唐大道夫妻因疾病夺走儿子而痛彻心扉，痛楚之中，父亲唐大道开始反思自己在处理父子关系上的缺憾以及个人心绪上的阴霾，他渴望与儿子对话，以安抚儿子的灵魂。

唐大道夫妻因疾病夺走儿子而痛彻心扉，痛楚之中，父亲唐大道开始反思自己在处理父子关系上的缺憾以及个人心绪上的阴霾，他渴望与儿子对话，以安抚儿子的…

故事发生在撒丁岛上，淳朴的牧羊人米凯尔因为掩护了一些强盗而被警方怀疑为同伙。警方不断地对他进行骚扰，还要抓捕他。于是，米凯尔被迫赶着他的羊群，翻山越岭地躲藏和逃避。他实在被警察逼得走投无路，最终也只能成为了真正的强盗。

她是一个偏心生者的法医。她切开的每一具尸体，都是社会的剖面。老人集体身亡揭开的人生之惑，学生考场猝死引发的教育之问，无名尸体追溯身份背后的生存之悲……每一个真相都不仅仅是案卷上的一个记录，而是牵动着无数人未来的命运指针。她要为生者而解剖，为生者查明真相，为所有因亲人爱人之死经受痛苦的人带来一丝安慰，帮助他们走出绝望。因为未来，永远比过去更重要。

她是一个偏心生者的法医。她切开的每一具尸体，都是社会的剖面。老人集体身亡揭开的人生之惑，学生考场猝死引发的教育之问，无名尸体追溯身份背后的生存之悲……每一个真相都不仅仅是案卷上的一个记录，而是牵动着无数人未来的命运指针。她要为生者而解剖，为生者查明真相，为所有因亲人爱人之死经受痛苦的人带来一丝安慰，帮助他们走出绝望。因为未来，永远比过去更重要。

Shot in Sicily, Sardinia and Calabria in the Fifties, the documentaries chronicle a lost world. They combine the strength of classical cinema with an austere and powerful expressiveness. Isole di fuoco (Island of fire, 1955), set in the Eolie islands, shows the impressive strength of the volcano. The documentary was awarded the First Prize at the Cannes Film Festival in 1955. A world where the ritual dimension is very strong, like in Lu tempu di li pisci spata (The swordfish season, 1955), on swordfish fishing "in the tepid water separating Sicily and Calabria". Hunt frenzy, worthy of Moby Dick, and the struggle between man and nature are also present in Contadini del mare (Peasants of the sea, 1955), dedicated to fishing with the tunny-fishing nets off the Sicilian coast, where men wait for tunas, which have always followed the same route: "When sea tribute appears in the net, the circle of life and death repeats". And, at sunset, when men go back ashore and children dance, solemn women carry the fishes on their head to the fish market (Pescherecci, Fishing boat, 1958 is on the same topic). The conditions of miners risking their lives in the bowels of the earth to extract the conditions of farm labourers scything and harvesting wheat in huge fields with primitive systems in Parabola d'oro (Golden parable, 1955) are not less dramatic. Then, Pasqua in Sicilia (Easter in Sicily, 1955) with its sacred folklore and the representation of the Passion of Christ. Pastori a Orgosolo (Orgosolo shepherds, 1958) and Un giorno in Barbagia (A day in Barbagia, 1958) are the two documentaries shot in Sardinia. They chronicle the isolated lives of shepherds in the very heart of Sardinia, where men live far away from their families most part of the year to pasture the flocks. 　　Vittorio De Seta - Born in Palermo in 1923 from an aristocratic family, he said that he "discovered" the world of the humbles during military service. He devoted to them most of his cinematographic work, undertaken after quitting the faculty of architecture. A withdrawn and shy author, for a long time underestimated by critics, he was often personally involved in film editing, photography and musical choices. After his Sicilian documentaries, in 1958 he shoots Pastori ad Orgosolo (Orgosolo shepherd) and Un giorno in Barbagia (A day in Barbagia) in Sardinia, which are at the basis of his feature film Banditi ad Orgosolo (Bandits of Orgosolo, 1961, Prize for the First Work at Venice Film Festival), a detailed in-depth analysis of an archaic civilization and its malaise. In 1966 he directed Un uomo a meta (Half a man) on the eccentricity of a politically-committed intellectual, giving rise to a lot of criticism (Moravia and Pasolini among the few defending him). After L'invitata (The invited woman, 1969), he met a resounding success in 1973 with the TV series Diario di un maestro (Diary of a schoolteacher). In 1981 he left cinema, but he was back in 1993 with the direction of In Calabria, in which he reflected again on the lost identity of the South of Italy. In 2004 he completed Lettere dal Sahara (Letters from Sahara) on an African migrant in Italy.

