故事发生在沙俄统治时期的一座俄国庄园内，妮娜（西尔莎·罗南 Saoirse Ronan 饰）是居住在那里的一位少女，天真而又单纯的她对爱情有着非常浪漫美好的憧憬，对未来的生活也抱有着极大的希冀。康斯坦丁（比利·霍尔 Billy Howle 饰）希望能够成为一名作家，同时也深深的爱着妮娜，对她进行着火热的追求。 　　康斯坦丁的父亲去世了，母亲伊莲娜（安妮特·贝宁 Annette Bening 饰）带着一位名叫鲍里斯（寇瑞·斯托尔 Corey Stoll 饰）的作家前往庄园修养，在此期间，妮娜被放荡不羁的鲍里斯所吸引，然而鲍里斯实际上是一位浪荡的花花公子，他并不是真的爱上了妮娜，只不过是在玩弄她的感情。

故事发生在沙俄统治时期的一座俄国庄园内，妮娜是居住在那里的一位少女，天真而又单纯的她对爱情有着非常浪漫美好的憧憬，对未来的生活也抱有着极大的希冀。康斯坦丁希望能够成为一名作家，同时也深深的爱着妮娜，对她进行着火热的追求。

Stage Russia HD (Satirikon Theatre): Anton Chekhov’s first of four major plays dramatizes the romantic and artistic conflicts between its four main characters: Boris Trigorin, a well-known writer, the ingenue Nina, the fading actress Irina Arkadina, and her son the would-be playwright Konstantin Tréplev. Yury Butusov's frenetic production abounds in an incredible freedom and openness, delving deep into the throes of artistic creation and the anguish of the artist who struggles to find a language of his own. This is not only a performance about the theatre, it is an anthology of the theatre that devours its children like monsters. With the shuffling of actors' roles, you begin to sense something of a quadraphonic portrait of the creative personality, which demonstrates that greatness is precariously close to mediocrity while suggesting that the opposite is also true. Chekhov's characters are in the process of creating their lives or watching them fall apart, which, according to Butusov, may be a closely related activity.

Stage Russia HD (Satirikon Theatre): Anton Chekhov’s first of four major plays dramatizes the romantic and artistic conflicts between its four main characters: Boris Trigorin, a well-known writer, the ingenue Nina, the fading actress Irina Arkadina, and her son the would-be playwright Konstantin Tréplev. Yury Butusov's frenetic production abounds in an incredible freedom and openness, delving deep into the throes of artistic creation and the anguish of the artist who struggles to find a language of his own. This is not only a performance about the theatre, it is an anthology of the theatre that devours its children like monsters. With the shuffling of actors' roles, you begin to sense something of a quadraphonic portrait of the creative personality, which demonstrates that greatness is precariously close to mediocrity while suggesting that the opposite is also true. Chekhov's characters are in the process of creating their lives or watching them fall apart, which, according to Butusov, may be a closely related activity.

一个充满幻想的年轻女孩渴望舞台，一个颇具才华的年轻男孩渴望得到认可，一个沽名钓誉的男作家仍想挥霍人生，一个万众瞩目的女演员恐惧于光芒暗去。在这个仿佛与世隔绝的地方，梦想破灭了，希望破灭了，似乎剩下的唯一选择就是互相攻击。 　　颠覆性重构下的俄罗斯剧作家契诃夫名篇《海鸥》由阿妮亚·赖斯改编，HBO大热剧集《权力的游戏》女主角艾米莉亚·克拉克献上令人炫目的西区舞台首秀！这也是杰米·劳埃德制作公司星光璀璨的西区演出季又一力作，延续詹姆斯·麦卡沃伊领衔的《大鼻子情圣》中的写意与抒情，所有被提炼出的诗句都是爱与孤独的注脚。

契诃夫作品改编

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В статье о чеховских фильмах 1971 года Т. Шах-Азизова написала: "Экранизация "Чайки", сделанная Карасиком, получилась досадно холодной и иллюстративной… В картине выбивается вперед то, что сильнее: в стилистике - проза, в настроении - вялость, среди людей не поэт Треплев, не "чайка" Заречная, а умная хищница Аркадина, с жестокой точностью сыгранная Демидовой". 　　Во всем соглашаясь с этой оценкой, попробуем все же чуть уточнить ее - сформулируем то же немного иначе: "Выбивается вперед то, что сильнее: не "чайка" Заречная, а "чайка" Аркадина". Впрочем, нетрудно предвидеть и недоумения: Аркадина - чайка? Да полноте… 　　Алла Демидова по поводу роли в фильме Карасика публично не высказывалась, интервью не давала. Сошлюсь поэтому на слова, сказанные ею вроде бы между делом, для печати не предназначавшиеся, но отношение актрисы к образу в них выражено со всех определенностью.