十五年前，三个年轻人的离世让这座原本沉闷的海滨小镇陷入了巨大的伤痛之中。而如今，一名年轻女子的神秘死亡，再度撕开了那尚未完全愈合的旧伤疤。

十五年前，三个年轻人的离世给这座沉闷的海滨小镇带来了巨大的伤痛。如今，一名年轻女子的神秘死亡又撕开了旧伤疤。

A pig buried alive in a pit due to a deadly epidemic and a soldier who suffered constant violence from his superiors run away to the mountains. In the place where the half-human pig and the half-animal human are hiding, there are a herd of starving wild boars desperately looking for a way to survive, and a frustrated human looking for a place to end his own life hanging from every tree branch. Following the powerful opening scene that denounces the merciless violence caused by humans, what the audience faces is a repetition of bottomless despair and angry cries. The forest, which looks beautiful at first glance when warm light shines on it, seems to be a refuge for beings that are neither fully human nor animal, and at the same time a trap that cannot be escaped. In HUR Bum-wook's cruel world, the pig's wish to become a perfect human is futile. Amidst the bloodshed on mutilated bodies and the push towards psychological extremes, there are rare moments of relief. Whether human or beast, there is still a glimmer of hope. (LEE Kyunghwa)

A pig buried alive in a pit due to a deadly epidemic and a soldier who suffered constant violence from his superiors run away to the mountains. In the place where the half-human pig and the half-animal human are hiding, there are a herd of starving wild boars desperately looking for a way to survive, and a frustrated human looking for a place to end his own life hanging from every tree branch. Following the powerful opening scene that denounces the merciless violence caused by humans, what the audience faces is a repetition of bottomless despair and angry cries. The forest, which looks beautiful at first glance when warm light shines on it, seems to be a refuge for beings that are neither fully human nor animal, and at the same time a trap that cannot be escaped. In HUR Bum-wook's cruel world, the pig's wish to become a perfect human is futile. Amidst the bloodshed on mutilated bodies and the push towards psychological extremes, there are rare moments of relief. Whether human or beast, there is still a glimmer of hope. (LEE Kyunghwa)

만석은 수구문 밖 백정촌에 사는 망나니로 나라의 정변이 일어날 때마다 많은 사람의 목을 친다. 어느날 대가집 하인이 찾아와 부탁을 한다. 내일 자기네 상전을 칼등으로만 쳐서 깨끗한 시신을 만들어 달라는 부탁이었다. 이에 이백냥에 흥정을 끝냈고, 그날 밤 돈을 들고 찾아 온 사람은 대가집 딸인 숙영이라는 아름다운 여인이었다. 그날 밤 만석은 그녀를 무참히 유린한다. 만석은 양반들에 대한 원한이 있는 터였다. 그뒤 그는 약속대로 그녀의 부친을 칼등으로만 쳐서 곱게 죽게 만든다. 그후 숙영은 아버지의 시신을 찾으러갔다가 나졸들에게 붙잡혀, 강대감댁에 인도되고, 거기서 다시 어머니와 함께 종문서를 만들어 팔려가기에 이른다. 한편 만석은 숙영의 애처로운 소식을 듣고, 숙영에게 했던 지난 일을 후회하여 그녀를 찾기에 이른다. 결국 인신매매 거간꾼 김진사 집에서 숙영을 찾은 만석은 그녀를 구출하여 온갖 정성으로 보살펴준다. 　　Manseok是一个卑鄙的人，住在祠门外的一百个城市。有一天，仆人的仆人走访并问道。明天，我被要求用一把刀击打我的主人来制造一个干净的身体。于是我结束了两百人的讨价还价，那天晚上带着这笔钱来的人是一位美丽的女人，她是孙女的女儿苏康。那天晚上，满月毁了她。满洲对这个男人怀恨在心。后来，他承诺用刀杀死她的父亲。之后，他去找父亲的尸体，被纳索尔抓到，导致康大成，他和他的母亲在那里做了一份纸质文件并出售。另一方面，Mansuk听到了Sookyoung可悲的消息，并对Sookeong找到她的最后一件事感到遗憾。毕竟，来到金金萨家中营地的曼苏克，将会全力营救她并真诚地照顾她。

因为名字的好寓意，邢运（白鹿饰）被正创业的“傲娇总裁”夏柯（邢邵林饰）从人才市场捡到TIG手游公司成为一名初级员工。带着对职业的热诚和对夏柯的信任…

1988年的布拉格，大提琴手路卡（Zdenek Sverák 饰）丢掉了乐团的工作多时，只能靠为殡仪馆伴奏和修补墓碑为生。这位大龄单身汉在女人面前颇有魅力，他也乐此不疲，但困窘的生活让他不得不违背初衷，与一位苏联女子假结婚以获得报偿。婚后几日，苏联女子转道投奔西德，将五岁幼子科里亚（Andrei Chalimon 饰）丢给路卡抚养，路卡有一搭没一搭的用对方听不懂的捷克话向科里亚抱怨苏联人的霸道，同时还要应付警察对假结婚的追查以及敌视苏联人的母亲。路卡拜托多位女友照顾科里亚，这对父子也慢慢产生了对彼此的依赖，不久苏联政府要接回孩子，路卡趁着八十年代末混乱的形势，带着科里亚离家出走…… 　　本片获1997年奥斯卡最佳外语片奖，1996年威尼斯电影节荣誉奖等十几项褒奖。

1988年的布拉格，大提琴手路卡（Zdenek Sverák 饰）丢掉了乐团的工作多时，只能靠为殡仪馆伴奏和修补墓碑为生。这位大龄单身汉在女人面前颇有魅力，他也乐此不疲，但困窘的生活让他不得不违背初衷，与一位苏联女子假结婚以获得报偿。婚后几日，苏联女子转道投奔西德，将五岁幼子科里亚（Andrei Chalimon 饰）丢给路卡抚养，路卡有一搭没一搭的用对方听不懂的捷克话向科里亚抱怨苏联人的霸道，同时还要应付警察对假结婚的追查以及敌视苏联人的母亲。路卡拜托多位女友照顾科里亚，这对父子也慢慢产生了对彼此的依赖，不久苏联政府要接回孩子，路卡趁着八十年代末混乱的形势，带着科里亚离家出走…… 　　本片获1997年奥斯卡最佳外语片奖，1996年威尼斯电影节荣誉奖等十几项褒奖。

明知道没有结果的爱情你还会继续吗？帕朵（皮查雅·瓦塔那蒙迪里 饰）在自己25岁生日这天，与医生卡文（阿南达·爱华灵咸 饰）一见钟情，就在她以为幸福终于降临之时，爱情与生命却行走在了相反的方向。在错误的时间遇见对的人，也许注定只能留下遗憾。 　　电影翻拍自中国影片《滚蛋吧！肿瘤君》，来源于抗癌漫画家熊顿的真实经历。