"我娘是先帝膝下唯一一位公主，宫中传闻我娘骄横跋扈，风流浪荡，男宠成群，先帝纵有不满，也只睁一只眼闭一只眼。直至太医诊断出我娘怀有身孕，这才急坏了先皇和先皇后。隔日，我娘去宫中求了一道圣旨后，便命人将当年的状元郎八抬大轿抬进了公主府。当年的状元郎不是别人，正是我如今名义上的爹，林桄。成婚之后，我娘风流不减，公主府夜夜笙歌，丝毫不在意她肚子里还有个我。"

前世妹妹抢下圣旨进宫为妃，却不善宫斗，遭皇后算计惨死冷宫而我嫁与纨绔世子，他成婚后带兵出征，仅三年就立下赫赫战功，权倾朝野。妹妹死后拉着我一起重生了，这次她主动把进宫的机会让给我，姐姐从没和我争过，这次我想让姐姐进宫她不知道，世子就是个蠢货，前世行军能无一败绩，全靠我坐镇帐中，玩转孙子兵法。宫里来了圣旨，让我们陆家选一个女儿进言。陆家与裴家也有婚约，一人进了宫，另一人就得与裴家世子爹爹坐在高堂之上，看向我和陆婉容，你们俩，谁想进宫为妃?

自认自己很聪明的霜精灵向它认为呆头呆脑的霜精灵发难：知道什么在响吗？见对方没反应，它生气地说：我的左耳朵！这表明人们在说我们霜柱的坏话，他们不喜欢我们。这时又有声音传来，它再问同伴，对方说是它的左耳朵，恼得它摇头又叹气：那是雪橇声！ 　　两只霜精灵应声前往，看见一个老人和一个胖子正朝相反的方向赶路，“聪明”的那只计上心来，和“呆脑”的那只商量要让两人吃些苦头，并挑了那个看起来比较好对付的老人。结果，“呆脑”的霜精灵把胖子搞感冒时，它正在被老人用雪橇使劲地抽打。

自认自己很聪明的霜精灵向它认为呆头呆脑的霜精灵发难：知道什么在响吗？见对方没反应，它生气地说：我的左耳朵！这表明人们在说我们霜柱的坏话，他们不喜欢我们。这时又有声音传来，它再问同伴，对方说是它的左耳朵，恼得它摇头又叹气：那是雪橇声！ 　　两只霜精灵应声前往，看见一个老人和一个胖子正朝相反的方向赶路，“聪明”的那只计上心来，和“呆脑”的那只商量要让两人吃些苦头，并挑了那个看起来比较好对付的老人。结果，“呆脑”的霜精灵把胖子搞感冒时，它正在被老人用雪橇使劲地抽打。

本片为中国传媒大学艺术学部动画与数字艺术学院13级学生毕业作品。

This experimental documentary uses the life stories of a Chinese woman artist to explore alternatives to dominant versions of history. Growing up in China during the Cultural Revolution, she first came to the U.S. to study, and then, after the government crackdown, to live. FLOW's narratives of the Cultural Revolution are constructed from her extremely personal and often satirical points of view. The fragments of her memory are used to undermine the master narrative of history. Yau Ching writes, "An exiled native speaks a language not fully comprehensible to her 'fellow-natives' any more. A part of her is not able to go back any more. Given its politically subversive content, the very fact that this tape can only be made here, when the native is not at home, highlights the limitations of 'home.' Her memory haunts her and blocks her from being assimilated by the dominant American society. She lives in this 'between-world dilemma,' deprived of the privileges of being fully identified either as a native or as a westerner." 　　In Mandarin, Cantonese and English with English subtitles. 　　Producer/Director/Editor: Yau Ching. Camera: Yau Ching, Ellen Pau. 'Butterfly in California' Camera: Robert Harris. On-line Editors: Karen Heyson, Eric Kinke, John Grod. Sound Mix: Karen Heyson. Creative Consultants: Yvonne Rainer, Mary Kelly, Deirdre Boyle. On-line Facilities: Center for New Television, Chicago, Film & Video arts, NY, Electric Film NY. Off-line Facility: Girls make Videos, inc. 　　Ordering & Fees

本片为中国传媒大学艺术学部动画与数字艺术学院13级学生毕业作品。

This experimental documentary uses the life stories of a Chinese woman artist to explore alternatives to dominant versions of history. Growing up in China during the Cultural Revolution, she first came to the U.S. to study, and then, after the government crackdown, to live. FLOW's narratives of the Cultural Revolution are constructed from her extremely personal and often satirical points of view. The fragments of her memory are used to undermine the master narrative of history. Yau Ching writes, "An exiled native speaks a language not fully comprehensible to her 'fellow-natives' any more. A part of her is not able to go back any more. Given its politically subversive content, the very fact that this tape can only be made here, when the native is not at home, highlights the limitations of 'home.' Her memory haunts her and blocks her from being assimilated by the dominant American society. She lives in this 'between-world dilemma,' deprived of the privileges of being fully identified either as a native or as a westerner." 　　In Mandarin, Cantonese and English with English subtitles. 　　Producer/Director/Editor: Yau Ching. Camera: Yau Ching, Ellen Pau. 'Butterfly in California' Camera: Robert Harris. On-line Editors: Karen Heyson, Eric Kinke, John Grod. Sound Mix: Karen Heyson. Creative Consultants: Yvonne Rainer, Mary Kelly, Deirdre Boyle. On-line Facilities: Center for New Television, Chicago, Film & Video arts, NY, Electric Film NY. Off-line Facility: Girls make Videos, inc. 　　Ordering & Fees