故事讲术平凡的女初中生花笼凛咲，身边的朋友都在讨论恋爱的问题，但自己却一直从未接触过恋爱的滋味。凛咲只能够听她的朋友分享她们的恋爱经验。但有一晚，凛咲却在外出卖东西的时候遇上了全校人气最高的男生夕暮统牙，并受他的邀请，偷偷潜入学校。自此，凛咲便与统牙有了接触了。

故事讲术平凡的女初中生花笼凛咲，身边的朋友都在讨论恋爱的问题，但自己却一直从未接触过恋爱的滋味。凛咲只能够听她的朋友分享她们的恋爱经验。但有一晚，凛咲却在外出卖东西的时候遇上了全校人气最高的男生夕暮统牙，并受他的邀请，偷偷潜入学校。自此，凛咲便与统牙有了接触了。 　　他是年级中最受欢迎的男孩子，现在，我还没有发现，喜欢上他的我是怎样的一种心情。喜欢上一个离自己很遥远的人，到底会是怎样的旅途呢

The story follows Risa, a girl with zero experience in romance. Meanwhile, a boy named Yuugure is the most popular student in Risa's school year. Even though the two have had no contact with each other in the past, they find themselves at school at the same time one night.

Set in the near future, public service privatization and increased mass unemployment figures have spurred years of strikes, riots, and widespread disruption. In response, government restrictions on Internet and social media sites have been implemented. Anthony, who has interrupted his studies at university to look after his younger sister Sam after the disappearance of their parents, lands a job working in a records room and begins to discover the untold story behind his parents' disappearance.

Election Day: Lens Across America weaves together the stories of 7 photographers as they cover the most surprising election day in American history, each from a different perspective and location.

Oscar-winning cinematographer Philippe Rousselot offers a master class in image making, with insightful examples from his work on Diva, Hope and Glory, A River Runs Through It, Dangerous Liaisons, Interview with the Vampire and many more in this cineaste's delight.

本片为中国传媒大学艺术学部动画与数字艺术学院13级学生毕业作品。

This experimental documentary uses the life stories of a Chinese woman artist to explore alternatives to dominant versions of history. Growing up in China during the Cultural Revolution, she first came to the U.S. to study, and then, after the government crackdown, to live. FLOW's narratives of the Cultural Revolution are constructed from her extremely personal and often satirical points of view. The fragments of her memory are used to undermine the master narrative of history. Yau Ching writes, "An exiled native speaks a language not fully comprehensible to her 'fellow-natives' any more. A part of her is not able to go back any more. Given its politically subversive content, the very fact that this tape can only be made here, when the native is not at home, highlights the limitations of 'home.' Her memory haunts her and blocks her from being assimilated by the dominant American society. She lives in this 'between-world dilemma,' deprived of the privileges of being fully identified either as a native or as a westerner." 　　In Mandarin, Cantonese and English with English subtitles. 　　Producer/Director/Editor: Yau Ching. Camera: Yau Ching, Ellen Pau. 'Butterfly in California' Camera: Robert Harris. On-line Editors: Karen Heyson, Eric Kinke, John Grod. Sound Mix: Karen Heyson. Creative Consultants: Yvonne Rainer, Mary Kelly, Deirdre Boyle. On-line Facilities: Center for New Television, Chicago, Film & Video arts, NY, Electric Film NY. Off-line Facility: Girls make Videos, inc. 　　Ordering & Fees

本片为中国传媒大学艺术学部动画与数字艺术学院13级学生毕业作品。

This experimental documentary uses the life stories of a Chinese woman artist to explore alternatives to dominant versions of history. Growing up in China during the Cultural Revolution, she first came to the U.S. to study, and then, after the government crackdown, to live. FLOW's narratives of the Cultural Revolution are constructed from her extremely personal and often satirical points of view. The fragments of her memory are used to undermine the master narrative of history. Yau Ching writes, "An exiled native speaks a language not fully comprehensible to her 'fellow-natives' any more. A part of her is not able to go back any more. Given its politically subversive content, the very fact that this tape can only be made here, when the native is not at home, highlights the limitations of 'home.' Her memory haunts her and blocks her from being assimilated by the dominant American society. She lives in this 'between-world dilemma,' deprived of the privileges of being fully identified either as a native or as a westerner." 　　In Mandarin, Cantonese and English with English subtitles. 　　Producer/Director/Editor: Yau Ching. Camera: Yau Ching, Ellen Pau. 'Butterfly in California' Camera: Robert Harris. On-line Editors: Karen Heyson, Eric Kinke, John Grod. Sound Mix: Karen Heyson. Creative Consultants: Yvonne Rainer, Mary Kelly, Deirdre Boyle. On-line Facilities: Center for New Television, Chicago, Film & Video arts, NY, Electric Film NY. Off-line Facility: Girls make Videos, inc. 　　Ordering & Fees