We pick up the story on our main character's bus ride home. He sits alone, looking content, trying to pass the time. Then, something seems to get in his eye, because he rubs it and then closes the buses window. Something changes about him. He looks around and feels a strange disgust in the bus filled with quiet strangers also trying to get home and minding their own business. Pavel-Ivanovich is so disgusted that he gets off the bus several stops before his home and walks, arriving at dark. From here his story begins, and we go along for his sad ride. From that evening on he sees only sadness and wrong in everything. He can't respond to kindness, and scolds those closest to him. He offends everyone. At his work he tries to go against as many people as possible, and hurt ordinary citizens too. He also feels that everyone is against him. His condition seems to worsen. How will all this end. Sure this can't be the end for Pavel-Ivanovich, a good man somewhere deep inside. 　　The brilliance of this film lies in the main character's deep state of mind. His suffering. The fact that he hurts everyone around him, feels horrible about it but still does it until he almost loses everything. If you like film's where you feel that you can relate or feel the character's emotions, you might like this film. An incredible pressure is built up throughout the film, and the last scene, for me at least, magically lifts it, if only for a couple of seconds. 　　This is a strange film, and I don't say that a lot. It is very hard to describe, but the main elements that drive the feel of this film are the main character's state of mind and the music (more than half of the film has incredible original music playing in the background). Daneliya's films have incredible music like in Autumn Marathon, Kin-Dza-Dza, and Thirty-Three. Daneliyaa was into jazz and played drums in a band way back before he started making film so his films are very rich in music. Also this film is sad, but is also a comedy. All these elements mix to make an incredible movie

陈家泠，1937年出生于杭州，目前定居于上海。纪录片以他的艺术创作为切入点，纪录他前往“三山五岳”和“佛教四圣地”等十二座高山采风写生的足迹，以及…

扬州杂货郎之女蓝玉与北平王世子秦烨幼时一玉定情，却因秦烨回京途中意外失忆、两人的信物阴差阳错被七公主楚嫣所得，秦烨因此认错了心上人。十年后，蓝玉身为神医药老关门弟子，却毅然决然以军医身份前往军营重逢秦烨，却在一夜春风后得知秦烨已经心有所属。因为责任她成了名不正言不顺的世子妃。成亲一年后，秦烨凯旋归来，一同带回了他的心上人七公主楚嫣。就在蓝玉决定离开之时，却意外发现自己怀有身孕，而秦烨也在相处中渐渐发现自己对蓝玉的情感有了变化。当真相一点点被揭开，他们又该如何在责任与爱中抉择？

扬州杂货郎之女蓝玉与北平王世子秦烨幼时一玉定情，却因秦烨回京途中意外失忆、两人的信物阴差阳错被七公主楚嫣所得，秦烨因此认错了心上人。十年后，蓝玉身为神医药老关门弟子，却毅然决然以军医身份前往军营重逢秦烨，却在一夜春风后得知秦烨已经心有所属。因为责任她成了名不正言不顺的世子妃。成亲一年后，秦烨凯旋归来，一同带回了他的心上人七公主楚嫣。就在蓝玉决定离开之时，却意外发现自己怀有身孕，而秦烨也在相处中渐渐发现自己对蓝玉的情感有了变化。当真相一点点被揭开，他们又该如何在责任与爱中抉择？

女孩在父亲爆出丑闻后，选择和联姻的霸总离婚，面对询问，霸总称家族联姻无所谓后悔。可不久后，他却哄着她复合。他爱她，却不知她真正的想要什么，她选择离婚的原因，不过是不想让恶毒家人连累他以及他的不在乎，而他都不懂。当他明白她的心后，开始去感受她真正需要的爱。

女孩在父亲爆出丑闻后，选择和联姻的霸总离婚，面对询问，霸总称家族联姻无所谓后悔。可不久后，他却哄着她复合。他爱她，却不知她真正的想要什么，她选择离婚的原因，不过是不想让恶毒家人连累他以及他的不在乎，而他都不懂。当他明白她的心后，开始去感受她真正需要的爱。

奥吉（哈威·凯特尔 Harvey Keitel 饰）经营着一间雪茄店，年近四十的他依然过着形单影只的生活，只有常常光顾的潦倒作家本杰明（威廉·赫特 William Hurt 饰）能偶尔跟他聊聊天，解解闷。本杰明的生活同样不尽如人意。一场意外让本杰明遇见了名为拉希德（哈罗·佩里纽 Harold Perrineau Jr. 饰）的黑人男孩，一来二去之间，两人结下了深厚的友谊。 　　某日，奥吉的前女友卢比（斯托卡特·詹宁 Stockard Channing 饰）来到了雪茄店，两人有十八年没有见过面了。卢比告诉奥吉，他们的女儿费莉希蒂（艾什莉·贾德 Ashley Judd 饰）不仅未婚先孕，还染上了毒品，尽管奥吉和这个素未谋面的女儿之间并没有亲情可言，但他还是驱车前去探望。

奥吉（哈威·凯特尔 Harvey Keitel 饰）经营着一间雪茄店，年近四十的他依然过着形单影只的生活，只有常常光顾的潦倒作家本杰明（威廉·赫特 William Hurt 饰）能偶尔跟他聊聊天，解解闷。本杰明的生活同样不尽如人意。一场意外让本杰明遇见了名为拉希德（哈罗·佩里纽 Harold Perrineau Jr. 饰）的黑人男孩，一来二去之间，两人结下了深厚的友谊。 　　某日，奥吉的前女友卢比（斯托卡特·詹宁 Stockard Channing 饰）来到了雪茄店，两人有十八年没有见过面了。卢比告诉奥吉，他们的女儿费莉希蒂（艾什莉·贾德 Ashley Judd 饰）不仅未婚先孕，还染上了毒品，尽管奥吉和这个素未谋面的女儿之间并没有亲情可言，但他还是驱车前去探望。

唐氏集团董事长兼大股东唐杰非常爱喝老马家做的羊杂汤，他的情人郑琳琳因觉得自己无名无份跟随其多年，又因唐杰把没和她打招呼就把别墅卖了和其大吵一架愤而离开，中途又突然折回却看到唐杰死了，家中还有一把带血的刀，吓得仓皇而逃，因为唐杰的狗叫引来保安才报警，刑警队罗队发现意外落在那的郑琳琳的手机，于是对其展开追踪，结果却发现她死在郊外湖中，令人迷惑，便开始对唐杰和郑琳琳的亲朋好友和邻居等一切相关人展开调查，谜团将一个个被揭开。

從小生長在普通家庭的阿輝，繼承爸爸的衣缽也成為一個郵差，但他逐漸發現這不是自 　　己想要的，卻因為性格和家庭氛圍的關係無法輕易和家人開口。在一個下雨天的夜晚，阿 　　輝出了意外，三個靈魂從他的肉體剝離出來，三個靈魂都有著個別的意識，卻只有其中一 　　個靈體想要讓自己甦醒過來，同時其他兩個靈魂也在不同空間發現自己生前的缺憾，不 　　知道是否能做出彌補的他們，想法逐一改變。