林大学士府长女林语柔与北燕王萧景翳。医术与武艺超群的林语柔，与英勇善战的北燕王萧景翳相知相恋，婚后育有一子萧诺，生活幸福美满，林语柔的庶妹林昕儿因嫉妒，设计陷害姐姐。当北燕王中了罕见的“情丝扣”毒时，林语柔不顾自身安危，以身试毒为他解毒，却因此身染重病1。林昕儿趁机冒领功劳，并诬陷林语柔与他人有染，受毒素影响的北燕王信以为真，对林语柔恨之入骨。直到真相大白，林语柔已生命垂危，仅剩三月时光。北燕王在追悔中陪伴她度过最后的时光，试图弥补过错。

Attending church, baking bread, and marrying high school sweethearts are the standard in a small fishing town in Newfoundland, and despite not having checked the last two of those boxes, Eliza (Michaela Kurimsky) is beloved by all those around her. 　　After a church service, she parts ways with her mom and grandmother and heads into the nearby woods, with a purpose that nobody in her life is aware of: taking self-portraits in a bikini and ski mask to post to her super-popular anonymous social media account, which is filled with many more suggestive photos of Eliza. 　　Nobody from the town knows about another secret of hers: that in private quarters, she has a relationship with Toni (Elle-Máijá Tailfeathers, TIFF ’22’s Stellar). An outsider to the town and an out lesbian, Toni is begrudgingly welcomed. 　　A questionable meet-up with a married man unravels all of Eliza’s secrets and forces her to re-examine her morals, her identity, and her place in the community, in a spectacular fashion. She can’t run away from the repercussions of her choices and, ultimately, is surprised by those who continue to stand with her.

Attending church, baking bread, and marrying high school sweethearts are the standard in a small fishing town in Newfoundland, and despite not having checked the last two of those boxes, Eliza (Michaela Kurimsky) is beloved by all those around her. 　　After a church service, she parts ways with her mom and grandmother and heads into the nearby woods, with a purpose that nobody in her life is aware of: taking self-portraits in a bikini and ski mask to post to her super-popular anonymous social media account, which is filled with many more suggestive photos of Eliza. 　　Nobody from the town knows about another secret of hers: that in private quarters, she has a relationship with Toni (Elle-Máijá Tailfeathers, TIFF ’22’s Stellar). An outsider to the town and an out lesbian, Toni is begrudgingly welcomed. 　　A questionable meet-up with a married man unravels all of Eliza’s secrets and forces her to re-examine her morals, her identity, and her place in the community, in a spectacular fashion. She can’t run away from the repercussions of her choices and, ultimately, is surprised by those who continue to stand with her.

中文名竹 　　出品时间1980 　　出品公司峨眉电影制片厂 　　制片地区中国 　　类 型剧情 　　主 演崔新琴，李岚 　　片 长77分钟 　　上映时间1980年 　　对白语言普通话 　　色 彩彩色 　　imdb编码tt0334791 　　在一列满载红卫兵的火车上，竹花忿忿不平地思索着：“妈妈，我无论如何不能相信您会是叛徒，难道您和爸爸的革命经历都是假的吗？”听妈妈竹子的话，竹花回到老家竹山参加劳动，在进山时，遇到了小管老师，不由想起了爸妈的故事。竹子去找阿叔，看见洗完伤口后穿上学生装的阿符，阿符是地下党的交通员。后来，竹子和阿符成亲了。两人被敌人关进了监狱，敌人使出软硬兼施的手段，都不能使竹子和阿符屈服，激怒的敌人杀死了阿符。数年后，竹山迎来了第二次解放，竹花和小管幸福地建立了爱情。 　　2演职员表 　　演员表 　　角色 演员 备注 　　竹子 崔新琴 ---- 　　竹花 李岚 ---- 　　叔公 刘仲元 ---- 　　小管 李玉龙 ---- 　　阿符 赵春明 ---- 　　公社主任 森林 ---- 　　竹叶 俞飞鸿 ---- 　　老管 马瀛波 ---- 　　职员表 　　▪ 导演：司徒兆敦；汪岁寒 　　▪ 副导演（助理）：王淑琰 　　▪ 编剧：汪岁寒；司徒兆敦 　　▪ 摄影：廖家祥；俞德孚 　　▪ 配乐：阎飞 　　▪ 剪辑：赵绮华；张兰芳 　　▪ 道具：郑治平 　　▪ 美术设计：王树薇 　　▪ 服装设计：王白石 　　▪ 灯光：张丙乾；张连栋 　　▪ 录音：隋锡忠；张瑞坤 　　▪ 剧务：森林

