三个女孩芳芳（谢润 饰）、陶妮（刘琳 饰）、小杉（梅婷 饰）是大学时就在香樟树下结拜的金兰姊妹。三人却随着毕业而面临着更为纠结复杂的人生之路。小杉哥哥小松对芳芳心怀不轨，将其玷污，芳芳被逼嫁到其家，成为小杉的嫂子；同时，小杉另一哥哥小柯则娶了陶妮过门，陶妮本来暗恋的韩波，却和小杉走在了一起。就这样，昔日好友成了一个家庭中的各色成员，然而，现实却不断在考验着三人之间的友情，小松被送进监牢、韩波知道当年陶妮暗恋自己而挣扎在道德与感情之间、而芳芳成为了明星却挽回不了自己失败的婚姻，一连串命运的起伏浪潮就这样接连扑面而来，友情也在风浪中愈坚。

Synopsis 　　Having lost her husband in the Korean War and living as a refugee with her daughter Ju (Lee Seong-ju), Shin (Lee Min-ja) gets by with the help of her late husband's friend Lee Seong-jin (Shin Dong-hun). However, Lee's sense of duty toward his friend's widow soon turns into love. Sensing his feelings for Shin, Lee's wife (Park Yeong-suk) upbraids her husband in deep jealousy and hysteria, and even resorts to finding solace in the arms of a young man named Taek (Lee Taek-kyun), whom she meets by chance. The fiery affair between Taek and Lee's wife takes a different turn when Taek saves Shin's daughter Ju from drowning at the beach. Although Shin finds herself receiving romantic overtures from Lee, she falls in love instead with the savior of her daughter's life and entrusts her daughter to another family in order to move in with Taek. Unfortunately, Taek's former girlfriend Jin (Na Ae-sim), thought to have died in the war, returns and he decides to leave Shin, to her utter dismay. Already settled with Jin, Taek bids Shin farewell, but Shin, who had sought to find truth in her love life with Taek, is shocked into pointing a knife at her lover. 　　Notes 　　"The first and final film by Korea's original female director, Park Nam-ok, which faithfully portrays from a female perspective the desires of women after the Korean War." 　　The Widow, by Korea's first female director, realistically portrays from a woman's perspective the actual hardships and circumstances faced by post-war widows. When her husband's death results in the loss of her livelihood, the female protagonist accepts financial assistance from her husband's friend even as she resists his romantic advances. When she falls in love with a younger man, she is true to her own desires to the extent of leaving her daughter with another family and setting up a business and a home with the money she has received from her husband's friend. Interestingly, The Widowdoes not mythologize its depiction of motherhood, opting instead to starkly represent the honest desires of women after the war. Although Shin demonstrates inner conflict between romantic and maternal love, she ultimately chooses the former. The film could be said to present its female protagonist as someone, who is shockingly true to herself, but, at the same time, it refrains from vilifying her, or depicts her in an unsympathetic light. 　　Unlike many male directors who looked with a hypocritical, duplicitous gaze of fascination and chastisement on post-war "apres girls," Park Nam-ok's empathetic portrayal maintains a clear female perspective by showing just how difficult it was for women to survive among men while realizing their own desires. 　　Afterword: 　　- The surviving film stock lacks the final scene, making it difficult to ascertain the film's ending. 　　- The Widow came under the spotlight when it was screened at the 1st Women's Film Festival in Seoul, in 1997.

故事梗概 　　爸爸是一个资深刑警，面临一刀切的退休，再精明强干也得退，退出社会，退出工作的舞台；妈妈在家是贤妻良母，在医院是勤恳有声望的主治大夫，在一个例行的查房的清晨，妈妈突然遭遇二十年前的初恋情人、如今的垂危病人；女儿幼儿园的小老师，花样年华，这个大孩子，渴望成人，渴望成为一个女人。 　　爸爸表面沉着而内心惶惑，不知道如何面对骤然失重的生活。妈妈在家庭和情缘之间挣扎，不知道如何维持来之不易的平衡。女儿，不知道如何处理激情探险后的现实：她爱上了自己班里小朋友的父亲，一个有妇之夫。流年大利，流年不利，每个人都得独自面对。即便是家人，也未必会敞开心扉、交流内心深处最隐秘的疼痛。但是，他们仍互相慰籍着，在沉静中厮守，在日常的琐碎中共同渡过一段段日子。这就是家人的意义。 　　导演阐述 　　这不是一个“电视电影”，这是一部“底成本电影”。 　　一部用高清和DOLBY5.1 技术制作的底成本电影。它将在电影频道播放，也要能够在数字影院放映。 　　这也不是一个“情节的电影”，这是一部“情境的电影”。 　　因为不是动作或言词的，而是内心情状的。 　　影像应是讲究而平实的，讲究到看不出经营的痕迹。 　　音响应有暗示，但是能在正常的环境氛围里找到出处。 　　剪辑要有态度，断还是联，切还是抻，取决于我们对人物的态度。 　　这部片子的形式感要大大让位给内容。 　　这部片子倚重于演员很多。演员的表演是第一位的，摄影、录音、作曲的表演不能夺人眼目。 　　导演要尽可能地隐藏在幕后。 　　分寸感，是这部影片对导演的考量。 　　不要“催人泪下”，但要积蓄起让人心头发紧的力度。 　　要有“静穆的注视”，这应该是一部“厚道”的、“蕴籍”的影片。

24岁生日当天，芭芭拉得知丈夫战死越南，20年后，她决定拍一部关于越战的电影。在一位南越遗孀的陪同下，她走遍丈夫当年打仗的地方，藉由影像和新闻片段的交错寻问战争的本质，美、越两地的战后寡妇交相谈论战争带来的阴影，并不是要批判战争，而是让一段段错失的得以重新复活。

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大将军宋宴尘与姜书仪彼此深爱却因恩怨误会分开，姜书仪怀着身孕背井离乡，七年后因漠北大梁通商之事重新牵绊在一起...

该剧讲述了性格迥异的五位发小徐卫彪、汪磊、林志华、忠余楠、张鹏在时代变革中由于各自不同的选择走上不同道路，昔日挚友站在不同的对立面，最终分道扬镳的故事。