Luo Luo’s intense fear of Covid-19 keeps her in the house during the pandemic. She listens to her father relate their family history, and spends time on Zoom with fellow Folk Memory Project members Wu Wenguang and Zhang Mengqi.

40岁的单亲妈妈瓦蕾特在时尚圈是呼风唤雨的女魔头，回到家却被宝贝儿子洛洛吃得死死的。和闺蜜在乡下度假时，瓦蕾特邂逅了老实巴交的IT男让雷内，她似乎找到了真命天子。让雷内欣然跟随搬来了巴黎。但没过多久，瓦蕾特和让雷内之间发生了许多荒唐的意外。让人意想不到的是，这一切的“幕后真凶”都直指她那天真无害的儿子。爱情还是亲情？男友还是儿子？一场令人啼笑皆非的抢夺战开始了。

40岁的单亲妈妈瓦蕾特在时尚圈是呼风唤雨的女魔头，回到家却被宝贝儿子洛洛吃得死死的。和闺蜜在乡下度假时，瓦蕾特邂逅了老实巴交的IT男让雷内，她似乎找到了真命天子。让雷内欣然跟随搬来了巴黎。但没过多久，瓦蕾特和让雷内之间发生了许多荒唐的意外。让人意想不到的是，这一切的“幕后真凶”都直指她那天真无害的儿子。爱情还是亲情？男友还是儿子？一场令人啼笑皆非的抢夺战开始了。

洛洛，一个十一岁的男孩，他最好的朋友们正在帮助他理解他们的性向认知和自我认知。

《洛洛的青春》是一部讲述洛洛从上世纪80年代延续至今的青春的故事。影片以洛洛70年代末80年代初的日记、照片和当下的日常生活构成。它不只是追溯洛洛的青春，同时也印证了正在进行时的“青春”，重新拷问“青春”是什么？“青春”如何持续？

《洛洛的青春》是一部讲述洛洛从上世纪80年代延续至今的青春的故事。影片以洛洛70年代末80年代初的日记、照片和当下的日常生活构成。它不只是追溯洛洛的青春，同时也印证了正在进行时的“青春”，重新拷问“青春”是什么？“青春”如何持续？

马格兰有着令人羡慕的生活，在她第二次怀孕，快当母亲的时间里，一切都在悄悄发生着变化。生完孩子后，马格兰的情绪日益失去控制，甚至出现了自杀倾向，大夫告诉马格兰的丈夫，她可能患了精神分裂症。为了减轻痛苦，马格兰开始转向镇定药和酒精……

After 23 years on Death Row, a convicted murderer petitions the court for his execution. As he tells his story directly to camera, you gradually realise that nothing is quite as clear-cut as it at first seemed. The Fear of 13 is a stylistically daring experiment in storytelling – in effect a one-man play. Part monologue, part confessional and part performance, the film is illustrated with hyper-stylised imagery contextualising a narrative as compelling as any crime drama and features a final, shocking twist that casts his life in a new light. The protagonist carries the film with his charisma and literary turn of phrase recounting his experiences on the wrong side of the law, but David Sington’s film is more than an account of one man’s incarceration; it is both a damning indictment of the US penal system and an emotional meditation on the redemptive power of love and literature.

莫莉和汤姆认为他们死去的儿子并不平静，于是请一位媒体联系。但是，当他们邀请一个复仇的恶魔越过，这对夫妇必须寻求一个耻辱的牧师的帮助，试图一个危险的驱魔。

从地下恐怖的边缘开始，令人恐怖的恐怖故事无处不在，其中有简短但令人恶心的鲜血淋漓的恐怖故事。