can be seen too in the beautiful images from evocative landscapes sequences as the ferry at the river or Bianca's race to the abyss ( "Naturalism" reminiscences?... ) or Herr Charles Baudelaire's poems ( "Impressionism" reminiscences? ) Only at the end of the film do we see the "Futurist" influences in the highly stylized and geometrical décors in which our heroine suffers her particular punishment, a sequence in which Herr Bragaglia's talent as a set designer is put to good effect. 　　For those reasons for this German Count "Thais" is a kind of interesting film catalogue of many artistic movements ( curious artistic duality ) strangely mixed, a display of the spirit of those innovative early years that grants the film an artistic and remarkable balance as a whole.

影片讲述1970年为改变和平市场和不当的劳动环境而激烈斗争的青年全泰壹的故事。