在临近巴芬岛的格林兰西部冰原某处，有两条汇聚的冰川河流还从未有人探索过。三位基地探险家将目标定在了这里，并称它为“银河双子”（冰河系）。他们拖着一雪橇的装备和物资，穿越600英里的冰川，希望成为探索这些只在谷歌地图上看过一眼的极地河流第一人。本片获2017年英国肯道尔国际山地电影节 最佳探险精神奖

北方冰河里发现了一具男尸，其胃里一种罕见化学原料引起了老警察周鹏的注意。同时南方年轻警察汪豪正在调查一起绑架案。两位警察一同找出隐藏在背后的秘…

在零下四十度极寒之地，以周鹏（梁家辉 饰）、汪豪（佟大为 饰）为首的“追凶者”深入冰河，追查真凶寻找真相。在暗藏杀机的冷酷冰河，牵一发而动全身，每一个人都无法避免地被卷入一场场错综复杂的事件，成为“追凶”成员。而冰河下的最终真相却颠覆所有人的想象……

时间回到两万年前，那时，我们所在的地球是一个非常不同的世界。北半球被冰川覆盖，巨大的冰河冲下山谷，延伸到平原，随着海平面下降，大陆开始升起。体积庞大的长毛兽和凶猛的食肉动物统治世界，一些动物则选择迁徙。它们要穿过广袤而陌生的平原。在它们当中，人类作为杂食动物，在求生的过程中也不得不面对挑战。通过独有的挖掘方法和最先进的法医分析以及壮观的电脑图像界面，《冰河期巨兽》回到史前大陆，发掘古老而精致的史前动物拼图，从而以史前动物的视角再现了冰川时期。

Based on real events, it follows a Neo-Nazi who plans to kill an MP and how his plan was foiled by an inside man.

Based on real events, it follows a Neo-Nazi who plans to kill an MP and how his plan was foiled by an inside man.

It follows a crew of fierce female convicts who break free and go on the run.

It follows a crew of fierce female convicts who break free and go on the run.

A car wreck on a beach road. While the passengers gather round the broken engine the driver, a young man meets his doppelganger on the beach. He beats and strangles him to death. A hospital. The young man walks down a flight of stairs passing a group of beautiful nurses and is hit by a crutch, thrown by his doppelganger who’d been waiting for him at the top of the staircase. Again he beats him to death with the crutch disposing of the corpse in the nearby toilet room. Leaving the toilet the young man is again confronted with his living doppelganger and collapses. A car. The young man now drives through Tokyo’s outskirts accompanied by a beautiful woman who tries to hug and kiss him. Desperately he tries to escape from her leaping through the windshield of the driving car now flying high above the highways landing on a table on the rooftop of a building trying to hide from the woman, who somehow managed to follow him through the air… 　　Sounds crazy? It’s the synopsis of the first 10 minutes of Adachi’s independently produced experiment in classical surrealism, a dreamlike Möbius-strip of a film, which was the formal opening film at the famous underground theatre Zasori-za located in the basement of Shinjuku Bunka, the headquaters of ATG and the Tokyo underground movements of the 60’s. The original print was sepia-tinted, hence the distorted colour of the stills.

A car wreck on a beach road. While the passengers gather round the broken engine the driver, a young man meets his doppelganger on the beach. He beats and strangles him to death. A hospital. The young man walks down a flight of stairs passing a group of beautiful nurses and is hit by a crutch, thrown by his doppelganger who’d been waiting for him at the top of the staircase. Again he beats him to death with the crutch disposing of the corpse in the nearby toilet room. Leaving the toilet the young man is again confronted with his living doppelganger and collapses. A car. The young man now drives through Tokyo’s outskirts accompanied by a beautiful woman who tries to hug and kiss him. Desperately he tries to escape from her leaping through the windshield of the driving car now flying high above the highways landing on a table on the rooftop of a building trying to hide from the woman, who somehow managed to follow him through the air… 　　Sounds crazy? It’s the synopsis of the first 10 minutes of Adachi’s independently produced experiment in classical surrealism, a dreamlike Möbius-strip of a film, which was the formal opening film at the famous underground theatre Zasori-za located in the basement of Shinjuku Bunka, the headquaters of ATG and the Tokyo underground movements of the 60’s. The original print was sepia-tinted, hence the distorted colour of the stills.