沈念前世因无条件溺爱侄子，饱尝家人冷漠与伤害，最终悲惨离世。重获新生，她誓要改变命运。这一世，她决定收起无原则的溺爱，对侄子的行为放任自流，不再让自己重蹈覆辙。她要活出自我，守护自己的幸福，不再让任何人轻易伤害到自己。

Julian inherits a house in West Philadelphia from his grandmother and asks his girlfriend Gwen to move in, although she turns out to be just the first member of the commune that sets up home with him within its brightly coloured walls. Together with the founding couple, the seven-strong collective are soon reciting African-American poetry, reading post-colonial theory, holding seminars on Sudanese languages and enjoying jazz-inflected jam sessions, with the chest of materials on the wider Black experience apparently left behind by the grandmother proving perfect inspiration to this end. With the prominent poster of Godard’s La chinoise hanging in the kitchen, it’s tempting to read their funkily cerebral exploits as pure fiction, yet they’re actually a reenactment of Asili’s own experiences in a Marxist commune. Real life informs the fiction elsewhere too, as members of the MOVE Organization come to speak at the house, the camera alights on significant sites for the Black community outside in the Philadelphia streets and the inevitable petty arguments about house rules rear their head. And maybe that’s the point: theory rubs up against practice and sparks duly fly.

French filmmaker Eugène Green offers a playful but insightful variation on the mythos of a fairy tale in this comedy drama, in which a tale of brave knights and evil ogres is played in modern dress, with the actors speaking in contemporary slang. The Lion Knight (Alexis Loret) is a young nobleman who searches the countryside with his faithful lion companion (who happens to resemble a pet dog). The Lion Knight encounters youthful Nicolas (Adrien Michaux) while the lad takes a walk in the woods, and together they set off to find the Ogre (Arnold Pasquier), who holds young women against their will and lives by eating the flesh of young children. While the Lion Knight is hot on the Ogre's trail, Nicolas is visited by an apparition of the Maiden of the Chapel (Laurène Cheilan), who has been captured by the beast. The Maiden gives Nicolas an enchanted sword and orders him to use it to kill the Ogre; meanwhile, the Lion Knight has found the Ogre's lair, but soon falls in love with Pénélope, the monster's unexpectedly pretty and compassionate wife. Along the way, the characters also find the time to discuss the French legal system and the writings of philosopher Jacques Lacan. 　　以上为从amazon上的介绍 　　在这部童话般的故事中，年轻而富有冒险精神的尼古拉斯展开一段英雄般的旅程，结伴同行的是狮子骑士，以及他的狮子——这是一只看上去像猎犬而仍然会咆哮的狮子。 　　以上为emule上的介绍

像每年夏天一样，小莎乐美都会回到她坐落在葡萄牙山区的家乡度假。当假期在无忧无虑的气氛中开始时，她深爱的祖母却突然去世了。当大人们在葬礼上感到难过时，莎乐美却被那个被认为是女巫的人的灵魂所困扰。

A film-ballad about the dramatic lives of people living in a village in the Orava region during WW I, mainly the story of Eva Hlavajová, a young woman who, after her husband had to join the army, lives by herself in the times of hunger and poverty. Her hard life ends up in a tragic death which is one of the reasons for the revolt of the people against the unbearable conditions in the village.

该剧情改编自余华的同名小说。富家子弟福贵（葛优）沉迷赌博，妻子家珍（巩俐）多次劝说无果后，带着女儿凤霞离开了他。当晚，福贵输光全部家产，气死了父亲，只能靠变卖母亲的首饰租了间破屋维持生计。一年后，家珍拉着凤霞，怀里抱着刚出生的儿子有庆回到家中。福贵痛改前非，开始以演皮影戏安分过日子。 然而，好景不长。内战时期，福贵被国民党抓去当劳工，历经波折终于回到家乡与家人团聚。此后，凤霞因病成了哑巴。在随后的大跃进运动和文化大革命中，福贵虽有一些小幸运，但逆境始终如影随形。

《活着》主要讲述了20世纪40年代，福贵（葛优饰）因嗜赌成性导致家破人亡，妻子家珍（巩俐饰）带着孩子离开，福贵戒赌后家珍回归，一家人在贫困中相依为命。内战期间，福贵和春生（郭涛饰）被国民党充军，后被解放军俘虏，最终释放回家。20世纪50年代，福贵因家境贫寒被定为城镇贫民，逃过一劫，而龙二（倪大红饰）因地主身份被枪决。大跃进时期，福贵的儿子有庆（董飞饰）被区长（即春生）意外撞死。文革中，春生遭迫害，妻子自杀，他将积蓄交给福贵后企图自杀，但被家珍劝住。凤霞（刘天池饰）与二喜（姜武饰）结婚后生下馒头，但因产后大出血去世。影片最后，福贵、家珍、二喜和馒头在凤霞和有庆墓前祭奠，福贵对馒头表达了对未来的希望和憧憬，相信日子会越来越好。

讲述突然被不明病毒感染，并失控扩散的城市中，被孤立的幸存者身上发生的故事。刘亚仁将在片中饰演因与世隔绝而幸存的游戏玩家俊宇一角，朴信惠饰演直面…

讲述突然被不明病毒感染，并失控扩散的城市中，被孤立的幸存者身上发生的故事。刘亚仁将在片中饰演因与世隔绝而幸存的游戏玩家俊宇一角，朴信惠饰演直面极端情况，寻找新的生存方式的幸存者宥彬一角。

叶红梅和祝俊生是汶川地震中幸存的一对夫妻，不幸的是，他们8岁的女儿在这场大地震中遇难。像叶红梅夫妇一样的家庭还有很多，2009年他们大多住在临时板房区等待家园重建，同时也希望能再次生育一个孩子，让死去的那个生命"轮回"到新生命中。叶红梅已经40岁，她却依然放弃领养而选择了试管婴儿受孕，这条再次孕育的路却十分不顺利。叶红梅的身体有些吃不消，不菲的营养费也让这个刚经历过灾难的家庭感到吃力。丈夫祝俊生却一直坚定的想要再生一个女儿，自从女儿遇难后他的内心一直为没能救出女儿而内疚不已，他渴望救赎。新生命会如夫妻俩期待那样降临吗？