中文名竹 　　出品时间1980 　　出品公司峨眉电影制片厂 　　制片地区中国 　　类 型剧情 　　主 演崔新琴，李岚 　　片 长77分钟 　　上映时间1980年 　　对白语言普通话 　　色 彩彩色 　　imdb编码tt0334791 　　在一列满载红卫兵的火车上，竹花忿忿不平地思索着：“妈妈，我无论如何不能相信您会是叛徒，难道您和爸爸的革命经历都是假的吗？”听妈妈竹子的话，竹花回到老家竹山参加劳动，在进山时，遇到了小管老师，不由想起了爸妈的故事。竹子去找阿叔，看见洗完伤口后穿上学生装的阿符，阿符是地下党的交通员。后来，竹子和阿符成亲了。两人被敌人关进了监狱，敌人使出软硬兼施的手段，都不能使竹子和阿符屈服，激怒的敌人杀死了阿符。数年后，竹山迎来了第二次解放，竹花和小管幸福地建立了爱情。 　　2演职员表 　　演员表 　　角色 演员 备注 　　竹子 崔新琴 ---- 　　竹花 李岚 ---- 　　叔公 刘仲元 ---- 　　小管 李玉龙 ---- 　　阿符 赵春明 ---- 　　公社主任 森林 ---- 　　竹叶 俞飞鸿 ---- 　　老管 马瀛波 ---- 　　职员表 　　▪ 导演：司徒兆敦；汪岁寒 　　▪ 副导演（助理）：王淑琰 　　▪ 编剧：汪岁寒；司徒兆敦 　　▪ 摄影：廖家祥；俞德孚 　　▪ 配乐：阎飞 　　▪ 剪辑：赵绮华；张兰芳 　　▪ 道具：郑治平 　　▪ 美术设计：王树薇 　　▪ 服装设计：王白石 　　▪ 灯光：张丙乾；张连栋 　　▪ 录音：隋锡忠；张瑞坤 　　▪ 剧务：森林

该片讲述了一群舞蹈专业的女孩即将面临毕业，她们夜以继日的反复进行演出排练，期望父母在舞台上能够看到自己精彩的演出，无数次的疼痛化成最后美丽的华章，破茧成蝶。

2009年昂西动画节开幕短片。

2009年昂西动画节开幕短片。

《风起逸竹》讲述了青年干部柳雁宁的驻村成长故事。以逸竹村的文物保护与商业开发冲突为核心线索，探讨基层治理与乡村振兴的深层命题。驻村过程里，两条截然不同的线索在村子里交织，村中的贾玉秀始终用笔记本记录村民琐事，抱着“把乡亲当自家人”的信念守护村落；而刘军虎、周园却为了利益相互勾结，试图以开发之名侵蚀乡村的资源与文化。在这场“坚守与迷失”的博弈中，柳雁宁完成了从“外来者”到“村里人”的蜕变。

More than once, the protagonists in Mimang wonder where they are and where they’re going—it is a concrete, geographical question born from walking around the streets of Seoul, but as the film progresses, that urban journey also proves to be an existential one. We accompany the characters in some stretches of their path—many years separate each of the episodes that make up the film, and that distance reveals changes through what remains. This is not a film about earthquakes, but about small transformations, and the marks of time can be seen not only in the actors’ bodies, but also in that other omnipresent protagonist that is Seoul, whose vitality invades every shot. Like others before him (it’s inevitable to think about Truffaut or Linklater), here, Kim Taeyang reminds us that cinema is the best time machine that has been invented so far. 　　源自：https://www.mardelplatafilmfest.com/38/en/pelicula/mimang