「回家，好好睡一覺」有多難？以動畫具象化當代蝸居日常，將活人住處喻為棺材。透過極為表現主義的畫風將中國南方城市裡的社畜與籠民情狀表露無遺。高壓、煩躁與扭曲，敘事頗具劉健《大世界》乃至湯淺政明的風格。

「回家，好好睡一覺」有多難？以動畫具象化當代蝸居日常，將活人住處喻為棺材。透過極為表現主義的畫風將中國南方城市裡的社畜與籠民情狀表露無遺。高壓、煩躁與扭曲，敘事頗具劉健《大世界》乃至湯淺政明的風格。

本片为中国传媒大学艺术学部动画与数字艺术学院13级学生毕业作品。

This experimental documentary uses the life stories of a Chinese woman artist to explore alternatives to dominant versions of history. Growing up in China during the Cultural Revolution, she first came to the U.S. to study, and then, after the government crackdown, to live. FLOW's narratives of the Cultural Revolution are constructed from her extremely personal and often satirical points of view. The fragments of her memory are used to undermine the master narrative of history. Yau Ching writes, "An exiled native speaks a language not fully comprehensible to her 'fellow-natives' any more. A part of her is not able to go back any more. Given its politically subversive content, the very fact that this tape can only be made here, when the native is not at home, highlights the limitations of 'home.' Her memory haunts her and blocks her from being assimilated by the dominant American society. She lives in this 'between-world dilemma,' deprived of the privileges of being fully identified either as a native or as a westerner." 　　In Mandarin, Cantonese and English with English subtitles. 　　Producer/Director/Editor: Yau Ching. Camera: Yau Ching, Ellen Pau. 'Butterfly in California' Camera: Robert Harris. On-line Editors: Karen Heyson, Eric Kinke, John Grod. Sound Mix: Karen Heyson. Creative Consultants: Yvonne Rainer, Mary Kelly, Deirdre Boyle. On-line Facilities: Center for New Television, Chicago, Film & Video arts, NY, Electric Film NY. Off-line Facility: Girls make Videos, inc. 　　Ordering & Fees

本片为中国传媒大学艺术学部动画与数字艺术学院13级学生毕业作品。

This experimental documentary uses the life stories of a Chinese woman artist to explore alternatives to dominant versions of history. Growing up in China during the Cultural Revolution, she first came to the U.S. to study, and then, after the government crackdown, to live. FLOW's narratives of the Cultural Revolution are constructed from her extremely personal and often satirical points of view. The fragments of her memory are used to undermine the master narrative of history. Yau Ching writes, "An exiled native speaks a language not fully comprehensible to her 'fellow-natives' any more. A part of her is not able to go back any more. Given its politically subversive content, the very fact that this tape can only be made here, when the native is not at home, highlights the limitations of 'home.' Her memory haunts her and blocks her from being assimilated by the dominant American society. She lives in this 'between-world dilemma,' deprived of the privileges of being fully identified either as a native or as a westerner." 　　In Mandarin, Cantonese and English with English subtitles. 　　Producer/Director/Editor: Yau Ching. Camera: Yau Ching, Ellen Pau. 'Butterfly in California' Camera: Robert Harris. On-line Editors: Karen Heyson, Eric Kinke, John Grod. Sound Mix: Karen Heyson. Creative Consultants: Yvonne Rainer, Mary Kelly, Deirdre Boyle. On-line Facilities: Center for New Television, Chicago, Film & Video arts, NY, Electric Film NY. Off-line Facility: Girls make Videos, inc. 　　Ordering & Fees

12多分钟的短片，是由BS-i制作的『东京少女』第一期，九位新锐导演的杰作短片集「68FILMS」中的一篇。 　　同样的衣服，同样的项链，同样的动作，偷窥，跟踪，想与喜欢的人同化的暗恋少女。像一株寄生木，自作主张地依赖着她的宿主生存，与他同化，甚至使他毁灭。没有对白，通过音乐，影像表现少女的内心世界。艳丽的色彩，云，风车，花开花落，就像梦境。还是那样纯净地微笑着，手指沾着鲜红的血，「我们要永远在一起....」

12多分钟的短片，是由BS-i制作的『东京少女』第一期，九位新锐导演的杰作短片集「68FILMS」中的一篇。 　　同样的衣服，同样的项链，同样的动作，偷窥，跟踪，想与喜欢的人同化的暗恋少女。像一株寄生木，自作主张地依赖着她的宿主生存，与他同化，甚至使他毁灭。没有对白，通过音乐，影像表现少女的内心世界。艳丽的色彩，云，风车，花开花落，就像梦境。还是那样纯净地微笑着，手指沾着鲜红的血，「我们要永远在一起....」

记录了中国黑龙江省一群伐木工人真实的生活，展现冰天雪地之中人类最原始的生存状态。2005年春节，于广义回到家乡黑龙江五常县，和林区的伐木工人一起度过了禁伐令生效前最后的伐木季节，并把他们的生活拍摄下来,为这种即将消失的生产生活方式留下了难得的影像记录。

记录了中国黑龙江省一群伐木工人真实的生活，展现冰天雪地之中人类最原始的生存状态。2005年春节，于广义回到家乡黑龙江五常县，和林区的伐木工人一起度过了禁伐令生效前最后的伐木季节，并把他们的生活拍摄下来,为这种即将消失的生产生活方式留下了难得的影像记录。