孟小军的全家遭遇了一场惨烈的车祸，他们骑的摩托车被卡车撞翻，孟小军受了重伤，年仅4岁的女儿严重脑损伤，而妻子则当场死亡。女儿必须在一周之内做一台昂贵的手术才能保住性命，手术的花费要十二万，作为小县城的修车工，孟小军根本无法在一周之内凑到钱。所以，走投无路的他听从了太平间管理员老张的建议：打算将妻子的遗体卖到农村，与一个刚刚死去的年轻人结成阴婚。 　　All the families of Xiaojun Meng suffered a serious car accident. A truck rammed his motorcycle and Xiaojun Meng was hurt badly and her four-year-old daughter was suffered a fearful brain damage, but her wife was dead, unfortunately. 　　In order to save her daughter, she must be conducted an expensive operation within a week, which costs ￥120,000. Since Meng is a car mechanic in a small town, there is no doubt that Meng cannot pay the operation fee. At last, he followed the mortuary administrator, Lao Zhang’s advice, that is, he would sell his wife’s remains to rural and got her Yin married with a dead young man.

孟小军的全家遭遇了一场惨烈的车祸，他们骑的摩托车被卡车撞翻，孟小军受了重伤，年仅4岁的女儿严重脑损伤，而妻子则当场死亡。女儿必须在一周之内做一台昂贵的手术才能保住性命，手术的花费要十二万，作为小县城的修车工，孟小军根本无法在一周之内凑到钱。所以，走投无路的他听从了太平间管理员老张的建议：打算将妻子的遗体卖到农村，与一个刚刚死去的年轻人结成阴婚。 　　All the families of Xiaojun Meng suffered a serious car accident. A truck rammed his motorcycle and Xiaojun Meng was hurt badly and her four-year-old daughter was suffered a fearful brain damage, but her wife was dead, unfortunately. 　　In order to save her daughter, she must be conducted an expensive operation within a week, which costs ￥120,000. Since Meng is a car mechanic in a small town, there is no doubt that Meng cannot pay the operation fee. At last, he followed the mortuary administrator, Lao Zhang’s advice, that is, he would sell his wife’s remains to rural and got her Yin married with a dead young man.

蜜雪拉（桑德拉·惠勒 Sandra Hüller 饰）自小就体弱多病，然而即便如此，她还是决定进入大学学习深造。父亲卡尔（伯格哈特·克莱斯纳 Burghart Klaußner 饰）十分支持女儿的决定，但母亲马瑞安（伊摩根·蔻格 Imogen Kogge 饰）却对此持有反对意见。 　　最终，蜜雪拉还是成为了大学校园中的新鲜人，在那里，她遇见了名为史蒂夫（尼古拉斯·瑞肯 Nicholas Reinke 饰）的男子，第一次，蜜雪拉体会到了爱情的甜蜜。在一段平静有序的日子过去之后，蜜雪拉旧疾复发，奇怪的声音和神秘的身影频频在她周围闪现，神父兰道尔（Walter Schmidinger 饰）甚至怀疑蜜雪拉被恶魔附身了。当一位名为波切特（Jens Harzer 饰）的神父决定举行一场驱魔仪式之时，事态的发展开始失控。

Requiem is set in 1605, against the backdrop of the witch trials. It's a coming of age story, following Evelyn as she engages in a game of cat and mouse against her father, Minister Gilbert, in order to be with Mary, the woman she loves.